Australian Cinematographer Magazine

Asia-Pacific's Leading Cinematography Magazine

The Cinematography Behind ‘The Great’

Posted on September 1, 2020October 5, 2020 by acmag0

The Australian Cinematographer Behind Disney’s Epic Live-Action ‘Mulan’

Posted on June 1, 2020July 3, 2020 by acmag0

Cinematographer Bonnie Elliott ACS On Shooting ABC’s ‘Stateless’

Posted on March 1, 2020June 1, 2020 by acmag0

Ari Wegner ACS on shooting ‘True History of the Kelly Gang’

Posted on March 1, 2020May 30, 2020 by acmag0

Cinematographer Greig Fraser ACS ASC steps into the unknown on ‘The Mandalorian’

Posted on March 1, 2020May 7, 2020 by acmag0

LUMIX S5

Posted on September 3, 2020September 3, 2020 by acmag0

Fujinon Premista Lenses

Posted on September 2, 2020September 3, 2020 by acmag0

‘Babyteeth’ shot by award-winning cinematographer Andrew Commis ACS

Posted on September 1, 2020October 24, 2020 by acmag0

Oscar-Winning Cinematographer Dion Beebe ACS ASC Shoots Helen Reddy Biopic ‘I Am Woman’

Posted on September 1, 2020October 5, 2020 by acmag0

Cinematographer Azul Serra Shoots Netflix Series ‘Boca a Boca’

Posted on September 1, 2020October 5, 2020 by acmag0

The Cinematography Behind ‘The Great’

Posted on September 1, 2020October 5, 2020 by acmag0

Australian Cinematographer Hossein Khodabandehloo on his latest short film ‘Shepherd’s Pie’

Posted on July 1, 2020September 3, 2020 by acmag0

Cinematographers Nicola Daley ACS And Alan Caso ASC Interview Each Other On Filming Landmark Series ‘Paradise Lost’

Posted on July 1, 2020September 2, 2020 by acmag0

Andrew Strahorn Shoots ‘9-1-1: Lone Star’ for Fox

Posted on June 1, 2020August 20, 2020 by acmag0

Jack Shepherd Shoots Bold New Series ‘Cloudy River’

Posted on June 1, 2020August 18, 2020 by acmag0

Cinematographer Josh Mckie on shooting Melanie Martinez’ epic ‘K-12’.

Posted on June 1, 2020August 1, 2020 by acmag0

How Cinematographer Charlie Sarroff Shot Stan’s Psychological Horror Hit ‘Relic’

Posted on June 1, 2020August 14, 2020 by acmag0

A Brief History Of Steadicam Operating In Australia

Posted on June 1, 2020August 21, 2020 by acmag0

How Australian Cinematographer Toby Oliver ACS (Get Out) Shot Season Two Of Hit Netflix Series ‘Dead To Me’

Posted on June 1, 2020August 11, 2020 by acmag0

Cinematographer Michael Tessari Shoots His First Feature Film, Awoken

Posted on June 1, 2020August 12, 2020 by acmag0

Caleb Ware on shooting the award-winning documentary ‘By The River’

Posted on June 1, 2020August 1, 2020 by acmag0

Teaching Cinematography Online In The Time Of Covid-19

Posted on June 1, 2020July 6, 2020 by acmag0

BENDER

Posted on June 1, 2020July 10, 2020 by acmag0

The Australian Cinematographer Behind Disney’s Epic Live-Action ‘Mulan’

Posted on June 1, 2020July 3, 2020 by acmag0

Pablo Baião Behind The Camera On Brazilian Film ‘O Homem Cordial’

Posted on June 1, 2020July 8, 2020 by acmag0