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DOP Peter Menzies Jr.jpg</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/all-eyez-on-me/</loc><lastmod>2018-01-08T12:36:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tupac-shakur-demetrius-shipp-jr-in-the-recording-studio-in-all-eyez-on-me-dop-peter-menzies-jr.jpg</image:loc><image:title>Tupac Shakur (Demetrius Shipp Jr) in the recording studio in 'All Eyez on Me' - DOP Peter Menzies Jr.jpg</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/alex-russell-kevin-daniel-radcliffe-yossi-joel-jackson-marcus-and-thomas-kretschmann-karl-in-jungle-dop-stefan-duscio.jpg</image:loc><image:title>Alex Russell (Kevin), Daniel Radcliffe (Yossi), Joel Jackson (Marcus) and Thomas Kretschmann (Karl) in 'Jungle' - DOP Stefan Duscio</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-stefan-duscio-navy-cap-with-cast-and-crew-while-filming-jungle-in-columbia-photo-supplied.jpg</image:loc><image:title>Cinematographer Stefan Duscio (Navy Cap) with cast and crew while filming 'Jungle' in Columbia - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-stefan-duscio-behing-the-camera-on-day-32-filming-jungle-in-columbia-photo-supplied.jpg</image:loc><image:title>Cinematographer Stefan Duscio behing the camera on Day 32 filming 'Jungle' in Columbia - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/daniel-radcliffe-yossi-and-alex-russell-kevin-filming-in-columbia-for-jungle-dop-stefan-duscio.jpg</image:loc><image:title>Daniel Radcliffe (Yossi) and Alex Russell (Kevin) filming in Columbia for 'Jungle' - DOP Stefan Duscio</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/daniel-radcliffe-yossi-thomas-kretschmann-karl-in-jungle-dop-stefan-duscio.jpg</image:loc><image:title>Daniel Radcliffe (Yossi), Thomas Kretschmann (Karl) in 'Jungle' - DOP Stefan Duscio</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/daniel-radcliffe-plays-yossi-ghinsberg-in-jungle-dop-stefan-duscio.jpg</image:loc><image:title>Daniel Radcliffe plays Yossi Ghinsberg in 'Jungle' - DOP Stefan Duscio</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:52:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/director-gred-mclean-with-cinematographer-greg-mclean-on-location-in-columbia-filming-jungle-photo-supplied.jpg</image:loc><image:title>Director Gred McLean with Cinematographer Greg McLean on location in Columbia filming Jungle - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/jungle/</loc><lastmod>2018-01-08T12:53:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/dsc07791.jpg</image:loc><image:title>DSC07791</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:07:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/06i9924-2.jpg</image:loc><image:title>_06I9924-2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:08:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/d5a4831.jpg</image:loc><image:title>_D5A4831</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:08:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/f4q0887.jpg</image:loc><image:title>_F4Q0887</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:08:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/a003_c083_0307io-0001533.jpg</image:loc><image:title>A003_C083_0307IO.0001533</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:08:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/a004_c096_0825af-0003344.jpg</image:loc><image:title>A004_C096_0825AF</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:08:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/abraham-joffe.jpg</image:loc><image:title>Abraham joffe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:09:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/bahamas-drone.jpg</image:loc><image:title>Bahamas Drone</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:09:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/episode-6-005-credit-abraham-joffe.jpg</image:loc><image:title>Episode 6 - 005 - credit Abraham Joffe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:10:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/a003_c083_0307io-00015331.jpg</image:loc><image:title>A003_C083_0307IO.0001533</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:10:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/abraham-joffe1.jpg</image:loc><image:title>Abraham joffe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:11:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/echeng160418_182614.jpg</image:loc><image:title>echeng160418_182614</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/tales-by-light/</loc><lastmod>2018-01-08T13:11:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/episode-6-005-credit-abraham-joffe1.jpg</image:loc><image:title>Episode 6 - 005 - credit Abraham Joffe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:27:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/new-samuel-l-jackson-and-ryan-reynolds-in-the-hitmans-bodyguard-dop-jules-oloughlin-acs-asc.jpg</image:loc><image:title>THB_5625.NEF</image:title><image:caption>THB_5625.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:28:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/behind-the-scenes-with-the-hitmans-bodyguard-photo-supplied.jpg</image:loc><image:title>Behind the scenes with 'The Hitman's Bodyguard' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:28:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-jules-oloughlin-acs-on-location-in-amsterdam-shooting-the-hitmans-bodyguard-photo-supplied.jpg</image:loc><image:title>THB_1924.NEF</image:title><image:caption>THB_1924.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:28:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/filming-the-hitmans-bodyguard-in-sofia-bulgaria-full-silk-canopy-was-made-to-match-exterior-shots-done-in-london-photo-supplied.jpg</image:loc><image:title>Filming 'The Hitman's Bodyguard' in Sofia, Bulgaria. Full silk canopy was made to match exterior shots done in London - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:28:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/gary-oldman-as-vladislav-dukhovich-in-the-hitmans-bodyguard-dop-jules-oloughlin-acs-asc.jpg</image:loc><image:title>VLADISLAV DUKHOVICH (Gary Oldman) in THE HITMAN'S BODYGUARD.</image:title><image:caption>VLADISLAV DUKHOVICH (Gary Oldman) in THE HITMAN'S BODYGUARD.</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:28:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/salma-hayek-as-sonia-in-the-hitmans-bodyguard-dop-jules-oloughlin-acs.jpg</image:loc><image:title>SONIA KINCAID (Salma Hayek) in THE HITMAN'S BODYGUARD.</image:title><image:caption>SONIA KINCAID (Salma Hayek) in THE HITMAN'S BODYGUARD.</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/the-hitmans-bodyguard/</loc><lastmod>2018-01-08T13:29:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/samuel-l-jackson-in-the-hitmans-bodyguard-dop-jules-oloughlin-acs.jpg</image:loc><image:title>Samuel L. Jackson in 'The Hitman's Bodyguard' - DOP Jules O'Loughlin ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:44:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/nicole-kidman-in-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>First Look</image:title><image:caption>Programme Name: Top Of The Lake 2 - TX: n/a - Episode: First Look (No. First Look) - Picture Shows: ++HELD BACK FOR COMS++ Julia (NICOLE KIDMAN) - (C) See Saw Productions Australia - Photographer: Sally Bongers</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/a-scene-form-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>A scene form 'Top of the Lake; China Girl' - DOP Germain McMicking</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/a-scene-from-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>A scene from 'Top Of The Lake; China Girl' - DOP Germain McMicking</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/elisabeth-moss-in-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>Elisabeth Moss in 'Top of the Lake; China Girl' - DOP Germain McMicking</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/elisabeth-moss-reprises-her-role-as-robin-griffin-in-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>Elisabeth Moss reprises her role as Robin Griffin in 'Top of the Lake; China Girl' - DOP Germain McMicking</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/elizabeth-moss-and-gwendoline-christie-in-top-of-the-lake-china-girl-dop-germain-mcmicking-photo-supplied.jpg</image:loc><image:title>Elizabeth Moss and Gwendoline Christie in 'Top of the Lake; China Girl' - DOP Germain McMicking, PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/top-of-the-lake-china-girl/</loc><lastmod>2018-01-08T13:45:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/gwendoline-christie-in-top-of-the-lake-china-girl-dop-germain-mcmicking.jpg</image:loc><image:title>Gwendoline Christie in 'Top of the Lake; China Girl' - DOP Germain McMicking</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:53:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/kate-winslet-as-alex-martin-in-the-mountain-between-us-photo-kimberley-french.jpg</image:loc><image:title>_KF15850.NEF</image:title><image:caption>_KF15850.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:54:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/cinematographer-mandy-walker-acs-asc-with-a-camera-first-assistant-doug-lavender-shooting-the-mountain-between-us-photo-supplied.jpg</image:loc><image:title>xx_KF20218.RAF</image:title><image:caption>xx_KF20218.RAF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:54:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/idris-elba-and-kate-winslet-in-the-mountain-between-us-photo-kimberley-french.jpg</image:loc><image:title>_KF19185.NEF</image:title><image:caption>_KF19185.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:54:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/idris-elba-as-ben-bass-in-the-mountain-between-us-photo-kimberley-french.jpg</image:loc><image:title>_KF13096.NEF</image:title><image:caption>_KF13096.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:54:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/kate-winslet-and-idris-elba-filming-with-boom-operator-jon-lavender-in-shot-photo-supplied.jpg</image:loc><image:title>Kate Winslet and Idris Elba filming, with Boom Operator Jon Lavender in shot - PHOTO Supplied</image:title><image:caption>Idris Elba and Kate Winslet on the set of Twentieth Century Fox's "The Mountain Between Us."</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-mountain-between-us/</loc><lastmod>2018-01-08T13:54:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/kate-winslet-trudges-across-peaks-alongside-a-yellow-labrador-played-by-two-dogs-named-raleigh-and-austin-in-the-mountain-between-us-photo-kimberley-french.jpg</image:loc><image:title>_KF15717.NEF</image:title><image:caption>_KF15717.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:03:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-frame-grab-7.jpg</image:loc><image:title>Romper Stomper Frame grab-7</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:03:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-stills-1.jpg</image:loc><image:title>Romper Stomper Stills-1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:03:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-stills-2.jpg</image:loc><image:title>Romper Stomper Stills-2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:03:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-stills-4.jpg</image:loc><image:title>Romper Stomper Stills-4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:04:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-stills-10.jpg</image:loc><image:title>Romper Stomper Stills-10</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:04:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/romper-stomper-stills-13.jpg</image:loc><image:title>Romper Stomper Stills-13</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/romper-stomper/</loc><lastmod>2018-01-08T14:04:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/romper-stomper-stills-11.jpg</image:loc><image:title>Romper Stomper Stills-11</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-letdown/</loc><lastmod>2018-01-08T14:14:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/audrey-alison-bell-and-stevie-nicks-in-the-letdown-dop-judd-overton.jpg</image:loc><image:title>Audrey (Alison Bell) and Stevie Nicks in 'The Letdown' - DOP Judd Overton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-letdown/</loc><lastmod>2018-01-08T14:14:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/alison-bell-in-e28098the-letdown_-dop-judd-overton.jpg</image:loc><image:title>Alison Bell in ‘The Letdown_ - DOP Judd Overton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-letdown/</loc><lastmod>2018-01-08T14:15:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/the-letdown-also-stars-lucy-durack-and-sacha-horler-dop-judd-overton.jpg</image:loc><image:title>'The Letdown' also stars Lucy Durack and Sacha Horler - DOP Judd Overton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-letdown/</loc><lastmod>2018-01-08T14:15:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/alison-bell-stars-as-first-time-mum-audrey-in-the-letdown-dop-judd-overton-photo-supplied.jpg</image:loc><image:title>TOD TV The Letdown</image:title><image:caption>TOD TV The Letdown</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/the-letdown/</loc><lastmod>2018-01-08T14:15:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/lucy-durack-in-the-letdown-dop-judd-overton.jpg</image:loc><image:title>Lucy Durack in 'The Letdown' - DOP Judd Overton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/one-percent/</loc><lastmod>2018-01-08T14:23:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/knuck.jpg</image:loc><image:title>Knuck</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/one-percent/</loc><lastmod>2018-01-08T14:26:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/cover-3-of-68-2.jpg</image:loc><image:title>cover (3 of 68) 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/one-percent/</loc><lastmod>2018-01-08T14:26:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/cover-64-of-68-2.jpg</image:loc><image:title>cover (64 of 68) 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/one-percent/</loc><lastmod>2018-01-08T14:26:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/katrina.jpg</image:loc><image:title>Katrina</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/one-percent/</loc><lastmod>2018-01-08T14:27:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/paddo.jpg</image:loc><image:title>Paddo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-08T14:34:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/carly-brittany-allen-in-a-scene-from-jigsaw-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Brittany Allen as "Carly" in JIGSAW.</image:title><image:caption>Brittany Allen as "Carly" in JIGSAW.</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-08T14:35:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/anna-laura-vandervoort-in-jigsaw-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Laura Vandervoort as "Laura" in JIGSAW.</image:title><image:caption>Laura Vandervoort as "Laura" in JIGSAW.</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-08T14:35:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/laura-vandervoort-as-anna-in-jigsaw-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Laura Vandervoort as Anna in 'Jigsaw' - DOP Ben Nott ACS, PHOTO Supplied</image:title><image:caption>??????????????????????????????????????????????????????????????</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-08T14:35:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/laura-vandervoort-plays-anna-in-jigsaw-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Laura Vandervoort on the set of JIGSAW.</image:title><image:caption>Laura Vandervoort on the set of JIGSAW.</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-12T12:38:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/matt-passmore-as-logan-in-jigsaw-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Matt Passmore as Logan in 'Jigsaw' - DOP Ben Nott ACS, PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/12/01/jigsaw/</loc><lastmod>2018-01-08T14:36:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/12/screen-shot-2018-01-08-at-10-35-34-pm.png</image:loc><image:title>Screen Shot 2018-01-08 at 10.35.34 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/acsmagsml_fotor2/</loc><lastmod>2018-01-09T05:19:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/acsmagsml_fotor2.png</image:loc><image:title>ACSmagSML_Fotor2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/review-call-me-by-your-name/</loc><lastmod>2018-01-10T14:06:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/call-me-by-your-name-dop-sayombhu-mukdeeprom.jpg</image:loc><image:title>'Call Me by Your Name' - DOP Sayombhu Mukdeeprom</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/review-final-portrait/</loc><lastmod>2018-01-10T14:10:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/09/final-portrait-dop-danny-cohen-bsc.jpg</image:loc><image:title>DSC_9033.jpg</image:title><image:caption>DSC_9033.jpg</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/09/01/review-gods-own-country/</loc><lastmod>2018-01-10T14:11:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/gods-own-country-dop-joshua-james-richards.jpg</image:loc><image:title>'God's Own Country' - DOP Joshua James Richards</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/06/01/review-pulse/</loc><lastmod>2018-01-10T14:21:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/pulse-dop-stevie-cruz-martin.jpg</image:loc><image:title>'Pulse' - DOP Stevie Cruz-Martin</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/06/01/review-barbecue/</loc><lastmod>2018-01-10T14:26:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/screen-shot-2018-01-10-at-10-19-05-pm.png</image:loc><image:title>Screen Shot 2018-01-10 at 10.19.05 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/after-the-smoke-dop-velinda-wardell/</loc><lastmod>2018-01-10T14:30:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/after-the-smoke-dop-velinda-wardell.jpeg</image:loc><image:title>'After the Smoke' - DOP Velinda Wardell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/coat-of-arms-dop-warwick-thornton/</loc><lastmod>2018-01-10T14:30:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/coat-of-arms-dop-warwick-thornton.jpeg</image:loc><image:title>'Coat of Arms' - DOP Warwick Thornton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/fysh-dop-jeremy-rouse/</loc><lastmod>2018-01-10T14:30:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/fysh-dop-jeremy-rouse.jpeg</image:loc><image:title>'Fysh' - DOP Jeremy Rouse</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/locker-room-max-walker/</loc><lastmod>2018-01-10T14:30:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/locker-room-max-walker.jpeg</image:loc><image:title>'Locker Room' - Max Walker</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/sengatan-dop-james-ballard/</loc><lastmod>2018-01-10T14:30:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/sengatan-dop-james-ballard.jpeg</image:loc><image:title>'Sengatan' - DOP James Ballard</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/waterfall-dop-sherwin-akbarzadeh/</loc><lastmod>2018-01-10T14:31:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/waterfall-dop-sherwin-akbarzadeh.jpeg</image:loc><image:title>'Waterfall' - DOP Sherwin Akbarzadeh</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/smashed-dop-maxx-corkindale/</loc><lastmod>2018-01-10T14:44:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/smashed-dop-maxx-corkindale.jpg</image:loc><image:title>'Smashed' - DOP Maxx Corkindale</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/superheroes-dop-david-rusanow/</loc><lastmod>2018-01-10T14:45:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/superheroes-dop-david-rusanow.jpg</image:loc><image:title>'Superheroes' - DOP David Rusanow</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/wolfe-dop-lachlan-james-morton/</loc><lastmod>2018-01-10T14:48:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/wolfe-dop-lachlan-james-morton.jpg</image:loc><image:title>'Wolfe' - DOP Lachlan James Morton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2018-01-10-at-10-44-37-pm/</loc><lastmod>2018-01-10T14:55:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/screen-shot-2018-01-10-at-10-44-37-pm.png</image:loc><image:title>Screen Shot 2018-01-10 at 10.44.37 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/06/01/panasonic-lumix-gh5/</loc><lastmod>2018-01-10T15:12:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/panasonic-lumix-gh5-w.png</image:loc><image:title>Panasonic LUMIX GH5-w</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/banner/</loc><lastmod>2018-01-10T15:35:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/banner.png</image:loc><image:title>Banner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/subscribe/</loc><lastmod>2018-01-11T06:03:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/screen-shot-2017-05-16-at-4-58-46-pm.png</image:loc><image:title>Screen Shot 2017-05-16 at 4.58.46 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/subscribe/</loc><lastmod>2018-01-11T06:05:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/ac_issue_72.jpg</image:loc><image:title>AC_Issue_72</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/subscribe/</loc><lastmod>2018-01-11T06:06:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/ac_issue_67_cover.jpg</image:loc><image:title>AC_Issue_67_Cover</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tbomt_d9_27-7-17_319/</loc><lastmod>2018-01-11T10:48:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tbomt_d9_27-7-17_319.jpg</image:loc><image:title>TBOMT_D9_27-7-17_319</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tbomt_d9_27-7-17_404/</loc><lastmod>2018-01-11T10:54:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tbomt_d9_27-7-17_404.jpg</image:loc><image:title>TBOMT_D9_27-7-17_404</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tbomt_d30_25-8-17_231/</loc><lastmod>2018-01-11T10:57:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tbomt_d30_25-8-17_231.jpg</image:loc><image:title>TBOMT_D30_25-8-17_231</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tbomt_d38_7-9-17_106/</loc><lastmod>2018-01-11T10:58:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tbomt_d38_7-9-17_106.jpg</image:loc><image:title>TBOMT_D38_7-9-17_106</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tid35152-the-bureau-of-magical-things-001-hero/</loc><lastmod>2018-01-11T10:59:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tid35152-the-bureau-of-magical-things-001-hero.jpg</image:loc><image:title>tid35152-the-bureau-of-magical-things-001-hero</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:32:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/1-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>1. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/4-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:38:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/4-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>4. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/5-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:40:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/5-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>5. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/7-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:45:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/7-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>7. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/8-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:46:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/8-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>8. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/10-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:50:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/10-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>10. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/11-filming-matar-a-jesus-on-location-in-columbia-photo-hector-leon-alvaraz/</loc><lastmod>2018-01-11T11:51:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/11-filming-matar-a-jesc3bas-on-location-in-columbia-photo-hc3a9ctor-lec3b3n-alvaraz.jpg</image:loc><image:title>11. Filming 'Matar a Jesús' on location in Columbia - PHOTO Héctor León Alvaraz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/sheyda-nicole-verhoeven-and-bulat-marin-mimica-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-01-11T11:57:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/sheyda-nicole-verhoeven-and-bulat-marin-mimica-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson.png</image:loc><image:title>Sheyda (Nicole Verhoeven) and Bulat (Marin Mimica) in a scene from 'Indigo Lake' - DOP Rodrigo Vidal Dawson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/rubys-mother-lauren-clair-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-01-11T11:58:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/rubys-mother-lauren-clair-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson.png</image:loc><image:title>Ruby's mother (Lauren Clair) in a scene from 'Indigo Lake' - DOP Rodrigo Vidal Dawson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/miranda-o_hare-plays-ruby-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-01-11T11:58:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/miranda-o_hare-plays-ruby-in-a-scene-from-indigo-lake-dop-rodrigo-vidal-dawson.jpg</image:loc><image:title>Miranda O_Hare plays Ruby in a scene from 'Indigo Lake' - DOP Rodrigo Vidal Dawson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/david-trethewey-special-effects-with-rodrigo-vidal-dawson-cinematographer-photo-supplied/</loc><lastmod>2018-01-11T12:00:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/david-trethewey-special-effects-with-rodrigo-vidal-dawson-cinematographer-photo-supplied.jpg</image:loc><image:title>David Trethewey (Special Effects) with Rodrigo Vidal Dawson (Cinematographer) - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-painting-scene-from-indigo-lake-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-01-11T12:03:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-painting-scene-from-indigo-lake-dop-rodrigo-vidal-dawson.jpg</image:loc><image:title>A painting scene from 'Indigo Lake' - DOP Rodrigo Vidal Dawson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tony-martin-sacks-and-sue-susie-porter-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche/</loc><lastmod>2018-01-11T12:13:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tony-martin-sacks-and-sue-susie-porter-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche.jpg</image:loc><image:title>Tony (Martin Sacks) and Sue (Susie Porter) in 'Don't Tell' - DOP Mark Wareham ACS, PHOTO Hannah Roche</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/sara-west-plays-lyndal-in-dont-tell-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche/</loc><lastmod>2018-01-11T12:13:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/sara-west-plays-lyndal-in-dont-tell-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche.jpg</image:loc><image:title>Sara West plays Lyndal in 'Don't Tell' in 'Don't Tell' - DOP Mark Wareham ACS, PHOTO Hannah Roche</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/stephen-aden-young-and-lyndal-sara-west-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche/</loc><lastmod>2018-01-11T12:15:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/stephen-aden-young-and-lyndal-sara-west-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche.jpg</image:loc><image:title>Stephen (Aden Young) and Lyndal (Sara West) in 'Don't Tell' - DOP Mark Wareham ACS, PHOTO Hannah Roche</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jack-thompson-plays-bob-myers-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche/</loc><lastmod>2018-01-11T12:15:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jack-thompson-plays-bob-myers-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche.jpeg</image:loc><image:title>Jack Thompson plays Bob Myers in 'Don't Tell' - DOP Mark Wareham ACS, PHOTO Hannah Roche</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/gyton-grantley-plays-kevin-guy-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche/</loc><lastmod>2018-01-11T12:16:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/gyton-grantley-plays-kevin-guy-in-dont-tell-dop-mark-wareham-acs-photo-hannah-roche.jpg</image:loc><image:title>Gyton Grantley plays Kevin Guy in 'Don't Tell' - DOP Mark Wareham ACS, PHOTO Hannah Roche</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/xenia-goodwin-as-tara-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:33:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/xenia-goodwin-as-tara-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>Xenia Goodwin as Tara in 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tara-xenia-goodwin-and-christian-jordan-rodrigues-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:35:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tara-xenia-goodwin-and-christian-jordan-rodrigues-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>Tara (Xenia Goodwin) and Christian (Jordan Rodrigues) in 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/miranda-otto-plays-the-national-ballet_s-artistic-director-madeline-moncur-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:36:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/miranda-otto-plays-the-national-ballet_s-artistic-director-madeline-moncur-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>Miranda Otto plays the National Ballet_s Artistic Director Madeline Moncur in 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/madeline-moncur-miranda-otto-in-red-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:37:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/madeline-moncur-miranda-otto-in-red-in-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>Madeline Moncur (Miranda Otto in Red) in 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:39:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-scene-from-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>A scene from 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-memorable-performance-from-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell/</loc><lastmod>2018-01-11T12:41:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-memorable-performance-from-dance-academy-the-movie-dop-martin-mcgrath-acs-photo-simon-cardwell.jpg</image:loc><image:title>A memorable performance from 'Dance Academy; The Movie' - DOP Martin McGrath ACS, PHOTO Simon Cardwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/preparing-one-of-the-many-lighting-rigs-on-pirates-of-the-caribbean-dead-men-tell-no-tales-photo-martin-schaer/</loc><lastmod>2018-01-11T12:43:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/preparing-one-of-the-many-lighting-rigs-on-pirates-of-the-caribbean-dead-men-tell-no-tales-photo-martin-schaer.jpeg</image:loc><image:title>Preparing one of the many lighting rigs on 'Pirates of the Caribbean; Dead Men Tell No Tales' - PHOTO Martin Schaer</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/prates-of-the-caribbean-dead-men-tell-no-tales/</loc><lastmod>2018-12-04T01:57:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/paul-cameron-asc-on-the-set-of-pirates-of-the-caribbean-dead-men-tell-no-tales-photo-martin-schaer-e1522925437291.jpg</image:loc><image:title>Pirates of the Caribbean: Dead Men Tell No Tales</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/lighting-a-scene-filled-with-extras-in-pirates-of-the-caribbean-dead-men-tell-no-tales-photo-martin-schaer/</loc><lastmod>2018-01-11T12:53:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/lighting-a-scene-filled-with-extras-in-pirates-of-the-caribbean-dead-men-tell-no-tales-photo-martin-schaer.jpeg</image:loc><image:title>Lighting a scene filled with extras in 'Pirates of the Caribbean; Dead Men Tell No Tales' - PHOTO Martin Schaer</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales/</loc><lastmod>2018-01-11T12:54:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/javier-bardem-in-a-scene-from-pirates-of-the-caribbean-dead-men-tell-no-tales-dop-paul-cameron-asc.jpg</image:loc><image:title>PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES</image:title><image:caption>"PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES"..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales-2/</loc><lastmod>2018-01-11T12:54:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/geoffrey-rush-reprises-his-role-as-barbossa-in-pirates-of-the-caribbean-dead-men-tell-no-tales-dop-paul-cameron-asc.jpg</image:loc><image:title>PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES</image:title><image:caption>"PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES"..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales-3/</loc><lastmod>2018-01-11T12:55:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-scene-in-pirates-of-the-caribbean-dead-men-tell-no-tales-dop-paul-cameron-asc.jpg</image:loc><image:title>PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES</image:title><image:caption>"PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES"..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales-4/</loc><lastmod>2018-01-11T12:56:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/an-underwater-sequence-from-pirates-of-the-caribbean-dead-men-tell-no-tales-dop-paul-cameron-asc.jpg</image:loc><image:title>PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES</image:title><image:caption>"PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES"..The villainous Captain Salazar (Javier Bardem) pursues Jack Sparrow (Johnny Depp) as he searches for the trident used by Poseidon..Ph: Film Frame..©Disney Enterprises, Inc. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null/</loc><lastmod>2018-01-15T06:30:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-scene-from-hacksaw-ridge-dop-simon-duggan-acs-photo-markrogers.jpg</image:loc><image:title>null</image:title><image:caption>null</image:caption></image:image></url><url><loc>https://acmag.com.au/andrew-garfield-desmond-doss-in-a-scene-from-hacksaw-ridge-dop-simon-duggan-acs-photo-mark-rogers/</loc><lastmod>2018-01-15T06:31:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/andrew-garfield-desmond-doss-in-a-scene-from-hacksaw-ridge-dop-simon-duggan-acs-photo-mark-rogers.jpg</image:loc><image:title>Andrew Garfield (Desmond Doss) in a scene from 'Hacksaw Ridge' - DOP Simon Duggan ACS, PHOTO Mark Rogers</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/null-2/</loc><lastmod>2018-01-15T06:32:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/andrew-garfield-in-hacksaw-ridge-dop-simon-duggan-acs-photo-markrogers.jpg</image:loc><image:title>null</image:title><image:caption>null</image:caption></image:image></url><url><loc>https://acmag.com.au/desmond-doss-andrew-garfield-in-hacksaw-ridge-dop-simon-duggan-acs-photo-icon-films/</loc><lastmod>2018-01-15T06:32:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/desmond-doss-andrew-garfield-in-hacksaw-ridge-dop-simon-duggan-acs-photo-icon-films.jpg</image:loc><image:title>Desmond Doss (Andrew Garfield) in 'Hacksaw Ridge' - DOP Simon Duggan ACS, PHOTO Icon Films</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/director-mel-gibson-filming-on-location-with-hacksaw-ridge-photo-icon-films/</loc><lastmod>2018-01-15T06:32:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/director-mel-gibson-filming-on-location-with-hacksaw-ridge-photo-icon-films.jpg</image:loc><image:title>Director Mel Gibson filming on location with 'Hacksaw Ridge' - PHOTO Icon Films</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/null-3/</loc><lastmod>2018-01-15T06:33:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/hugo-weaving-and-rachel-griffiths-in-hacksaw-ridge-dop-simon-duggan-acs-photo-markrogers.jpg</image:loc><image:title>null</image:title><image:caption>null</image:caption></image:image></url><url><loc>https://acmag.com.au/outside-the-hospital-in-heartfall-arises-dop-sion-michel-acs/</loc><lastmod>2018-01-15T06:48:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/outside-the-hospital-in-heartfall-arises-dop-sion-michel-acs.jpg</image:loc><image:title>Outside the hospital in 'Heartfall Arises' - DOP Sion Michel ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/sean-is-killed-in-thailand-a-scene-from-heartfall-arises-dop-sion-michel-acs/</loc><lastmod>2018-01-15T06:49:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/sean-is-killed-in-thailand-a-scene-from-heartfall-arises-dop-sion-michel-acs.jpg</image:loc><image:title>Sean is killed in Thailand, a scene from 'Heartfall Arises' - DOP Sion Michel ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/shawn-in-heartfall-arises-dop-sion-michel-acs/</loc><lastmod>2018-01-15T06:49:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/shawn-in-heartfall-arises-dop-sion-michel-acs.jpg</image:loc><image:title>Shawn in 'Heartfall Arises' - DOP Sion Michel ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/shawn-in-an-elevator-from-heartfall-arises-dop-sion-michel-acs/</loc><lastmod>2018-01-15T06:49:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/shawn-in-an-elevator-from-heartfall-arises-dop-sion-michel-acs.jpg</image:loc><image:title>Shawn in an elevator from 'Heartfall Arises' - DOP Sion Michel ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tense-moments-in-heartfall-arises-dop-sion-michel-acs/</loc><lastmod>2018-01-15T06:49:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tense-moments-in-heartfall-arises-dop-sion-michel-acs.jpg</image:loc><image:title>Tense moments in 'Heartfall Arises' - DOP Sion Michel ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jimmy-matt-cowell-aka-360-and-anna-suzie-porter-in-is-this-the-real-world-dop-ellery-ryan-acs/</loc><lastmod>2018-01-15T07:04:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jimmy-matt-cowell-aka-360-and-anna-suzie-porter-in-is-this-the-real-world-dop-ellery-ryan-acs.jpeg</image:loc><image:title>Jimmy (Matt Cowell, aka 360) and Anna (Suzie Porter) in 'Is This The Real World' - DOP Ellery Ryan ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jimmy-matt-cowell-aka-360-in-a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs/</loc><lastmod>2018-01-15T07:05:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jimmy-matt-cowell-aka-360-in-a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs.jpg</image:loc><image:title>Jimmy (Matt Cowell, aka 360) in a scene from 'Is This The Real World' - DOP Ellery Ryan ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/ellery-ryan-acs-on-set-with-clockwise-director-martin-mckenna-director_s-attachment-luke-morrissey-and-matt-cowell-who-plays-jimmy-photo-greg-noakes/</loc><lastmod>2018-01-15T07:06:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/ellery-ryan-acs-on-set-with-clockwise-director-martin-mckenna-director_s-attachment-luke-morrissey-and-matt-cowell-who-plays-jimmy-photo-greg-noakes.jpeg</image:loc><image:title>Ellery Ryan ACS on set with (clockwise) Director Martin McKenna, Director_s Attachment Luke Morrissey and Matt Cowell who plays Jimmy - PHOTO Greg Noakes</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs-2/</loc><lastmod>2018-01-15T07:06:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs1.jpg</image:loc><image:title>A scene from 'Is This The Real World' - DOP Ellery Ryan ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mark-sean-keenan-shrugs-in-a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs/</loc><lastmod>2018-01-15T07:07:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/mark-sean-keenan-shrugs-in-a-scene-from-is-this-the-real-world-dop-ellery-ryan-acs.jpeg</image:loc><image:title>Mark (Sean Keenan) shrugs in a scene from 'Is This The Real World' - DOP Ellery Ryan ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2018-01-15-at-3-18-15-pm/</loc><lastmod>2018-01-15T07:19:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/screen-shot-2018-01-15-at-3-18-15-pm.png</image:loc><image:title>Screen Shot 2018-01-15 at 3.18.15 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/rabbit/</loc><lastmod>2018-01-15T07:23:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/adelaide-clemens-in-a-scene-from-rabbit-dop-anna-howard-acs-photo-ian-routledge.jpg</image:loc><image:title>Rabbit</image:title><image:caption>Rabbit</image:caption></image:image></url><url><loc>https://acmag.com.au/rabbit-2/</loc><lastmod>2018-01-15T07:27:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cast-and-crew-of-rabbit-filming-in-south-australias-kuitpo-forest-photo-ian-routledge.jpg</image:loc><image:title>Rabbit</image:title><image:caption>Rabbit</image:caption></image:image></url><url><loc>https://acmag.com.au/rabbit-3/</loc><lastmod>2018-01-15T07:29:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-anna-howard-acs-l-with-adelaide-clemens-who-plays-maude-in-rabbit-photo-ian-routledge.jpg</image:loc><image:title>Rabbit</image:title><image:caption>Rabbit</image:caption></image:image></url><url><loc>https://acmag.com.au/rabbit-4/</loc><lastmod>2018-01-15T07:32:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-anna-howard-acs-on-location-in-south-australias-kuitpo-forest-filming-rabbit-photo-ian-routledge.jpg</image:loc><image:title>Rabbit</image:title><image:caption>Rabbit</image:caption></image:image></url><url><loc>https://acmag.com.au/rabbit-5/</loc><lastmod>2018-01-15T07:35:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/director-luke-shanahan-l-with-dop-anna-howard-acs-and-1st-ac-matt-jenkins-r-photo-ian-routledge.jpg</image:loc><image:title>Rabbit</image:title><image:caption>Rabbit</image:caption></image:image></url><url><loc>https://acmag.com.au/the-cast-of-rabbit-l-r-from-left-veele-baetens-adelaide-clemens-alex-russell-simon-stollery-chelsea-munns-charlotte-munns-photo-ben-baker/</loc><lastmod>2018-01-15T07:36:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/the-cast-of-rabbit-l-r-from-left-veele-baetens-adelaide-clemens-alex-russell-simon-stollery-chelsea-munns-charlotte-munns-photo-ben-baker.jpg</image:loc><image:title>The cast of 'Rabbit (L-R), From left Veele Baetens, Adelaide Clemens, Alex Russell, Simon Stollery, Chelsea Munns, Charlotte Munns - PHOTO Ben Baker</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/null-4/</loc><lastmod>2018-01-15T07:39:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/1-a-scene-from-rogue-one-dop-greig-fraser-acs-asc.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Darth Vader..Photo credit: Lucasfilm/ILM..©2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-5/</loc><lastmod>2018-01-15T07:40:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/4-a-scene-from-rogue-one-dop-greig-fraser-acs-asc.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Behind the Scenes on set during production. ..Ph: Footage Frame..© 2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-6/</loc><lastmod>2018-01-15T07:40:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/3-a-scene-from-rogue-one-dop-greig-fraser-acs-asc.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..X-Wing and U-Wing versus AT-ACTs..Photo credit: Lucasfilm/ILM..©2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-7/</loc><lastmod>2018-01-15T07:41:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-scene-from-rogue-one-dop-greig-fraser-acs-asc.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Star Destroyer..Ph: Film Frame ILM/Lucasfilm.© 2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-8/</loc><lastmod>2018-01-15T07:43:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/behind-the-scenes-in-the-studio-with-rogue-one-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Pao BTS image..Ph: Jonathan Olley/Lucasfilm..©2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-9/</loc><lastmod>2018-01-15T07:44:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/behind-the-scenes-with-a-deathtooper-on-rogue-one-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Pao BTS image..Ph: Jonathan Olley/Lucasfilm..©2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-10/</loc><lastmod>2018-01-15T07:45:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/behind-the-scenes-filming-on-rogue-one-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Pao BTS image..Ph: Jonathan Olley/Lucasfilm..©2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-11/</loc><lastmod>2018-01-15T07:48:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/director-krennic-ben-mendelsohnin-rogue-one-dop-greig-fraser-acs-asc-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Director Krennic (Ben Mendelsohn)..Ph: Jonathan Olley..© 2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-12/</loc><lastmod>2018-01-15T07:51:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/felicity-jones-jyn-erso-and-diego-luna-cassian-andor-in-rogue-one-dop-greig-fraser-acs-asc-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..L to R: Felicity Jones (Jyn Erso) and Diego Luna (Cassian Andor). ..Ph: Jonathan Olley..© 2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/null-13/</loc><lastmod>2018-01-15T07:53:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/storm-troopers-in-the-film-rogue-one-dop-greig-fraser-acs-asc-photo-jonathan-olley.jpg</image:loc><image:title>null</image:title><image:caption>Rogue One: A Star Wars Story..Stormtroopers..Ph: Jonathan Olley..© 2016 Lucasfilm Ltd. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/boys-in-the-trees-dop-marden-dean/</loc><lastmod>2018-01-15T08:11:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/boys-in-the-trees-dop-marden-dean.jpg</image:loc><image:title>'Boys in the Trees' - DOP Marden Dean</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/broke-dop-chris-bland/</loc><lastmod>2018-01-15T08:11:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/broke-dop-chris-bland.jpg</image:loc><image:title>'Broke' - DOP Chris Bland</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-a-scene-from-nathan-loves-ricky-martin-dop-michael-wylam/</loc><lastmod>2018-01-15T11:46:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/1-a-scene-from-nathan-loves-ricky-martin-dop-michael-wylam.jpg</image:loc><image:title>1. A scene from 'Nathan Loves Ricky Martin' - DOP Michael Wylam</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/michael-wylam-dop-on-the-set-of-nathan-loves-ricky-martin-photo-supplied/</loc><lastmod>2018-01-15T11:47:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/michael-wylam-dop-on-the-set-of-nathan-loves-ricky-martin-photo-supplied.jpg</image:loc><image:title>Michael Wylam (DOP) on the set of 'Nathan Loves Ricky Martin' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2-a-scene-from-nathan-loves-ricky-martin-dop-michael-wylam/</loc><lastmod>2018-01-15T11:47:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/2-a-scene-from-nathan-loves-ricky-martin-dop-michael-wylam.jpg</image:loc><image:title>2. A scene from 'Nathan Loves Ricky Martin' - DOP Michael Wylam</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-david-gulpilil-am-in-a-scene-from-messiah-dop-denson-baker-nzcs-acs-2/</loc><lastmod>2018-01-15T11:54:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/1-david-gulpilil-am-in-a-scene-from-messiah-dop-denson-baker-nzcs-acs1.jpg</image:loc><image:title>1. David Gulpilil AM in a scene from 'MESSiAH' - DOP Denson Baker NZCS ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/director-damien-walsh-howling-and-dop-denson-baker-nzcs-acs-on-location-with-messiah-photo-supplied/</loc><lastmod>2018-01-15T11:55:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/director-damien-walsh-howling-and-dop-denson-baker-nzcs-acs-on-location-with-messiah-photo-supplied.jpg</image:loc><image:title>Director Damien Walsh-Howling and DOP Denson Baker NZCS ACS on location with 'MESSiAH' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2-david-gulpilil-am-in-a-scene-from-messiah-dop-denson-baker-nzcs-acs/</loc><lastmod>2018-01-15T11:55:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/2-david-gulpilil-am-in-a-scene-from-messiah-dop-denson-baker-nzcs-acs.jpg</image:loc><image:title>2. David Gulpilil AM in a scene from 'MESSiAH' - DOP Denson Baker NZCS ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/david-gulpilil-am-films-a-scene-in-messiah-photo-supplied/</loc><lastmod>2018-01-15T12:12:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/david-gulpilil-am-films-a-scene-in-messiah-photo-supplied.jpg</image:loc><image:title>David Gulpilil AM films a scene in MESSiAH - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2016/12/01/redrock-micro-scout/</loc><lastmod>2018-01-15T12:23:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/scout-hs-gh4-front-hr-copy.png</image:loc><image:title>scout-hs-gh4-front-hr copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/3-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king/</loc><lastmod>2018-01-16T04:51:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/3-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king.jpg</image:loc><image:title>3. Elias Anton as Danny Kelly in 'Barracuda' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/7-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king/</loc><lastmod>2018-01-16T04:52:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/7-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king.jpg</image:loc><image:title>7. Elias Anton as Danny Kelly in 'Barracuda' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/9-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king/</loc><lastmod>2018-01-16T04:53:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/9-elias-anton-as-danny-kelly-in-barracuda-photo-ben-king.jpg</image:loc><image:title>9. Elias Anton as Danny Kelly in 'Barracuda' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/stefan-duscio-shooting-on-location-with-barracuda-photo-ben-king/</loc><lastmod>2018-01-16T04:53:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/stefan-duscio-shooting-on-location-with-barracuda-photo-ben-king.jpeg</image:loc><image:title>Stefan Duscio shooting on location with 'Barracuda' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/chad-mckinney-plays-jamie-in-beast-1-photo-geric-cruz-copy/</loc><lastmod>2018-01-16T05:06:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/chad-mckinney-plays-jamie-in-beast-1-photo-geric-cruz-copy.jpg</image:loc><image:title>Chad McKinney plays Jamie in 'Beast' (1) - PHOTO Geric Cruz copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jamie-chad-mckinney-and-rick-garret-dillahunt-in-beast-photo-geric-cruz/</loc><lastmod>2018-01-16T05:07:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jamie-chad-mckinney-and-rick-garret-dillahunt-in-beast-photo-geric-cruz.jpg</image:loc><image:title>Jamie (Chad McKinney) and Rick (Garret Dillahunt) in 'Beast' - PHOTO Geric Cruz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jamie-chad-mckinney-delivers-a-blow-in-beast-photo-jewels-sison/</loc><lastmod>2018-01-16T05:08:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jamie-chad-mckinney-delivers-a-blow-in-beast-photo-jewels-sison.jpg</image:loc><image:title>Jamie (Chad McKinney) delivers a blow in 'Beast' - PHOTO Jewels Sison</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jamie-is-played-by-chad-mckinney-in-beast-photo-geric-cruz-copy/</loc><lastmod>2018-01-16T05:09:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/jamie-is-played-by-chad-mckinney-in-beast-photo-geric-cruz-copy.jpg</image:loc><image:title>Jamie is played by Chad McKinney in 'Beast' - PHOTO Geric Cruz copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/michael-steel-on-location-with-beast-photo-geric-cruz/</loc><lastmod>2018-01-16T05:11:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/michael-steel-on-location-with-beast-photo-geric-cruz.jpg</image:loc><image:title>Michael Steel on location with 'Beast' - PHOTO Geric Cruz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/preparing-for-a-fight-scene-in-beast-photo-jewels-sison/</loc><lastmod>2018-01-16T05:12:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/preparing-for-a-fight-scene-in-beast-photo-jewels-sison.jpg</image:loc><image:title>Preparing for a fight scene in 'Beast' - PHOTO Jewels Sison</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-a-scene-from-girl-asleep-dop-andrew-commis-acs/</loc><lastmod>2018-01-16T05:28:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/1-a-scene-from-girl-asleep-dop-andrew-commis-acs.jpg</image:loc><image:title>1. A scene from 'Girl Asleep' - DOP Andrew Commis ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/8-a-scene-from-girl-asleep-dop-andrew-commis-acs/</loc><lastmod>2018-01-16T05:28:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/8-a-scene-from-girl-asleep-dop-andrew-commis-acs.jpg</image:loc><image:title>8. A scene from 'Girl Asleep' - DOP Andrew Commis ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/4-a-scene-from-girl-asleep-dop-andrew-commis-acs/</loc><lastmod>2018-01-16T05:28:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/4-a-scene-from-girl-asleep-dop-andrew-commis-acs.jpg</image:loc><image:title>4. A scene from 'Girl Asleep' - DOP Andrew Commis ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/fiona-dawson-maiah-stewardson-grace-dawson-in-girl-asleep-photo-andrew-commis-acs/</loc><lastmod>2018-01-16T05:30:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/fiona-dawson-maiah-stewardson-grace-dawson-in-girl-asleep-photo-andrew-commis-acs.jpg</image:loc><image:title>Fiona Dawson, Maiah Stewardson, Grace Dawson in 'Girl Asleep' - PHOTO Andrew Commis ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/girlasleep_key-art/</loc><lastmod>2018-01-16T05:31:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/girlasleep_key-art.jpg</image:loc><image:title>GirlAsleep_Key Art</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2016/09/01/girl-asleep/</loc><lastmod>2018-01-16T05:40:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/harrison-feldmana-snd-bethany-whitmore-in-girl-asleep-photo-shane-reid.jpg</image:loc><image:title>Harrison Feldmana snd Bethany Whitmore in Girl Asleep - PHOTO Shane Reid</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2016/09/01/girl-asleep/</loc><lastmod>2018-01-16T05:45:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tilda-cobham-hervey-in-girl-asleep-dop-andrew-commis-acs-photo-shane-reid.jpg</image:loc><image:title>Tilda Cobham-Hervey in 'Girl Asleep' - DOP Andrew Commis ACS, PHOTO Shane Reid</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/_gavin-stephen-carracher-considers-who-he-is-in-a-scene-from-restoration-dop-hugh-turral/</loc><lastmod>2018-01-16T05:54:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/gavin-stephen-carracher-considers-who-he-is-in-a-scene-from-restoration-dop-hugh-turral.jpg</image:loc><image:title>_Gavin (Stephen Carracher) considers who he is, in a scene from 'Restoration' - DOP Hugh Turral</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/_stephen-carracher-plays-gavin-in-a-scene-from-restoration-dop-hugh-turral/</loc><lastmod>2018-01-16T05:55:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/stephen-carracher-plays-gavin-in-a-scene-from-restoration-dop-hugh-turral.jpg</image:loc><image:title>_Stephen Carracher plays Gavin in a scene from 'Restoration' - DOP Hugh Turral</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/fight-rehearsal-in-melbourne-laneway/</loc><lastmod>2018-01-16T05:55:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/fight-rehearsal-in-melbourne-laneway.jpg</image:loc><image:title>Fight rehearsal in Melbourne laneway</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mv5bmtg2mju3mtc2nl5bml5banbnxkftztgwnti1nduznje-_v1_sy1000_cr0015291000_al_-2/</loc><lastmod>2018-01-16T05:55:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/mv5bmtg2mju3mtc2nl5bml5banbnxkftztgwnti1nduznje-_v1_sy1000_cr0015291000_al_-2.jpg</image:loc><image:title>MV5BMTg2MjU3MTc2Nl5BMl5BanBnXkFtZTgwNTI1NDUzNjE@._V1_SY1000_CR0,0,1529,1000_AL_ 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mv5bmtq1mjuxota3ov5bml5banbnxkftztgwndi1nduznje-_v1_sy1000_cr0014971000_al_-2/</loc><lastmod>2018-01-16T05:55:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/mv5bmtq1mjuxota3ov5bml5banbnxkftztgwndi1nduznje-_v1_sy1000_cr0014971000_al_-2.jpg</image:loc><image:title>MV5BMTQ1MjUxOTA3OV5BMl5BanBnXkFtZTgwNDI1NDUzNjE@._V1_SY1000_CR0,0,1497,1000_AL_ 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tristan-lucas-sfx-karin-christensen-2nd-ac-gibson-gibson-producer-stuart-willis-director-thomas-formosa-doyle-1st-ac-hugh-turral-dop-and-stephen-carracher-photo-jeff/</loc><lastmod>2018-01-16T05:55:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tristan-lucas-sfx-karin-christensen-2nd-ac-gibson-gibson-producer-stuart-willis-director-thomas-formosa-doyle-1st-ac-hugh-turral-dop-and-stephen-carracher-photo-jeff.jpg</image:loc><image:title>Tristan Lucas (SFX), Karin Christensen (2nd AC), Gibson Gibson (Producer), Stuart Willis (Director), Thomas Formosa-Doyle (1st AC), Hugh Turral (DOP), and Stephen Carracher - PHOTO Jeff</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/star-trek-beyond/</loc><lastmod>2018-01-16T06:04:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/anton-yelchin-plays-chekov-and-chris-pine-plays-kirk-in-star-trek-beyond-dop-stephen-windon-acs-asc-photo-kimberley-french.jpg</image:loc><image:title>STAR TREK BEYOND</image:title><image:caption>Left to right: Anton Yelchin plays Chekov and Chris Pine plays Kirk in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/star-trek-beyond-2/</loc><lastmod>2018-01-16T06:09:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/chris-pine-plays-kirk-in-star-trek-beyond-dop-stephen-windon-acs-asc-photo-kimberley-french.jpg</image:loc><image:title>STAR TREK BEYOND</image:title><image:caption>Chris Pine plays Kirk in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/cinematographer-stephen-windon-acs-asc-on-the-set-of-the-enterprise-photo-supplied/</loc><lastmod>2018-01-16T06:09:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/cinematographer-stephen-windon-acs-asc-on-the-set-of-the-enterprise-photo-supplied.jpg</image:loc><image:title>Cinematographer Stephen Windon ACS ASC on the set of the Enterprise - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/star-trek-beyond-3/</loc><lastmod>2018-01-16T06:11:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/kirk-chris-pine-and-crowl-idris-elba-in-star-trek-beyond-dop-stephen-windon-acs-asc-photo-kimberley-french.jpg</image:loc><image:title>STAR TREK BEYOND</image:title><image:caption>Left to right: Chris Pine plays Kirk and Idris Elba plays Crowl in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/roatating-hallways-on-the-set-of-star-trek-beyind-photo-supplied/</loc><lastmod>2018-01-16T06:11:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/roatating-hallways-on-the-set-of-star-trek-beyind-photo-supplied.jpg</image:loc><image:title>Roatating hallways on the set of 'Star Trek Beyind' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/null-14/</loc><lastmod>2018-01-16T06:12:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/sofia-boutella-plays-jaylah-and-simon-pegg-plays-scotty-in-star-trek-beyond-dop-stephen-windon-acs-asc-photo-kimberley-french.jpg</image:loc><image:title>null</image:title><image:caption>Left to right: Sofia Boutella plays Jaylah and Simon Pegg plays Scotty in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/star-trek-beyond-4/</loc><lastmod>2018-01-16T06:14:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/zachary-quinto-plays-spock-and-karl-urban-plays-bones-in-star-trek-beyond-dop-stephen-windon-acs-asc-photo-kimberley-french.jpg</image:loc><image:title>STAR TREK BEYOND</image:title><image:caption>Left to right: Zachary Quinto plays Spock and Karl Urban plays Bones in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/star-trek-beyond-5/</loc><lastmod>2018-01-16T06:21:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/bts_director-of-photography-stephen-windon-acs-asc-on-the-set-of-star-trek-beyond-photo-kimberly-french.jpg</image:loc><image:title>STAR TREK BEYOND</image:title><image:caption>Director of Photography Stephen F. Windon on the set of Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/start-up-season-1/</loc><lastmod>2018-01-16T06:34:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-cam-operator-jm-mooney-left-and-b-cam-operator-carlos-zayas-right-filming-adam-brody-who-plays-nick-on-the-beach-photo-sony-pictures-television.jpg</image:loc><image:title>START UP SEASON 1</image:title><image:caption>START UP SEASON 1</image:caption></image:image></url><url><loc>https://acmag.com.au/start-up-season-1-2/</loc><lastmod>2018-01-16T06:39:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/edi-gathegi-plays-ronald-in-startup-photo-sony-pictures-television.jpg</image:loc><image:title>START UP SEASON 1</image:title><image:caption>START UP SEASON 1</image:caption></image:image></url><url><loc>https://acmag.com.au/processed-with-vscocam-with-c1-preset/</loc><lastmod>2018-01-16T06:39:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/pete-holland-acs-checks-path-of-the-sun-using-the-helios-app-photo-supplied.jpg</image:loc><image:title>Processed with VSCOcam with c1 preset</image:title><image:caption>Processed with VSCOcam with c1 preset</image:caption></image:image></url><url><loc>https://acmag.com.au/start-up-season-1-3/</loc><lastmod>2018-01-16T06:41:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/ronald-edi-gathegi-from-the-series-startup-photo-sony-pictures-television.jpg</image:loc><image:title>START UP SEASON 1</image:title><image:caption>START UP SEASON 1</image:caption></image:image></url><url><loc>https://acmag.com.au/start-up-season-1-4/</loc><lastmod>2018-01-16T06:45:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/carlos-zayas-b-cam-left-jm-mooney-a-cam-centre-with-martin-freeman-in-the-chair-photo-sony-pictures-television.jpg</image:loc><image:title>START UP SEASON 1</image:title><image:caption>START UP SEASON 1</image:caption></image:image></url><url><loc>https://acmag.com.au/a-terrible-beauty-dop-shelley-farthing-dawe/</loc><lastmod>2018-01-16T06:48:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/a-terrible-beauty-dop-shelley-farthing-dawe.jpg</image:loc><image:title>'A Terrible Beauty' - DOP Shelley Farthing-Dawe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/black-chook-dop-warwick-thornton/</loc><lastmod>2018-01-16T06:48:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/black-chook-dop-warwick-thornton.jpg</image:loc><image:title>'Black Chook' - DOP Warwick Thornton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/homebodies-dop-ariel-kleiman/</loc><lastmod>2018-01-16T06:48:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/homebodies-dop-ariel-kleiman.jpg</image:loc><image:title>'Homebodies' - DOP Ariel Kleiman</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-dam-dop-josh-flavell/</loc><lastmod>2018-01-16T06:48:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/the-dam-dop-josh-flavell.jpg</image:loc><image:title>'The Dam' - DOP Josh Flavell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-ravens-dop-john-brawley/</loc><lastmod>2018-01-16T06:48:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/the-ravens-dop-john-brawley.jpg</image:loc><image:title>'The Ravens' - DOP John Brawley</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tresspass-dop-ari-wegner/</loc><lastmod>2018-01-16T06:49:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/tresspass-dop-ari-wegner.jpg</image:loc><image:title>'Tresspass' - DOP Ari Wegner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/ella-dop-lucas-pomona/</loc><lastmod>2018-01-16T07:09:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/ella-dop-lucas-pomona.jpg</image:loc><image:title>'Ella' - DOP Lucas Pomona</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-death-and-life-of-otto-bloom-dop-laszlo-baranyai-hsc-acs/</loc><lastmod>2018-01-16T07:09:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/the-death-and-life-of-otto-bloom-dop-lc3a1szlc3b3-baranyai-hsc-acs.jpg</image:loc><image:title>'The Death And Life Of Otto Bloom' - DOP László Baranyai HSC ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/zachs-ceremony-dop-robert-c-morton/</loc><lastmod>2018-01-16T07:09:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/01/zachs-ceremony-dop-robert-c-morton.jpg</image:loc><image:title>'Zach's Ceremony' - DOP Robert C Morton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:15:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/wts.jpg</image:loc><image:title>WTS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:16:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/1-a-scene-from-watch-the-sunset-dop-damien-lipp.jpeg</image:loc><image:title>1. A scene from 'Watch the Sunset' - DOP Damien Lipp</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:16:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/4-a-scene-from-watch-the-sunset-dop-damien-lipp.jpeg</image:loc><image:title>4. A scene from 'Watch the Sunset' - DOP Damien Lipp</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:16:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/5-a-scene-from-watch-the-sunset-dop-damien-lipp.jpeg</image:loc><image:title>5. A scene from 'Watch the Sunset' - DOP Damien Lipp</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:16:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/9-a-scene-from-watch-the-sunset-dop-damien-lipp.jpeg</image:loc><image:title>9. A scene from 'Watch the Sunset' - DOP Damien Lipp</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/watch-the-sunset/</loc><lastmod>2018-02-23T12:47:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/03/cover_issue73-3.jpg</image:loc><image:title>COVER_Issue73 3</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/true-detective-s2/</loc><lastmod>2018-02-23T12:54:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/colin-farrell-as-detective-velcoro-in-true-detective-dop-nigel-bluck-acs-photo-lacey-terrell.jpg</image:loc><image:title>Colin farrell as Detective Velcoro in 'True Detective - DOP Nigel Bluck ACS, PHOTO Lacey Terrell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-the-shootout-scene-from-true-detective-dop-nigel-bluck-acs/</loc><lastmod>2018-02-23T12:56:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/1-the-shootout-scene-from-true-detective-dop-nigel-bluck-acs.jpg</image:loc><image:title>1. The shootout scene from 'True Detective' - DOP Nigel Bluck ACS</image:title><image:caption>The shootout scene from 'True Detective' - DOP Nigel Bluck ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2-a-scene-from-true-detective-dop-nigel-bluck-acs/</loc><lastmod>2018-02-23T12:58:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/2-a-scene-from-true-detective-dop-nigel-bluck-acs.jpg</image:loc><image:title>2. A scene from 'True Detective' - DOP Nigel Bluck ACS</image:title><image:caption>A scene from 'True Detective', and an homage to 'Sunset Boulevard' (1950) - DOP Nigel Bluck ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/4-a-scene-from-true-detective-dop-nigel-bluck-acs/</loc><lastmod>2018-02-23T12:58:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/4-a-scene-from-true-detective-dop-nigel-bluck-acs.jpg</image:loc><image:title>4. A scene from 'True Detective' - DOP Nigel Bluck ACS</image:title><image:caption>A scene from 'True Detective' - DOP Nigel Bluck ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/6-a-scene-from-true-detective-dop-nigel-bluck-acs/</loc><lastmod>2018-02-23T12:59:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/6-a-scene-from-true-detective-dop-nigel-bluck-acs.jpg</image:loc><image:title>6. A scene from 'True Detective' - DOP Nigel Bluck ACS</image:title><image:caption>A scene from 'True Detective' - DOP Nigel Bluck ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/rachel-mcadams-and-colin-farrel-in-a-scene-from-true-detective-dop-nigel-bluck-acs-photo-lacey-terrell/</loc><lastmod>2018-02-23T13:00:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/rachel-mcadams-and-colin-farrel-in-a-scene-from-true-detective-dop-nigel-bluck-acs-photo-lacey-terrell.jpg</image:loc><image:title>Rachel McAdams and Colin Farrel in a scene from 'True Detective' - DOP Nigel Bluck, PHOTO Lacey Terrell</image:title><image:caption>Rachel McAdams and Colin Farrel in a scene from 'True Detective' - DOP Nigel Bluck, PHOTO Lacey Terrell</image:caption></image:image></url><url><loc>https://acmag.com.au/celia-pacquola-in-a-scene-from-rosehaven-dop-murray-lui/</loc><lastmod>2018-02-23T13:14:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/celia-pacquola-in-a-scene-from-rosehaven-dop-murray-lui.jpg</image:loc><image:title>Celia Pacquola in a scene from 'Rosehaven' - DOP Murray Lui</image:title><image:caption>Celia Pacquola in a scene from 'Rosehaven' - DOP Murray Lui</image:caption></image:image></url><url><loc>https://acmag.com.au/daniel-luke-mcgregor-and-emma-celia-pacquola-in-a-scene-from-rosehaven-dop-murray-lui/</loc><lastmod>2018-02-23T13:13:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/daniel-luke-mcgregor-and-emma-celia-pacquola-in-a-scene-from-rosehaven-dop-murray-lui.jpg</image:loc><image:title>Daniel (Luke McGregor) and Emma (Celia Pacquola) in a scene from 'Rosehaven' - DOP Murray Lui</image:title><image:caption>Daniel (Luke McGregor) and Emma (Celia Pacquola) in a scene from 'Rosehaven' - DOP Murray Lui</image:caption></image:image></url><url><loc>https://acmag.com.au/murray-lui-dop-and-simon-riera-nzcs-camera-operator-filming-on-location-with-rosehaven_-photo-duncan-scott/</loc><lastmod>2018-02-23T13:15:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/murray-lui-dop-and-simon-riera-nzcs-camera-operator-filming-on-location-with-e28098rosehaven_-photo-duncan-scott.jpg</image:loc><image:title>Murray Lui (DOP) and Simon Riera NZCS (Camera Operator) filming on location with ‘Rosehaven_ - PHOTO Duncan Scott</image:title><image:caption>Murray Lui (DOP) and Simon Riera NZCS (Camera Operator) filming on location with ‘Rosehaven_ - PHOTO Duncan Scott</image:caption></image:image></url><url><loc>https://acmag.com.au/the-cast-of-rosehaven-photo-ben-king/</loc><lastmod>2018-04-05T10:42:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/the-cast-of-rosehaven-photo-ben-king-e1522924970252.jpg</image:loc><image:title>The cast of 'Rosehaven' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-a-scene-from-skinford-dop-kieran-fowler/</loc><lastmod>2018-02-23T13:18:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/1-a-scene-from-skinford-dop-kieran-fowler.jpg</image:loc><image:title>1. A scene from 'Skinford' - DOP Kieran Fowler</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-behind-the-scenes-on-skinford-photo-dan-berghofer/</loc><lastmod>2018-02-23T13:23:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/1-behind-the-scenes-on-skinford-photo-dan-berghofer.jpg</image:loc><image:title>1. Behind the Scenes on 'Skinford' - PHOTO Dan Berghofer</image:title><image:caption>Behind the Scenes on 'Skinford' - PHOTO Dan Berghofer</image:caption></image:image></url><url><loc>https://acmag.com.au/2-a-scene-from-skinford-dop-kieran-fowler/</loc><lastmod>2018-02-23T13:23:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/2-a-scene-from-skinford-dop-kieran-fowler.jpg</image:loc><image:title>2. A scene from 'Skinford' - DOP Kieran Fowler</image:title><image:caption>A scene from 'Skinford' - DOP Kieran Fowler</image:caption></image:image></url><url><loc>https://acmag.com.au/2-behind-the-scenes-on-skinford-photo-dan-berghofer/</loc><lastmod>2018-02-23T13:24:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/2-behind-the-scenes-on-skinford-photo-dan-berghofer.jpg</image:loc><image:title>2. Behind the Scenes on 'Skinford' - PHOTO Dan Berghofer</image:title><image:caption>Behind the Scenes on 'Skinford' - PHOTO Dan Berghofer</image:caption></image:image></url><url><loc>https://acmag.com.au/5-a-scene-from-skinford-dop-kieran-fowler/</loc><lastmod>2018-02-23T13:24:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/5-a-scene-from-skinford-dop-kieran-fowler.jpg</image:loc><image:title>5. A scene from 'Skinford' - DOP Kieran Fowler</image:title><image:caption>A scene from 'Skinford' - DOP Kieran Fowler</image:caption></image:image></url><url><loc>https://acmag.com.au/7-behind-the-scenes-on-skinford-photo-dan-berghofer/</loc><lastmod>2018-02-23T13:25:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/7-behind-the-scenes-on-skinford-photo-dan-berghofer.jpg</image:loc><image:title>7. Behind the Scenes on 'Skinford' - PHOTO Dan Berghofer</image:title><image:caption>A scene from 'Skinford' - DOP Kieran Fowler</image:caption></image:image></url><url><loc>https://acmag.com.au/ashleigh-cummings-in-hounds-of-love-dop-michael-mcdermott-photo-jean-paul-horre/</loc><lastmod>2018-02-23T13:28:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/ashleigh-cummings-in-hounds-of-love-dop-michael-mcdermott-photo-jean-paul-horre.jpg</image:loc><image:title>Ashleigh Cummings in 'Hounds of Love' - DOP Michael McDermott, PHOTO Jean-Paul Horre</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/evelyn-in-a-scene-from-hounds-of-love-dop-michael-mcdermott/</loc><lastmod>2018-02-23T13:36:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/evelyn-in-a-scene-from-hounds-of-love-dop-michael-mcdermott.jpg</image:loc><image:title>Evelyn in a scene from 'Hounds of Love' - DOP Michael McDermott</image:title><image:caption>Evelyn in a scene from 'Hounds of Love' - DOP Michael McDermott</image:caption></image:image></url><url><loc>https://acmag.com.au/evelyn-in-a-scene-from-the-film-hounds-of-love-dop-michael-mcdermott/</loc><lastmod>2018-02-23T13:37:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/evelyn-in-a-scene-from-the-film-hounds-of-love-dop-michael-mcdermott.jpg</image:loc><image:title>Evelyn in a scene from the film 'Hounds of Love' - DOP Michael McDermott</image:title><image:caption>Evelyn in a scene from the film 'Hounds of Love' - DOP Michael McDermott</image:caption></image:image></url><url><loc>https://acmag.com.au/john-stephen-curry-in-a-scene-from-hounds-of-love-dop-michael-mcdermott/</loc><lastmod>2018-02-23T13:35:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/john-stephen-curry-in-a-scene-from-hounds-of-love-dop-michael-mcdermott.jpg</image:loc><image:title>John (Stephen Curry) in a scene from 'Hounds of Love' - DOP Michael McDermott</image:title><image:caption>John (Stephen Curry) in a scene from 'Hounds of Love' - DOP Michael McDermott</image:caption></image:image></url><url><loc>https://acmag.com.au/stephen-curry-in-a-scene-from-hounds-of-love-dop-michael-mcdermott/</loc><lastmod>2018-02-23T13:36:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/stephen-curry-in-a-scene-from-hounds-of-love-dop-michael-mcdermott.jpg</image:loc><image:title>Stephen Curry in a scene from 'Hounds of Love' - DOP Michael McDermott</image:title><image:caption>Stephen Curry in a scene from 'Hounds of Love' - DOP Michael McDermott</image:caption></image:image></url><url><loc>https://acmag.com.au/stephen-curry-plays-serial-killer-john-in-a-scene-from-hounds-of-love-dop-michael-mcdermott/</loc><lastmod>2018-02-23T13:30:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/stephen-curry-plays-serial-killer-john-in-a-scene-from-hounds-of-love-dop-michael-mcdermott.jpg</image:loc><image:title>Stephen Curry plays serial killer John in a scene from 'Hounds of Love' - DOP Michael McDermott</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/director-ben-young-and-cinematographer-michael-mcdermott-on-location-filming-hounds-of-love-photo-supplied/</loc><lastmod>2018-02-23T13:37:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/director-ben-young-and-cinematographer-michael-mcdermott-on-location-filming-hounds-of-love-photo-supplied.jpg</image:loc><image:title>Director Ben Young and Cinematographer Michael McDermott on location filming 'Hounds of Love' - PHOTO Supplied</image:title><image:caption>Director Ben Young and Cinematographer Michael McDermott on location filming 'Hounds of Love' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/photo-by-jean-paul-horre/</loc><lastmod>2018-02-23T13:31:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/michael-mcdermott-dop-greg-stirling-key-grip-ben-young-director-andrew-power-1st-ad-photo-supplied.jpg</image:loc><image:title>Photo by Jean-Paul Horré</image:title><image:caption>Photography by Jean-Paul Horré
jeanpaulhorre@gmail.com</image:caption></image:image></url><url><loc>https://acmag.com.au/semler-attends-the-63rd-annual-academy-awards-on-march-25-1991-winning-the-oscar-for-best-cinematography-for-dances-with-wolves_-photo-ampas-2/</loc><lastmod>2018-02-23T13:47:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-attends-the-63rd-annual-academy-awards-on-march-25-1991-winning-the-oscar-for-best-cinematography-for-e28098dances-with-wolves_-photo-ampas-2.jpg</image:loc><image:title>Semler attends the 63rd Annual Academy Awards on March 25, 1991, winning the Oscar for Best Cinematography for ‘Dances With Wolves_ - PHOTO AMPAS 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-dances-with-wolves-1990-1-dop-dean-semler-am-acs-asc/</loc><lastmod>2018-02-23T13:53:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/a-scene-from-dances-with-wolves-1990-1-dop-dean-semler-am-acs-asc.jpg</image:loc><image:title>A scene from 'Dances with Wolves' (1990) 1 - DOP Dean Semler AM ACS ASC</image:title><image:caption>A scene from 'Dances with Wolves' (1990) 1 - DOP Dean Semler AM ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/_dsc9996-nef-day-7-carda-1st-trip/</loc><lastmod>2018-02-23T13:48:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/angelina-jolie-director-and-semler-talk-on-the-set-of-e28098in-the-land-of-blood-and-honey_-in-2010-photo-supplied.jpg</image:loc><image:title>_DSC9996.NEF Day 7 CardA 1st Trip</image:title><image:caption>_DSC9996.NEF Day 7 CardA 1st Trip</image:caption></image:image></url><url><loc>https://acmag.com.au/director-mel-gibson-and-semler-on-location-while-filming-apocalypto_-in-2005-photo-andrew-cooper/</loc><lastmod>2018-02-23T13:56:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/director-mel-gibson-and-semler-on-location-while-filming-e28098apocalypto_-in-2005-photo-andrew-cooper.jpg</image:loc><image:title>Director Mel Gibson and Semler on location while filming ‘Apocalypto_ in 2005 - PHOTO Andrew Cooper</image:title><image:caption>Director Mel Gibson and Semler on location while filming ‘Apocalypto' in 2005 - PHOTO Andrew Cooper</image:caption></image:image></url><url><loc>https://acmag.com.au/on-roland-emerich_s-_2012_-sound-stage-lit-with-kino-flows-and-helium-balloons-photo-supplied/</loc><lastmod>2018-02-23T13:55:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/on-roland-emerich_s-_2012_-sound-stage-lit-with-kino-flows-and-helium-balloons-photo-supplied.jpg</image:loc><image:title>On Roland Emerich_s _2012_, sound stage lit with Kino Flows and Helium Balloons - PHOTO Supplied</image:title><image:caption>On Roland Emerich's '2012', sound stage lit with Kino Flows and Helium Balloons - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/semler-lighting-mel-gibson-on-the-set-of-mad-max-beyond-thunderdome-in-1985-photo-jim-sheldon/</loc><lastmod>2018-02-23T13:53:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-lighting-mel-gibson-on-the-set-of-e28098mad-max-beyond-thunderdome-in-1985-photo-jim-sheldon.jpg</image:loc><image:title>Semler lighting Mel Gibson on the set of ‘Mad Max Beyond Thunderdome' in 1985 - PHOTO Jim Sheldon</image:title><image:caption>Semler lighting Mel Gibson on the set of ‘Mad Max Beyond Thunderdome' in 1985 - PHOTO Jim Sheldon</image:caption></image:image></url><url><loc>https://acmag.com.au/semler-on-location-filming-apocalypto_-in-2005-photo-andrew-cooper/</loc><lastmod>2018-02-23T13:48:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-on-location-filming-e28098apocalypto_-in-2005-photo-andrew-cooper.jpg</image:loc><image:title>Semler on location filming ‘Apocalypto_ in 2005 - PHOTO Andrew Cooper</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/semler-with-a-16mm-arriflex-on-the-island-of-tanna-with-camera-assistant-ted-rayment-acs-photo-supplied/</loc><lastmod>2018-02-23T13:52:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-with-a-16mm-arriflex-on-the-island-of-tanna-with-camera-assistant-ted-rayment-acs-photo-supplied.jpg</image:loc><image:title>Semler with a 16mm Arriflex on the island of Tanna with Camera Assistant Ted Rayment ACS - PHOTO Supplied</image:title><image:caption>Semler with a 16mm Arriflex on the island of Tanna with Camera Assistant Ted Rayment ACS - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/semler-working-as-floor-manager-at-nws-channel-9-in-1962-photo-supplied/</loc><lastmod>2018-02-23T13:52:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-working-as-floor-manager-at-nws-channel-9-in-1962-photo-supplied.jpg</image:loc><image:title>Semler working as Floor Manager at NWS Channel 9 in 1962 - PHOTO Supplied</image:title><image:caption>Semler working as Floor Manager at NWS Channel 9 in 1962 - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/semler-his-daughter-ingrid-and-kevin-costner-shooting-dances-with-wolves_-in-1989-photo-ben-glass/</loc><lastmod>2018-02-23T13:54:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/semler-his-daughter-ingrid-and-kevin-costner-shooting-e28098dances-with-wolves_-in-1989-photo-ben-glass.jpg</image:loc><image:title>Semler, his daughter Ingrid and Kevin Costner shooting ‘Dances With Wolves_ in 1989 - PHOTO Ben Glass</image:title><image:caption>Semler, his daughter Ingrid and Kevin Costner shooting ‘Dances With Wolves_ in 1989 - PHOTO Ben Glass</image:caption></image:image></url><url><loc>https://acmag.com.au/dream-baby-dop-binnie-elliott/</loc><lastmod>2018-02-23T14:03:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/dream-baby-dop-binnie-elliott.jpeg</image:loc><image:title>'Dream Baby' - DOP Binnie Elliott</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/fairy-tales-dop-yu-sun/</loc><lastmod>2018-02-23T14:03:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/fairy-tales-dop-yu-sun.jpg</image:loc><image:title>'Fairy Tales' - DOP Yu Sun</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/slapper-dop-michael-latham/</loc><lastmod>2018-02-23T14:03:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/slapper-dop-michael-latham.jpeg</image:loc><image:title>'Slapper' - DOP Michael Latham</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-crossing-animated-by-marieka-walsh-dop-consultant-matt-horrex-acs/</loc><lastmod>2018-02-23T14:03:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/the-crossing-animated-by-marieka-walsh-dop-consultant-matt-horrex-acs.jpeg</image:loc><image:title>'The Crossing' - Animated by Marieka Walsh, DOP Consultant Matt Horrex ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/welcome-home-allen-dop-liam-gilmour/</loc><lastmod>2018-02-23T14:03:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/welcome-home-allen-dop-liam-gilmour.jpeg</image:loc><image:title>'Welcome Home Allen' - DOP Liam Gilmour</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/welcome-to-country-2/</loc><lastmod>2018-02-23T14:33:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/welcome-to-country.jpg</image:loc><image:title>Welcome To Country</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/arrival-dop-bradford-young-asc/</loc><lastmod>2018-02-23T14:36:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/arrival-dop-bradford-young-asc.png</image:loc><image:title>'Arrival' - DOP Bradford Young ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/la-la-land-dop-linus-sandgren-fsf/</loc><lastmod>2018-02-23T14:36:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/la-la-land-dop-linus-sandgren-fsf.png</image:loc><image:title>'La La Land' - DOP Linus Sandgren FSF</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/lion-dop-grieg-fraser-acs-asc/</loc><lastmod>2018-02-23T14:36:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/lion-dop-grieg-fraser-acs-asc.jpg</image:loc><image:title>'Lion' - DOP Grieg Fraser ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/moonlight-dop-james-laxton-asc/</loc><lastmod>2018-02-23T14:36:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/moonlight-dop-james-laxton-asc.jpg</image:loc><image:title>'Moonlight' - DOP James Laxton ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/silence-dop-rodrigo-prieto-amc-asc/</loc><lastmod>2018-02-23T14:36:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/silence-dop-rodrigo-prieto-amc-asc.jpg</image:loc><image:title>'Silence' - DOP Rodrigo Prieto AMC ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/easyrig-vario-5/</loc><lastmod>2018-02-23T15:01:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/easyrig_erig_va5_gr_se_v5_gimbal_rig_vest_1234146.jpg</image:loc><image:title>easyrig_erig_va5_gr_se_v5_gimbal_rig_vest_1234146</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/easyrig-vario-5/</loc><lastmod>2018-02-23T15:06:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/03/clinton-harn-at-narrabeen-rock-pools-in-victoria-testing-the-sigma-cine-prime-lenses-photo-timoth-tan.jpg</image:loc><image:title>Clinton Harn at Narrabeen Rock Pools in Victoria testing the Sigma Cine Prime Lenses - PHOTO Timoth Tan</image:title><image:caption>Clinton Harn at the Narrabeen Rock Pools testing the Sigma Cine Prime Lenses - PHOTO Timoth Tan</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/03/01/easyrig-vario-5/</loc><lastmod>2018-02-23T15:05:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2017/03/clinton-harn-shooting-a-documentary-with-the-vario-5-in-melbourne-photo-timothy-tan.jpg</image:loc><image:title>Clinton Harn shooting a documentary with the Vario 5 in Melbourne - PHOTO Timothy Tan</image:title><image:caption>Clinton Harn shooting a documentary with the Vario 5 in Melbourne - PHOTO Timothy Tan</image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan/</loc><lastmod>2018-02-24T11:20:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan.jpg</image:loc><image:title>Jonathan</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/csm_08_jonathan_jannis_niewohner___jeremy_rouse_a1ee0fbb08/</loc><lastmod>2018-02-24T11:26:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/csm_08_jonathan_jannis_niewc3b6hner___jeremy_rouse_a1ee0fbb08.jpg</image:loc><image:title>csm_08_JONATHAN_Jannis_Niewöhner___Jeremy_Rouse_a1ee0fbb08</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-2-rcm1920x0u/</loc><lastmod>2018-02-24T11:26:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-2-rcm1920x0u.jpg</image:loc><image:title>jonathan-2-rcm1920x0u</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-3-rcm950x0/</loc><lastmod>2018-02-24T11:26:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-3-rcm950x0.jpg</image:loc><image:title>jonathan-3-rcm950x0</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-5-rcm950x0/</loc><lastmod>2018-02-24T11:26:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-5-rcm950x0.jpg</image:loc><image:title>jonathan-5-rcm950x0</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-6-rcm950x0/</loc><lastmod>2018-02-24T11:26:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-6-rcm950x0.jpg</image:loc><image:title>jonathan-6-rcm950x0</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-8-rcm950x0/</loc><lastmod>2018-02-24T11:26:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-8-rcm950x0.jpg</image:loc><image:title>jonathan-8-rcm950x0</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jonathan-9-rcm950x0/</loc><lastmod>2018-02-24T11:26:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/jonathan-9-rcm950x0.jpg</image:loc><image:title>jonathan-9-rcm950x0</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/simon-ozolins-acs-on-location-filming-tomorrow-when-the-war-began-photo-ambience-entertainment/</loc><lastmod>2018-02-24T11:51:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/simon-ozolins-acs-on-location-filming-tomorrow-when-the-war-began-photo-ambience-entertainment.jpg</image:loc><image:title>Simon Ozolins ACS on location filming 'Tomorrow When The War Began' - PHOTO Ambience Entertainment</image:title><image:caption>Simon Ozolins ACS on location filming 'Tomorrow When The War Began' - PHOTO Ambience Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king/</loc><lastmod>2018-02-24T11:54:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king.jpg</image:loc><image:title>'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:title><image:caption>Andrew Creer as Kevin and Madeleine Madden as Corrie in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/simon-ozolins-acs-filming-tomorrow-when-the-war-began-photo-ambience-entertainment/</loc><lastmod>2018-02-24T11:55:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/simon-ozolins-acs-filming-tomorrow-when-the-war-began-photo-ambience-entertainment.jpg</image:loc><image:title>Simon Ozolins ACS filming 'Tomorrow When The War Began' - PHOTO Ambience Entertainment</image:title><image:caption>Simon Ozolins ACS filming 'Tomorrow When The War Began' - PHOTO Ambience Entertainment</image:caption></image:image></url><url><loc>https://acmag.com.au/andrew-creer-as-kevin-and-madeleine-madden-as-corrie-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king/</loc><lastmod>2018-02-24T11:53:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/andrew-creer-as-kevin-and-madeleine-madden-as-corrie-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king.jpg</image:loc><image:title>Andrew Creer as Kevin and Madeleine Madden as Corrie in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:title><image:caption>Andrew Creer as Kevin and Madeleine Madden as Corrie in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/james-stewart-left-as-the-colonel-and-andrew-creer-seated-as-kevin-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king/</loc><lastmod>2018-02-24T11:52:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/james-stewart-left-as-the-colonel-and-andrew-creer-seated-as-kevin-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king.jpg</image:loc><image:title>James Stewart (left) as the Colonel and Andrew Creer (seated) as Kevin in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:title><image:caption>James Stewart (left) as the Colonel and Andrew Creer (seated) as Kevin in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/kevin-ellie-fiona-robyn-corrie-homer-from-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king/</loc><lastmod>2018-02-24T11:45:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/kevin-ellie-fiona-robyn-corrie-homer-from-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king.jpg</image:loc><image:title>Kevin, Ellie, Fiona, Robyn, Corrie &amp;amp; Homer from 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mario-setyana-as-a-young-soldier-and-narek-arman-as-homer-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king/</loc><lastmod>2018-02-24T11:52:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/mario-setyana-as-a-young-soldier-and-narek-arman-as-homer-in-tomorrow-when-the-war-began-dop-simon-ozolins-acs-photo-ben-king.jpg</image:loc><image:title>Mario Setyana as a young soldier and Narek Arman as Homer in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:title><image:caption>Mario Setyana as a young soldier and Narek Arman as Homer in 'Tomorrow When The War Began' - DOP Simon Ozolins ACS, PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/observance-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-02-24T11:58:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/observance-dop-rodrigo-vidal-dawson.jpg</image:loc><image:title>'Observance' - DOP Rodrigo Vidal Dawson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/cinematographer-rodrigo-vidal-dawson-photo-supplied/</loc><lastmod>2018-02-24T13:31:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/cinematographer-rodrigo-vidal-dawson-photo-supplied.jpg</image:loc><image:title>Cinematographer Rodrigo Vidal Dawson - PHOTO Supplied</image:title><image:caption>Cinematographer Rodrigo Vidal Dawson - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/lindsay-farris-in-a-scene-from-observance-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-02-24T13:32:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/lindsay-farris-in-a-scene-from-observance-dop-rodrigo-vidal-dawson.jpg</image:loc><image:title>Lindsay Farris in a scene from 'Observance' - DOP Rodrigo Vidal Dawson</image:title><image:caption>Lindsay Farris in a scene from 'Observance' - DOP Rodrigo Vidal Dawson</image:caption></image:image></url><url><loc>https://acmag.com.au/lindsay-farris-plays-parker-in-observance-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-02-24T13:33:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/lindsay-farris-plays-parker-in-observance-dop-rodrigo-vidal-dawson.jpg</image:loc><image:title>Lindsay Farris plays Parker in 'Observance' - DOP Rodrigo Vidal Dawson</image:title><image:caption>Lindsay Farris plays Parker in 'Observance' - DOP Rodrigo Vidal Dawson</image:caption></image:image></url><url><loc>https://acmag.com.au/on-location-with-observance-dop-rodrigo-vidal-dawson/</loc><lastmod>2018-02-24T13:32:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/on-location-with-observance-dop-rodrigo-vidal-dawson.jpeg</image:loc><image:title>On location with 'Observance' - DOP Rodrigo Vidal Dawson</image:title><image:caption>On location with 'Observance' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/rodrigo-vidal-dawson-joseph-sims-dennett-and-zoltan-jonas-behind-the-camera-photo-josh-zammit/</loc><lastmod>2018-02-24T13:33:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/rodrigo-vidal-dawson-joseph-sims-dennett-and-zoltan-jonas-behind-the-camera-photo-josh-zammit.jpg</image:loc><image:title>Rodrigo Vidal Dawson, Joseph Sims-Dennett and Zoltan Jonas behind the camera - PHOTO Josh Zammit</image:title><image:caption>Rodrigo Vidal Dawson, Joseph Sims-Dennett and Zoltan Jonas behind the camera - PHOTO Josh Zammit</image:caption></image:image></url><url><loc>https://acmag.com.au/godsofegyptpic03/</loc><lastmod>2018-02-24T13:40:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/nikolaj-coster-waldau-and-brenton-thwaites-in-a-scene-from-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>GodsOfEgyptPic#03</image:title><image:caption>Horus (Nikolaj Coster-Waldau) and Bek (Brenton Thwaites) in a scene from GODS OF EGYPT, directed by Alex Proyas. In cinemas 25 February 2016. An Entertainment One Films release. For more information contact Claire Fromm: cfromm@entonegroup.com</image:caption></image:image></url><url><loc>https://acmag.com.au/godsofegyptpic01/</loc><lastmod>2018-02-24T13:40:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/s3-gerard-butler-as-set-in-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>GodsOfEgyptPic#01</image:title><image:caption>Set (Gerard Butler) in a scene from GODS OF EGYPT, directed by Alex Proyas. In cinemas 25 February 2016. An Entertainment One Films release. For more information contact Claire Fromm: cfromm@entonegroup.com</image:caption></image:image></url><url><loc>https://acmag.com.au/lfeg_3056h_revisedwar_v7_textless_new-0745-tif/</loc><lastmod>2018-02-24T13:41:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/s7-geoffrey-rush-as-ra-in-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>LFEG_3056H_RevisedWar_v7_Textless_NEW 0745.tif</image:title><image:caption>LFEG_3056H_RevisedWar_v7_Textless_NEW 0745.tif</image:caption></image:image></url><url><loc>https://acmag.com.au/godsofegyptpic11/</loc><lastmod>2018-02-24T13:41:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/s8-elodie-yung-as-hathor-in-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>GodsOfEgyptPic#11</image:title><image:caption>Hathor (Elodie Yung) in a scene from GODS OF EGYPT, directed by Alex Proyas. In cinemas 25 February 2016. An Entertainment One Films release. For more information contact Claire Fromm: cfromm@entonegroup.com</image:caption></image:image></url><url><loc>https://acmag.com.au/godsofegypt_domtrlr1_texted_hd-2913-tif/</loc><lastmod>2018-02-24T13:41:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/s9-an-epic-battle-from-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>GodsOfEgypt_DOMTrlr1_Texted_HD 2913.tif</image:title><image:caption>GodsOfEgypt_DOMTrlr1_Texted_HD 2913.tif</image:caption></image:image></url><url><loc>https://acmag.com.au/godsofegypt_domtrlr1_texted_hd-2107-tif/</loc><lastmod>2018-02-24T13:42:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/s10-a-key-scene-from-gods-of-egypt-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>GodsOfEgypt_DOMTrlr1_Texted_HD 2107.tif</image:title><image:caption>GodsOfEgypt_DOMTrlr1_Texted_HD 2107.tif</image:caption></image:image></url><url><loc>https://acmag.com.au/cinematographer-bentley-dean-films-mungau-dain-and-marie-wawa-at-a-volcanic-crater-for-the-film-tanna-photo-philippe-penel/</loc><lastmod>2018-02-24T14:00:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/cinematographer-bentley-dean-films-mungau-dain-and-marie-wawa-at-a-volcanic-crater-for-the-film-tanna-photo-philippe-penel.jpg</image:loc><image:title>Cinematographer Bentley Dean films Mungau Dain and Marie Wawa at a volcanic crater for the film 'Tanna' - PHOTO Philippe Penel</image:title><image:caption>Cinematographer Bentley Dean films Mungau Dain and Marie Wawa at a volcanic crater for the film 'Tanna' - PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/mungau-dain-and-marie-wawa-sit-on-a-rock-in-tanna-dop-bentley-dean-photo-philippe-penel/</loc><lastmod>2018-02-24T14:01:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/mungau-dain-and-marie-wawa-sit-on-a-rock-in-tanna-dop-bentley-dean-photo-philippe-penel.jpg</image:loc><image:title>Mungau Dain and Marie Wawa sit on a rock in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:title><image:caption>Mungau Dain and Marie Wawa sit on a rock in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/mungau-dain-at-the-volcano-in-tanna-dop-bentley-dean-photo-philippe-penel/</loc><lastmod>2018-02-24T13:59:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/mungau-dain-at-the-volcano-in-tanna-dop-bentley-dean-photo-philippe-penel.jpg</image:loc><image:title>Mungau Dain at the volcano in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:title><image:caption>Mungau Dain at the volcano in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/sound-recordist-martin-butler-photo-philippe-penel/</loc><lastmod>2018-02-24T13:58:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/sound-recordist-martin-butler-photo-philippe-penel.jpg</image:loc><image:title>Sound Recordist Martin Butler - PHOTO Philippe Penel</image:title><image:caption>Co-Director and Sound Recordist Martin Butler - PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/women-collect-shells-in-tanna-dop-bentley-dean-photo-philippe-penel/</loc><lastmod>2018-02-24T13:57:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/women-collect-shells-in-tanna-dop-bentley-dean-photo-philippe-penel.jpg</image:loc><image:title>Women collect shells in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:title><image:caption>Women collect shells in 'Tanna' - DOP Bentley Dean, PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/bentley-dean-with-marie-wawa-and-mungau-dain-on-location-with-tanna-photo-philippe-penel/</loc><lastmod>2018-02-24T14:05:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/02/bentley-dean-with-marie-wawa-and-mungau-dain-on-location-with-tanna-photo-philippe-penel1.jpg</image:loc><image:title>Bentley Dean with Marie Wawa and Mungau Dain on location with 'Tanna' - PHOTO Philippe Penel</image:title><image:caption>Bentley Dean with Marie Wawa and Mungau Dain on location with 'Tanna' - PHOTO Philippe Penel</image:caption></image:image></url><url><loc>https://acmag.com.au/1-behind-the-scenes-on-the-kettering-incident-photo-scott-bradshaw/</loc><lastmod>2018-03-19T04:44:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/1-behind-the-scenes-on-the-kettering-incident-photo-scott-bradshaw.jpg</image:loc><image:title>1. Behind the scenes on 'The Kettering Incident' - PHOTO Scott Bradshaw</image:title><image:caption>Behind-the-scenes on 'The Kettering Incident' - PHOTO Scott Bradshaw</image:caption></image:image></url><url><loc>https://acmag.com.au/cinematograper-ari-wegner-photo-ben-king/</loc><lastmod>2018-03-19T04:43:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/cinematograper-ari-wegner-photo-ben-king.jpg</image:loc><image:title>Cinematographer Ari Wegner - PHOTO Ben King</image:title><image:caption>Cinematographer Ari Wegner on location filming 'The Kettering Incident' - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/g2-a-scene-from-the-kettering-incident-dop-ari-wegner/</loc><lastmod>2018-03-19T04:44:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/g2-a-scene-from-the-kettering-incident-dop-ari-wegner.jpg</image:loc><image:title>G2. A Scene from 'The Kettering Incident' - DOP Ari Wegner</image:title><image:caption>A scene from 'The Kettering Incident' - DOP Ari Wegner</image:caption></image:image></url><url><loc>https://acmag.com.au/g3-a-scene-from-the-kettering-incident-dop-ari-wegner/</loc><lastmod>2018-03-19T04:45:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/g3-a-scene-from-the-kettering-incident-dop-ari-wegner.jpg</image:loc><image:title>G3. A Scene from 'The Kettering Incident' - DOP Ari Wegner</image:title><image:caption>A scene from 'The Kettering Incident' - DOP Ari Wegner</image:caption></image:image></url><url><loc>https://acmag.com.au/the-kettering-incident-photo-ben-king/</loc><lastmod>2018-03-19T04:38:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/the-kettering-incident-photo-ben-king1.jpg</image:loc><image:title>'The Kettering Incident' - PHOTO Ben King</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/behind-the-scenes-of-the-kettering-incident-photo-ben-king/</loc><lastmod>2018-03-19T04:42:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/behind-the-scenes-of-the-kettering-incident-photo-ben-king.jpg</image:loc><image:title>Behind the scenes of 'The Kettering Incident' - PHOTO Ben King</image:title><image:caption>Behind the scenes on 'The Kettering Incident' - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/please-credit-photographer/</loc><lastmod>2018-03-19T07:40:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/a-scene-from-the-daughter-dop-andrew-commis-acs-photo-mark-rogers-e1521445210809.jpg</image:loc><image:title>please credit photographer</image:title><image:caption>please credit photographer</image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-the-film-the-daughter-dop-andrew-commis-acs-photo-mark-rogers-2/</loc><lastmod>2018-03-19T07:34:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/a-scene-from-the-film-the-daughter-dop-andrew-commis-acs-photo-mark-rogers-2.jpg</image:loc><image:title>A scene from the film 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers 2</image:title><image:caption>A scene from the film 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/andy-commis-and-simon-stone-on-location-with-the-daughter-photo-mark-rogers/</loc><lastmod>2018-03-19T07:32:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/andy-commis-and-simon-stone-on-location-with-the-daughter-photo-mark-rogers.jpeg</image:loc><image:title>Andy Commis and Simon Stone on location with 'The Daughter' - PHOTO Mark Rogers</image:title><image:caption>Andrew Commis ACS and Simon Stone on location with 'The Daughter' - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/andy-commis-films-ewen-leslie-oliver-photo-mark-rogers/</loc><lastmod>2018-03-19T07:35:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/andy-commis-films-ewen-leslie-oliver-photo-mark-rogers.jpeg</image:loc><image:title>Andy Commis films Ewen Leslie (Oliver) - PHOTO Mark Rogers</image:title><image:caption>Andrew Commis ACS behind the camera, filming Ewen Leslie on location with 'The Daughter' - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/geoffrey-rush-in-the-daughter-dop-andrew-commis-acs-photo-mark-rogers/</loc><lastmod>2018-03-19T07:31:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/geoffrey-rush-in-the-daughter-dop-andrew-commis-acs-photo-mark-rogers.jpg</image:loc><image:title>Geoffrey Rush in 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:title><image:caption>Geoffrey Rush in 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/geoffrey-rush-in-a-scene-from-the-daughter-dop-andrew-commis-acs-photo-mark-rogers/</loc><lastmod>2018-03-19T07:33:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/geoffrey-rush-in-a-scene-from-the-daughter-dop-andrew-commis-acs-photo-mark-rogers.jpg</image:loc><image:title>Geoffrey Rush in a scene from 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:title><image:caption>Geoffrey Rush in a scene from 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/miranda-otto-in-a-scene-from-the-daughter-dop-andrew-commis-acs-photo-mark-rogers/</loc><lastmod>2018-03-19T07:32:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/miranda-otto-in-a-scene-from-the-daughter-dop-andrew-commis-acs-photo-mark-rogers.jpg</image:loc><image:title>Miranda Otto in a scene from 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:title><image:caption>Miranda Otto in a scene from 'The Daughter' - DOP Andrew Commis ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2-craig-barden-acs-director-of-photography-on-molly-photo-ben-timony/</loc><lastmod>2018-03-19T07:49:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/2-craig-barden-acs-director-of-photography-on-molly-photo-ben-timony.jpg</image:loc><image:title>2. Craig Barden ACS Director of Photography on 'Molly' - PHOTO Ben Timony</image:title><image:caption>Craig Barden ACS, Director of Photography on 'Molly' - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/director-kev-carlin-shares-a-note-with-samuel-johnson-as-1ac-alana-blanch-works-away-in-foreground-with-camera-operator-darrell-martin-and-grip-jake-tostevin-in-the-background-photo-be/</loc><lastmod>2018-03-19T07:52:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/director-kev-carlin-shares-a-note-with-samuel-johnson-as-1ac-alana-blanch-works-away-in-foreground-with-camera-operator-darrell-martin-and-grip-jake-tostevin-in-the-background-photo-be.jpg</image:loc><image:title>Director Kev Carlin shares a note with Samuel Johnson as 1AC Alana Blanch works away in foreground with Camera Operator Darrell Martin and Grip Jake Tostevin in the background - PHOTO Be</image:title><image:caption>Kevin Carlin (Director) shares a note with Samuel Johnson (Molly). Alana Blanch (First Assistant Camera) works away in foreground, with Darrell Martin (Camera Operator) and Jake Tostevin (Grip) in the background - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/rgb-tiff-image-by-metisip/</loc><lastmod>2018-03-19T07:42:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/lights-camera-countdown-dop-craig-barden-acs-photo-ben-timony.jpg</image:loc><image:title>RGB tiff image by MetisIP</image:title><image:caption>RGB tiff image by MetisIP</image:caption></image:image></url><url><loc>https://acmag.com.au/on-location-in-egypt-or-a-quarry-near-geelong-photo-ben-timony/</loc><lastmod>2018-03-19T07:53:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/on-location-in-egypt-or-a-quarry-near-geelong-photo-ben-timony.jpg</image:loc><image:title>On location in Egypt, or a quarry near Geelong - PHOTO Ben Timony</image:title><image:caption>On location in 'Egypt' (or a quarry near Geelong) - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/skyhooks-in-the-countdown-studio-fronted-by-ben-geurens-as-shirl-dop-craig-barden-acs-photo-ben-timony/</loc><lastmod>2018-03-19T07:48:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/skyhooks-in-the-countdown-studio-fronted-by-ben-geurens-as-shirl-dop-craig-barden-acs-photo-ben-timony.jpg</image:loc><image:title>Skyhooks in the Countdown Studio fronted by Ben Geurens as 'Shirl' - DOP Craig Barden ACS, PHOTO Ben Timony</image:title><image:caption>Skyhooks in the Countdown Studio fronted by Ben Geurens as 'Shirl' - DOP Craig Barden ACS, PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/woman-in-gold/</loc><lastmod>2018-03-19T07:57:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/daniel-brc3bchl-in-a-scene-from-woman-in-gold-dop-ross-emery-acs-photo-the-weinstein-company.jpg</image:loc><image:title>WOMAN IN GOLD</image:title><image:caption>WOMAN IN GOLD</image:caption></image:image></url><url><loc>https://acmag.com.au/woman-in-gold-2/</loc><lastmod>2018-03-19T07:57:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/helen-mirren-in-woman-in-gold-dop-ross-emery-acs-photo-robert-viglasky.jpg</image:loc><image:title>WOMAN IN GOLD</image:title><image:caption>HELEN MIRREN stars in WOMAN IN GOLD</image:caption></image:image></url><url><loc>https://acmag.com.au/woman-in-gold-3/</loc><lastmod>2018-03-19T09:04:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/ryan-reynolds-and-helen-mirren-in-woman-in-gold-dop-ross-emery-acs-photo-the-weinstein-company.jpg</image:loc><image:title>WOMAN IN GOLD</image:title><image:caption>Ryan Reynolds and Helen Mirren star in 'Woman in Gold' - DOP Ross Emery ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/woman-in-gold-4/</loc><lastmod>2018-03-19T07:58:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/tatiana-maslany-and-max-irons-in-woman-in-gold-dop-ross-emery-acs-photo-the-weinstein-company.jpg</image:loc><image:title>WOMAN IN GOLD</image:title><image:caption>(L-R) Max Irons and Tatiana Maslany star in WOMAN IN GOLD</image:caption></image:image></url><url><loc>https://acmag.com.au/on-location-with-woman-in-gold-photo-robert-viglasky/</loc><lastmod>2018-03-19T08:06:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/on-location-with-woman-in-gold-photo-robert-viglasky.jpg</image:loc><image:title>On location with 'Woman in Gold' - PHOTO Robert Viglasky</image:title><image:caption>Filming 'Woman in Gold' on location - PHOTO Robert Viglasky</image:caption></image:image></url><url><loc>https://acmag.com.au/ross-emery-acs-l-behind-the-camera-on-location-in-vienna-actors-tatiana-muslani-and-max-irons-with-gaffer-pat-sweeny-r-photo-robert-viglasky/</loc><lastmod>2018-03-19T09:09:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/ross-emery-acs-l-behind-the-camera-on-location-in-vienna-actors-tatiana-muslani-and-max-irons-with-gaffer-pat-sweeny-r-photo-robert-viglasky.jpg</image:loc><image:title>Ross Emery ACS (L) behind the camera, on location in Vienna. Actors Tatiana Muslani and Max Irons with Gaffer Pat Sweeny (R) - PHOTO Robert Viglasky</image:title><image:caption>Ross Emery ACS (L) behind the camera, on location in Vienna. Actors Tatiana Muslani and Max Irons with Gaffer Pat Sweeny (R) - PHOTO Robert Viglasky</image:caption></image:image></url><url><loc>https://acmag.com.au/ross-emery-acs-on-set-with-director-simon-curtis-photo-robert-viglasky/</loc><lastmod>2018-03-19T09:10:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/ross-emery-acs-on-set-with-director-simon-curtis-photo-robert-viglasky.jpg</image:loc><image:title>Ross Emery ACS on-set with Director Simon Curtis - PHOTO Robert Viglasky</image:title><image:caption>Ross Emery ACS on-set with Director Simon Curtis - PHOTO Robert Viglasky</image:caption></image:image></url><url><loc>https://acmag.com.au/bright-tangerine-mattebox/</loc><lastmod>2018-03-20T14:09:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/bright-tangerine-mattebox.jpg</image:loc><image:title>Bright Tangerine mattebox</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/bright-tangerine-misfit/</loc><lastmod>2018-03-20T14:09:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/bright-tangerine-misfit.jpg</image:loc><image:title>Bright Tangerine Misfit</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/clinton-harn-filming-in-sydney/</loc><lastmod>2018-03-20T14:15:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/clinton-harn-filming-in-sydney.jpg</image:loc><image:title>Clinton Harn filming in Sydney</image:title><image:caption>Clinton Harn filming in Sydney - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/the-misfit-atom/</loc><lastmod>2018-03-20T14:09:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/the-misfit-atom.jpg</image:loc><image:title>The Misfit Atom</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/actor-reef-ireland-in-a-scene-from-downriver-laszlo-baranyai-acs-hsc/</loc><lastmod>2018-03-21T08:43:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/actor-reef-ireland-in-a-scene-from-downriver-lc3a1szlc3b3-baranyai-acs-hsc.jpg</image:loc><image:title>Actor Reef Ireland in a scene from 'Downriver - László Baranyai ACS HSC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/james-reef-ireland-and-paige-kerry-fox-in-downriver-laszlo-baranyai-acs-hsc/</loc><lastmod>2018-03-21T09:22:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/james-reef-ireland-and-paige-kerry-fox-in-downriver-lc3a1szlc3b3-baranyai-acs-hsc.jpg</image:loc><image:title>James (Reef Ireland) and Paige (Kerry Fox) in 'Downriver' - László Baranyai ACS HSC</image:title><image:caption>James (Reef Ireland) and Paige (Kerry Fox) in 'Downriver' - DOP László Baranyai ACS HSC</image:caption></image:image></url><url><loc>https://acmag.com.au/james-reef-ireland-in-detention-in-downriver-dop-laszlo-baranyai-acs-hsc/</loc><lastmod>2018-03-21T09:21:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/james-reef-ireland-in-detention-in-downriver-dop-lc3a1szlc3b3-baranyai-acs-hsc.jpg</image:loc><image:title>James (Reef Ireland) in detention in 'Downriver' - DOP László Baranyai ACS HSC</image:title><image:caption>James (Reef Ireland) in detention in 'Downriver' - DOP László Baranyai ACS HSC</image:caption></image:image></url><url><loc>https://acmag.com.au/james-reef-ireland-on-the-river-in-downriver-dop-laszlo-baranyai-acs-hsc/</loc><lastmod>2018-03-21T09:21:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/james-reef-ireland-on-the-river-in-downriver-dop-lc3a1szlc3b3-baranyai-acs-hsc.jpg</image:loc><image:title>James (Reef Ireland) on the river in 'Downriver' - DOP László Baranyai ACS HSC</image:title><image:caption>James (Reef Ireland) on the river in 'Downriver' - DOP László Baranyai ACS HSC</image:caption></image:image></url><url><loc>https://acmag.com.au/last-night-in-detention-a-scene-from-downriver-dop-laszlo-baranyai-acs-hsc/</loc><lastmod>2018-03-21T09:20:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/last-night-in-detention-a-scene-from-downriver-dop-lc3a1szlc3b3-baranyai-acs-hsc.jpg</image:loc><image:title>Last night in detention, a scene from 'Downriver' - DOP László Baranyai ACS HSC</image:title><image:caption>Last night in detention, a scene from 'Downriver' - DOP László Baranyai ACS HSC</image:caption></image:image></url><url><loc>https://acmag.com.au/peter-white-1ac-clint-dodd-sfx-coordinator-laszlo-baranyai-acs-hsc-dop-and-grant-scicluna-director-filming-downriver-photo-brent-lukey/</loc><lastmod>2018-03-21T09:20:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/peter-white-1ac-clint-dodd-sfx-coordinator-lc3a1szlc3b3-baranyai-acs-hsc-dop-and-grant-scicluna-director-filming-downriver-photo-brent-lukey.jpg</image:loc><image:title>Peter White (1AC), Clint Dodd (SFX Coordinator), László Baranyai ACS HSC (DOP), and Grant Scicluna (Director) filming 'Downriver' - PHOTO Brent Lukey</image:title><image:caption>Peter White (1AC), Clint Dodd (SFX Coordinator), László Baranyai ACS HSC (DOP), and Grant Scicluna (Director) filming 'Downriver' - PHOTO Brent Lukey</image:caption></image:image></url><url><loc>https://acmag.com.au/01-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy/</loc><lastmod>2018-03-22T05:11:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/01-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy.jpg</image:loc><image:title>01 A scene from 'Childhood's End' - PHOTO Courtesy NBC Universal:Syfy</image:title><image:caption>A scene from 'Childhood's End' - DOP Neville Kidd, PHOTO Courtesy NBC Universal and Syfy</image:caption></image:image></url><url><loc>https://acmag.com.au/02-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy/</loc><lastmod>2018-03-22T05:10:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/02-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy.jpg</image:loc><image:title>02 A scene from 'Childhood's End' - PHOTO Courtesy NBC Universal:Syfy</image:title><image:caption>A scene from 'Childhood's End' - DOP Neville Kidd, PHOTO Courtesy NBC Universal and Syfy</image:caption></image:image></url><url><loc>https://acmag.com.au/06-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy/</loc><lastmod>2018-03-21T10:02:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/06-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy.jpg</image:loc><image:title>06 A scene from 'Childhood's End' - PHOTO Courtesy NBC Universal:Syfy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/10-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy/</loc><lastmod>2018-03-22T05:12:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/10-a-scene-from-childhoods-end-photo-courtesy-nbc-universalsyfy.jpg</image:loc><image:title>10 A scene from 'Childhood's End' - PHOTO Courtesy NBC Universal:Syfy</image:title><image:caption>Julian McMahon in a scene from 'Childhood's End' - DOP Neville Kidd, PHOTO Courtesy NBC Universal and Syfy</image:caption></image:image></url><url><loc>https://acmag.com.au/childhoods-end-season-1/</loc><lastmod>2018-03-22T05:08:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/neville-kid-lines-up-a-shot-on-childhoods-end-photo-courtesy-nbc-universalsyfy.jpg</image:loc><image:title>Childhood's End - Season 1</image:title><image:caption>Jeremy Span (behind the directors' viewfinder) behind the scenes on 'Childhood's End' - PHOTO Narelle Portanier</image:caption></image:image></url><url><loc>https://acmag.com.au/best-boy-etchell-william-and-crew-member-bautist-b1-rig-practical-fluorescent-lamps-in-the-night-club-set-photo-tim-barnsley/</loc><lastmod>2018-03-22T05:42:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/best-boy-etchell-william-and-crew-member-bautist-b1-rig-practical-fluorescent-lamps-in-the-night-club-set-photo-tim-barnsley-e1521697375874.jpg</image:loc><image:title>Best Boy Etchell William and crew member Bautist (B1) rig practical fluorescent lamps in the night club set - PHOTO Tim Barnsley</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/director-peter-walker-watches-albert-tommy-who-plays-max-photo/</loc><lastmod>2018-03-22T05:32:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/director-peter-walker-watches-albert-tommy-who-plays-max-photo.jpg</image:loc><image:title>Director Peter Walker watches Albert Tommy who plays Max - PHOTO</image:title><image:caption>Director Peter Walker watches Albert Tommy who plays Max - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/etchell-william-poses-for-a-photo-at-another-kava-bar-location-this-was-constructed-in-the-grounds-of-wan-smolbag-photo-tim-barnsley/</loc><lastmod>2018-03-22T05:33:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/etchell-william-poses-for-a-photo-at-another-kava-bar-location-this-was-constructed-in-the-grounds-of-wan-smolbag-photo-tim-barnsley.jpg</image:loc><image:title>Etchell William poses for a photo at another Kava Bar location, this was constructed in the grounds of Wan Smolbag - PHOTO Tim Barnsley</image:title><image:caption>Etchell William poses for a photo on location, in the grounds of Wan Smolbag - PHOTO Tim Barnsley</image:caption></image:image></url><url><loc>https://acmag.com.au/on-location-with-cast-and-crew-at-the-kava-bar-location-photo-tim-barnsley/</loc><lastmod>2018-03-22T05:35:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/on-location-with-cast-and-crew-at-the-kava-bar-location-photo-tim-barnsley.jpg</image:loc><image:title>On location with cast and crew at the Kava Bar location - PHOTO Tim Barnsley</image:title><image:caption>On location with cast and crew at the Kava Bar location - PHOTO Tim Barnsley</image:caption></image:image></url><url><loc>https://acmag.com.au/viranda-david-who-plays-sonia-in-life-is-sweet-photo-tim-barnsley/</loc><lastmod>2018-03-22T05:40:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/viranda-david-who-plays-sonia-in-life-is-sweet-photo-tim-barnsley.jpg</image:loc><image:title>Viranda David who plays Sonia in 'Life Is Sweet' - PHOTO Tim Barnsley</image:title><image:caption>Viranda David who plays Sonia in 'Life Is Sweet' - PHOTO Tim Barnsley</image:caption></image:image></url><url><loc>https://acmag.com.au/07-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:43:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/07-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>07 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/01-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:54:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/01-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>01 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption>A scene from the film '13 Hours: The Secret Soldiers of Benghazi' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/02-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:54:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/02-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>02 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption>A scene from the film '13 Hours: The Secret Soldiers of Benghazi' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/03-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:55:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/03-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>03 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption>A scene from the film '13 Hours: The Secret Soldiers of Benghazi' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/04-a-tense-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:55:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/04-a-tense-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>04 A tense scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption>A scene from the film '13 Hours: The Secret Soldiers of Benghazi' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/05-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:56:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/05-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>05 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption>A scene from the film '13 Hours: The Secret Soldiers of Benghazi' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/06-a-scene-from-13-hours-dop-dion-beebe-acs-asc/</loc><lastmod>2018-03-22T05:46:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/06-a-scene-from-13-hours-dop-dion-beebe-acs-asc.jpg</image:loc><image:title>06 A scene from '13 Hours' - DOP Dion Beebe ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/dean-semler-am-acs-asc-in-1964-then-an-adelaide-news-camerman-shooting-a-story-aboard-the-first-ansett-airlines-jet-to-fly-to-adelaide-photo-courtesy-ron-windon-acs/</loc><lastmod>2018-03-22T06:08:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/dean-semler-am-acs-asc-in-1964-then-an-adelaide-news-camerman-shooting-a-story-aboard-the-first-ansett-airlines-jet-to-fly-to-adelaide-photo-courtesy-ron-windon-acs.jpg</image:loc><image:title>Dean Semler AM ACS ASC in 1964, then an Adelaide news camerman shooting a story aboard the first Ansett Airlines jet to fly to Adelaide - PHOTO Courtesy Ron Windon ACS</image:title><image:caption>Dean Semler AM ACS ASC in 1964, then an Adelaide news camerman shooting a story aboard the first Ansett Airlines jet to fly to Adelaide - PHOTO Courtesy Ron Windon ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/news-cameraman-les-wasley-with-a-cemeflex-35mm-camera-ready-for-take-off-from-the-aircraft-carrier-hmas-melbourne-while-filming-military-exercises-in-the-philippines-in-1961-photo-cou/</loc><lastmod>2018-03-22T06:07:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/news-cameraman-les-wasley-with-a-cemeflex-35mm-camera-ready-for-take-off-from-the-aircraft-carrier-hmas-melbourne-while-filming-military-exercises-in-the-philippines-in-1961-photo-cou.jpg</image:loc><image:title>News cameraman Les Wasley with a Cemeflex 35mm Camera, ready for take-off from the aircraft carrier HMAS Melbourne while filming military exercises in the Philippines in 1961 - PHOTO Cou</image:title><image:caption>News cameraman Les Wasley with a Cemeflex 35mm Camera, ready for take-off from the aircraft carrier HMAS Melbourne while filming military exercises in the Philippines in 1961 - PHOTO Courtesy Ron Windon ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/syd-wood-acs-filming-a-bushfire-near-cessnock-nsw-in-1949-photo-courtesy-ron-windon-acs/</loc><lastmod>2018-03-22T06:08:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/syd-wood-acs-filming-a-bushfire-near-cessnock-nsw-in-1949-photo-courtesy-ron-windon-acs.jpg</image:loc><image:title>Syd Wood ACS filming a bushfire near Cessnock NSW in 1949 - PHOTO Courtesy Ron Windon ACS</image:title><image:caption>Syd Wood ACS filming a bushfire near Cessnock NSW in 1949 - PHOTO Courtesy Ron Windon ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/the-movietone-crew-in-1938-photo-courtesy-ron-windon-acs/</loc><lastmod>2018-03-22T06:06:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/the-movietone-crew-in-1938-photo-courtesy-ron-windon-acs.jpg</image:loc><image:title>The Movietone Crew in 1938 - PHOTO Courtesy Ron Windon ACS</image:title><image:caption>The Movietone Crew in 1938 - PHOTO Courtesy Ron Windon ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/ensnared-dop-justin-hartwell/</loc><lastmod>2018-03-22T06:12:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/ensnared-dop-justin-hartwell.jpg</image:loc><image:title>ENSNARED - DOP Justin Hartwell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/inverse-dop-brad-francis/</loc><lastmod>2018-03-22T06:12:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/inverse-dop-brad-francis.jpg</image:loc><image:title>INVERSE - DOP Brad Francis</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/karroyul-dop-torstein-dyrting-acs/</loc><lastmod>2018-03-22T06:12:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/karroyul-dop-torstein-dyrting-acs.jpg</image:loc><image:title>KARROYUL - DOP Torstein Dyrting ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/flat-daddy-dop-geoffrey-hall-acs/</loc><lastmod>2018-03-22T06:13:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/flat-daddy-dop-geoffrey-hall-acs.jpg</image:loc><image:title>FLAT DADDY - DOP Geoffrey Hall ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-bee-man-dop-randy-larcombe/</loc><lastmod>2018-03-22T06:13:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/03/the-bee-man-dop-randy-larcombe.jpg</image:loc><image:title>THE BEE MAN - DOP Randy Larcombe</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2017-12-10-at-9-35-46-am/</loc><lastmod>2018-04-01T08:31:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/screen-shot-2017-12-10-at-9-35-46-am.png</image:loc><image:title>Screen Shot 2017-12-10 at 9.35.46 am</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-two-peice-dop-max-walter/</loc><lastmod>2018-04-01T08:31:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/1-two-peice-dop-max-walter.jpg</image:loc><image:title>1. 'Two Peice' - DOP Max Walter</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/null-15/</loc><lastmod>2018-04-01T08:58:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/a-scene-from-sweet-country-dir-warwick-thornton-dop-dylan-river-photo-mark-rogers.jpg</image:loc><image:title>null</image:title><image:caption>A scene from 'Sweet Country' - DIR Warwick Thornton, DOP Dylan River, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/filming-natassia-gorey-furber-who-plays-lizzie-in-the-film-sweet-country-photo-mark-rogers/</loc><lastmod>2018-04-01T08:59:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/filming-natassia-gorey-furber-who-plays-lizzie-in-the-film-sweet-country-photo-mark-rogers.jpg</image:loc><image:title>Filming Natassia Gorey Furber who plays Lizzie in the film 'Sweet Country' - PHOTO Mark Rogers</image:title><image:caption>Filming Natassia Gorey Furber who plays Lizzie in the film 'Sweet Country' - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/_d0a9431/</loc><lastmod>2018-04-01T09:02:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/d0a9431.jpg</image:loc><image:title>_D0A9431</image:title><image:caption>Dylan River and Warwick Thornton on location with 'Sweet Country' - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/sergeant-fletcher-bryan-brown-sam-kelly-hamilton-morris-lizzie-natassia-gorey-furber-and-fred-smith-sam-neill-in-a-scene-from-sweet-country-dir-warwick-thornton-dop-dylan/</loc><lastmod>2018-04-01T09:00:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/sergeant-fletcher-bryan-brown-sam-kelly-hamilton-morris-lizzie-natassia-gorey-furber-and-fred-smith-sam-neill-in-a-scene-from-sweet-country-dir-warwick-thornton-dop-dylan.jpg</image:loc><image:title>Sergeant Fletcher (Bryan Brown), Sam Kelly (Hamilton Morris), Lizzie (Natassia Gorey Furber) and Fred Smith (Sam Neill) in a scene from 'Sweet Country' - DIR Warwick Thornton, DOP Dylan</image:title><image:caption>Sergeant Fletcher (Bryan Brown), Sam Kelly (Hamilton Morris), Lizzie (Natassia Gorey Furber) and Fred Smith (Sam Neill) in a scene from 'Sweet Country' - DIR Warwick Thornton, DOP Dylan River</image:caption></image:image></url><url><loc>https://acmag.com.au/warwick-thornton-sitting-and-crew-filming-sweet-country-on-location-at-simpsons-gap-near-alice-springs-photo-mark-rogers/</loc><lastmod>2018-04-01T08:59:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/warwick-thornton-sitting-and-crew-filming-sweet-country-on-location-at-simpsons-gap-near-alice-springs-photo-mark-rogers.jpg</image:loc><image:title>Warwick Thornton (sitting) and crew filming 'Sweet Country' on location at Simpsons Gap near Alice Springs - PHOTO Mark Rogers</image:title><image:caption>Warwick Thornton (sitting) and crew filming 'Sweet Country' on location at Simpsons Gap near Alice Springs - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/null-16/</loc><lastmod>2018-04-01T08:57:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/lizzie-natassia-gorey-furber-and-sam-kelly-hamilton-morris-in-the-film-sweet-country-dir-warwick-thornton-dop-dylan-river-photo-mark-rogers.jpg</image:loc><image:title>null</image:title><image:caption>Lizzie (Natassia Gorey Furber) and Sam Kelly (Hamilton Morris) in the film 'Sweet Country' - DIR Warwick Thornton, DOP Dylan River, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/sc_fotor/</loc><lastmod>2018-04-01T08:53:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/sc_fotor.jpg</image:loc><image:title>SC_Fotor</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/winch_17-03-24_bk_0153-cr2/</loc><lastmod>2018-04-01T09:17:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/dame-helen-mirren-is-sarah-winchester-in-the-film-winchester-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>WINCH_17-03-24_BK_0153.CR2</image:title><image:caption>Dame Helen Mirren is Sarah Winchester in the film 'Winchester' - DOP Ben Nott ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/dame-helen-mirren-plays-sarah-winchester-in-winchester-dop-ben-nott-acs-photo-supplied/</loc><lastmod>2018-04-01T09:16:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/dame-helen-mirren-plays-sarah-winchester-in-winchester-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>Dame Helen Mirren plays Sarah Winchester in 'Winchester' - DOP Ben Nott ACS, PHOTO Supplied</image:title><image:caption>Dame Helen Mirren plays Sarah Winchester in 'Winchester' - DOP Ben Nott ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/winch_170407_bk_0358-cr2/</loc><lastmod>2018-04-01T09:08:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/jason-clark-and-dame-helen-mirren-in-winchester-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>WINCH_170407_BK_0358.CR2</image:title><image:caption>WINCH_170407_BK_0358.CR2</image:caption></image:image></url><url><loc>https://acmag.com.au/winch_170426_bk_0098-cr2/</loc><lastmod>2018-04-01T09:09:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/jason-clarke-plays-eric-price-in-winchester-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>WINCH_170426_BK_0098.CR2</image:title><image:caption>WINCH_170426_BK_0098.CR2</image:caption></image:image></url><url><loc>https://acmag.com.au/winch_170418_bk_0279-cr2/</loc><lastmod>2018-04-01T09:10:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/sarah-snook-in-winchester-dop-ben-nott-acs-photo-supplied.jpg</image:loc><image:title>WINCH_170418_BK_0279.CR2</image:title><image:caption>WINCH_170418_BK_0279.CR2</image:caption></image:image></url><url><loc>https://acmag.com.au/img_0071/</loc><lastmod>2018-04-01T09:55:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/img_0071-e1522575093675.png</image:loc><image:title>IMG_0071</image:title><image:caption>A scene from the ABC miniseries 'Friday On My Mind' - DOP Simon Chapman ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/img_0334/</loc><lastmod>2018-04-01T10:29:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/img_0334-e1522578579717.png</image:loc><image:title>IMG_0334</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/img_0389/</loc><lastmod>2018-04-01T10:30:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/img_0389-e1522578610256.png</image:loc><image:title>IMG_0389</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/img_9715/</loc><lastmod>2018-04-01T09:56:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/img_9715.png</image:loc><image:title>IMG_9715</image:title><image:caption>A scene from the ABC miniseries 'Friday On My Mind' - DOP Simon Chapman ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/in-friday-on-my-mind-dop-simon-chapman-acs-photo-tony-mott/</loc><lastmod>2018-04-01T09:23:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/in-friday-on-my-mind-dop-simon-chapman-acs-photo-tony-mott.jpg</image:loc><image:title>in 'Friday On My Mind' - DOP Simon Chapman ACS, PHOTO Tony Mott</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/picture1/</loc><lastmod>2018-04-01T09:24:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/picture1.png</image:loc><image:title>Picture1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tid35531-friday-on-my-mind-005/</loc><lastmod>2018-04-01T09:58:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/tid35531-friday-on-my-mind-005.jpg</image:loc><image:title>tid35531-friday-on-my-mind-005</image:title><image:caption>A scene from the ABC miniseries 'Friday On My Mind' - DOP Simon Chapman ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/a-camer-operator-damian-church-with-cinematographer-judd-overton-on-the-set-of-no-activity-photo-supplied/</loc><lastmod>2018-04-01T10:04:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/a-camer-operator-damian-church-with-cinematographer-judd-overton-on-the-set-of-no-activity-photo-supplied.jpg</image:loc><image:title>A-Camer Operator Damian Church with Cinematographer Judd Overton on the set of 'No Activity' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/car-projection-bts/</loc><lastmod>2018-04-01T10:05:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/car-projection-bts.jpg</image:loc><image:title>Car Projection BTS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jk-at-docks-studio/</loc><lastmod>2018-04-01T10:06:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/jk-at-docks-studio.png</image:loc><image:title>JK at Docks Studio</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/one-of-the-exterior-plates-used-on-no-activity-dop-judd-overton/</loc><lastmod>2018-04-01T10:06:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/one-of-the-exterior-plates-used-on-no-activity-dop-judd-overton.jpg</image:loc><image:title>One of the exterior plates used on 'No Activity' - DOP Judd Overton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/port-security-bts/</loc><lastmod>2018-04-01T10:13:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/port-security-bts.jpg</image:loc><image:title>Port Security BTS</image:title><image:caption>Actors Patrick Brammall and Bob Odenkirk rehearsing a scene prior to filming on the set of the U.S. version of 'No Activity' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/the-video-split-on-the-docks-behind-the-scenes-on-no-activity-photo-supplied/</loc><lastmod>2018-04-01T10:07:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/the-video-split-on-the-docks-behind-the-scenes-on-no-activity-photo-supplied.jpg</image:loc><image:title>The video split on the docks, behind the scenes on 'No Activity' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/trent-directs-despatch/</loc><lastmod>2018-04-01T10:16:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/trent-directs-despatch.jpg</image:loc><image:title>Trent Directs Despatch</image:title><image:caption>Series Director and 'No Activity' Co-Creator, Trent O'Donnell (right), directing a scene in the police dispatch set - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/1-a-scene-from-the-film-the-school-dop-aaron-mclisky/</loc><lastmod>2018-04-01T10:38:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/1-a-scene-from-the-film-the-school-dop-aaron-mclisky-e1522579086254.png</image:loc><image:title>1. A scene from the film 'The School' - DOP Aaron McLisky</image:title><image:caption>A scene from the film 'The School' - DOP Aaron McLisky</image:caption></image:image></url><url><loc>https://acmag.com.au/2-a-scene-from-the-film-the-school-dop-aaron-mclisky/</loc><lastmod>2018-04-01T10:39:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/2-a-scene-from-the-film-the-school-dop-aaron-mclisky-e1522579181917.png</image:loc><image:title>2. A scene from the film 'The School' - DOP Aaron McLisky</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/3-a-scene-from-the-film-the-school-dop-aaron-mclisky/</loc><lastmod>2018-04-01T10:42:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/3-a-scene-from-the-film-the-school-dop-aaron-mclisky-e1522579354713.png</image:loc><image:title>3. A scene from the film 'The School' - DOP Aaron McLisky</image:title><image:caption>A scene from the film 'The School' - DOP Aaron McLisky</image:caption></image:image></url><url><loc>https://acmag.com.au/cinematogapher-aaron-mclisky-behind-the-camera-on-location-with-the-school-photo/</loc><lastmod>2018-04-01T10:44:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/cinematogapher-aaron-mclisky-behind-the-camera-on-location-with-the-school-photo.jpg</image:loc><image:title>Cinematogapher Aaron McLisky behind the camera on location with 'The School' - PHOTO</image:title><image:caption>Cinematogapher Aaron McLisky behind the camera on location with 'The School' - PHOTO MJ Fusion</image:caption></image:image></url><url><loc>https://acmag.com.au/e37a1430/</loc><lastmod>2018-04-01T10:34:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/e37a1430.jpg</image:loc><image:title>E37A1430</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/peter-rabbit-james-corden-in-columbia-pictures-peter-rabbit/</loc><lastmod>2018-04-01T10:48:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/a-scene-from-peter-rabbit-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>Peter Rabbit (James Corden) in Columbia Pictures' PETER RABBIT.</image:title><image:caption>Peter Rabbit (James Corden) in Columbia Pictures' PETER RABBIT.</image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-the-film-peter-rabbit-dop-peter-menzies-jr-acs/</loc><lastmod>2018-04-01T10:53:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/a-scene-from-the-film-peter-rabbit-dop-peter-menzies-jr-acs.jpg</image:loc><image:title>A scene from the film 'Peter Rabbit' - DOP Peter Menzies Jr. ACS</image:title><image:caption>A scene from the film 'Peter Rabbit' - DOP Peter Menzies Jr. ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/rose-byrne-in-a-scene-from-peter-rabbit-dop-peter-menzies-jr-acs/</loc><lastmod>2018-04-01T10:54:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/rose-byrne-in-a-scene-from-peter-rabbit-dop-peter-menzies-jr-acs-e1522580088783.jpg</image:loc><image:title>Rose Byrne in a scene from 'Peter Rabbit' - DOP Peter Menzies Jr. ACS</image:title><image:caption>A scene from the film 'Peter Rabbit' - DOP Peter Menzies Jr. ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/blade-runner-2049-dop-roger-deakins-cbe-bsc-asc/</loc><lastmod>2018-04-01T10:58:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/blade-runner-2049-dop-roger-deakins-cbe-bsc-asc.jpg</image:loc><image:title>'Blade Runner 2049' - DOP Roger Deakins CBE BSC ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/dunkirk-dop-hoyte-van-hoytema-fsf-nsc-asc/</loc><lastmod>2018-04-01T10:59:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/dunkirk-dop-hoyte-van-hoytema-fsf-nsc-asc.jpg</image:loc><image:title>'Dunkirk' - DOP Hoyte van Hoytema FSF NSC ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mudbound-dop-rachel-morrison-asc/</loc><lastmod>2018-04-01T10:59:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/mudbound-dop-rachel-morrison-asc.jpg</image:loc><image:title>'Mudbound' - DOP Rachel Morrison ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-darkest-hour-dop-bruno-delbonnel-afc-asc/</loc><lastmod>2018-04-01T10:59:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/the-darkest-hour-dop-bruno-delbonnel-afc-asc.jpg</image:loc><image:title>'The Darkest Hour' - DOP Bruno Delbonnel AFC ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-shape-of-water-dop-dan-laustsen-dff-asc/</loc><lastmod>2018-04-01T10:59:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/the-shape-of-water-dop-dan-laustsen-dff-asc.jpg</image:loc><image:title>'The Shape of Water' - DOP Dan Laustsen DFF ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/gratical-2/</loc><lastmod>2018-04-05T04:16:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/gratical-2.jpg</image:loc><image:title>gratical 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/_mg_5912/</loc><lastmod>2018-04-05T04:18:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/mg_5912.jpg</image:loc><image:title>_MG_5912</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/_63a5394/</loc><lastmod>2018-04-05T04:18:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/63a5394.jpg</image:loc><image:title>_63A5394</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/strangerland-dop-pj-dillon/</loc><lastmod>2018-04-05T04:22:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/strangerland-dop-pj-dillon.jpg</image:loc><image:title>'Strangerland' - DOP PJ Dillon</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/now-add-honey-dop-ben-nott-acs/</loc><lastmod>2018-04-05T04:33:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/now-add-honey-dop-ben-nott-acs-e1522902809339.jpg</image:loc><image:title>'Now Add Honey' - DOP Ben Nott ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-behind-the-scenes-on-alis-wedding-photo-ben-timony/</loc><lastmod>2018-04-05T05:19:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/1-behind-the-scenes-on-alis-wedding-photo-ben-timony.jpg</image:loc><image:title>1. Behind the scenes on 'Ali's Wedding' - PHOTO Ben Timony</image:title><image:caption>Don McAlpine ACS ASC behind the scenes on 'Ali's Wedding' - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/1-shootout-tests-photo-phil-erbacher/</loc><lastmod>2018-04-05T05:19:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/1-shootout-tests-photo-phil-erbacher.jpg</image:loc><image:title>1. Shootout tests - PHOTO Phil Erbacher</image:title><image:caption>1. Shootout tests - PHOTO Phil Erbacher</image:caption></image:image></url><url><loc>https://acmag.com.au/2-behind-the-scenes-on-alis-wedding-photo-ben-timony/</loc><lastmod>2018-04-05T05:21:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/2-behind-the-scenes-on-alis-wedding-photo-ben-timony.jpg</image:loc><image:title>2. Behind the scenes on 'Ali's Wedding' - PHOTO Ben Timony</image:title><image:caption>Don McAlpine ACS ASC behind the scenes on 'Ali's Wedding' - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/3-behind-the-scenes-on-alis-wedding-photo-ben-timony/</loc><lastmod>2018-04-05T05:23:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/3-behind-the-scenes-on-alis-wedding-photo-ben-timony.jpg</image:loc><image:title>3. Behind the scenes on 'Ali's Wedding' - PHOTO Ben Timony</image:title><image:caption>Don McAlpine ACS ASC and crew on location filming 'Ali's Wedding' - PHOTO Ben Timony</image:caption></image:image></url><url><loc>https://acmag.com.au/4-shootout-tests-photo-phil-erbacher/</loc><lastmod>2018-04-05T05:11:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/4-shootout-tests-photo-phil-erbacher.jpg</image:loc><image:title>4. Shootout tests - PHOTO Phil Erbacher</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/10-shootout-tests-photo-phil-erbacher/</loc><lastmod>2018-04-05T05:24:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/10-shootout-tests-photo-phil-erbacher.jpg</image:loc><image:title>10. Shootout tests - PHOTO Phil Erbacher</image:title><image:caption>Don McAlpine ACS ASC signs his name on the wall of production offices - PHOTO Phil Erbacher</image:caption></image:image></url><url><loc>https://acmag.com.au/down-under-dop-lachlan-milne-acs/</loc><lastmod>2018-04-05T06:52:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/down-under-dop-lachlan-milne-acs.jpeg</image:loc><image:title>'Down Under' - DOP Lachlan Milne ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/embedded-dop-rhiannon-bannenberg/</loc><lastmod>2018-04-05T06:52:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/04/embedded-dop-rhiannon-bannenberg.jpg</image:loc><image:title>'Embedded' -DOP Rhiannon 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pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mv5bmjq5ztbkotgtmzq0ni00mti5lwi5nwqtztnjmtqxmzeynjhkxkeyxkfqcgdeqxvymdgymtmzmw-_v1_/</loc><lastmod>2018-06-11T13:15:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/mv5bmjq5ztbkotgtmzq0ni00mti5lwi5nwqtztnjmtqxmzeynjhkxkeyxkfqcgdeqxvymdgymtmzmw-_v1_.jpg</image:loc><image:title>MV5BMjQ5ZTBkOTgtMzQ0Ni00MTI5LWI5NWQtZTNjMTQxMzEyNjhkXkEyXkFqcGdeQXVyMDgyMTMzMw@@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/acmaglogo_final-2/</loc><lastmod>2018-06-20T04:22:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/acmaglogo_final1.jpg</image:loc><image:title>ACMagLOGO_FINAL</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/06/01/shooting-the-world/</loc><lastmod>2018-06-20T04:51:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/anthony-littlechild-shooting-photo-number-6-in-london-photo-supplied.jpg</image:loc><image:title>Anthony Littlechild shooting 'Photo Number 6' in London - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/francis-williams-of-the-naygayiw-gigi-dance-troupe-in-a-scene-from-carriberrie-dop-joshua-flavell/</loc><lastmod>2018-06-20T04:57:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/francis-williams-of-the-naygayiw-gigi-dance-troupe-in-a-scene-from-carriberrie-dop-joshua-flavell.jpg</image:loc><image:title>Francis Williams of the Naygayiw Gigi Dance Troupe in a scene from 'Carriberrie' - DOP Joshua Flavell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-the-short-film-dots-dop-ramy-daniel/</loc><lastmod>2018-06-20T04:57:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-scene-from-the-short-film-dots-dop-ramy-daniel.png</image:loc><image:title>A scene from the short film 'Dots' - DOP Ramy Daniel</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-still-photo-of-the-crew-beside-the-railroad-tracks-from-day-of-the-shoot-photo-supplied/</loc><lastmod>2018-06-20T04:58:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-still-photo-of-the-crew-beside-the-railroad-tracks-from-day-of-the-shoot-photo-supplied.jpg</image:loc><image:title>A still photo of the crew beside the railroad tracks, from day of the shoot - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/tempest-played-by-yared-scott-in-all-these-creatures-dop-adric-watson-photo-mathew-lynn/</loc><lastmod>2018-06-20T05:45:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tempest-played-by-yared-scott-in-all-these-creatures-dop-adric-watson-photo-mathew-lynn.jpg</image:loc><image:title>Tempest, played by Yared Scott, in 'All These Creatures - DOP Adric Watson, PHOTO Mathew Lynn</image:title><image:caption>Tempest, played by Yared Scott, in 'All These Creatures - DOP Adric Watson, PHOTO Mathew Lynn</image:caption></image:image></url><url><loc>https://acmag.com.au/yared-scott-as-tempest-in-all-these-creatures-dop-adric-watson-photo-mathew-lynn/</loc><lastmod>2018-06-20T04:59:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/yared-scott-as-tempest-in-all-these-creatures-dop-adric-watson-photo-mathew-lynn.jpg</image:loc><image:title>Yared Scott as Tempest in 'All These Creatures - DOP Adric Watson, PHOTO Mathew Lynn</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-shot-from-kllos-downfall-music-video-dop-edward-goldner/</loc><lastmod>2018-06-20T05:07:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-shot-from-kllos-downfall-music-video-dop-edward-goldner-e1529471246581.png</image:loc><image:title>A shot from KLLO's 'Downfall' music video - DOP Edward Goldner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/australian-cinematographer-of-the-year-simon-duggan-acs-with-his-awards-at-acs-headquarters-in-sydney-photo-david-lewis-acs/</loc><lastmod>2018-06-20T05:02:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/australian-cinematographer-of-the-year-simon-duggan-acs-with-his-awards-at-acs-headquarters-in-sydney-photo-david-lewis-acs.png</image:loc><image:title>Australian Cinematographer of the Year Simon Duggan ACS with his awards at ACS Headquarters in Sydney - PHOTO David Lewis ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-shot-from-lucian-blomkamps-endless-music-video-dop-edward-goldner/</loc><lastmod>2018-06-20T05:11:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-shot-from-lucian-blomkamps-endless-music-video-dop-edward-goldner-e1529471472413.png</image:loc><image:title>A shot from Lucian Blomkamp's 'Endless' music video - DOP Edward Goldner</image:title><image:caption>A shot from Lucian Blomkamp's 'Endless' music video - DOP Edward Goldner</image:caption></image:image></url><url><loc>https://acmag.com.au/hardpaint5/</loc><lastmod>2018-06-20T05:58:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/hardpaint5.jpg</image:loc><image:title>hardpaint5</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/06/01/censored/</loc><lastmod>2018-06-20T06:28:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/censored5_fotor.png</image:loc><image:title>censored5_Fotor</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/an-act-of-love-dop-sky-davies/</loc><lastmod>2018-06-20T07:23:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/an-act-of-love-dop-sky-davies1.jpg</image:loc><image:title>'An Act of Love' - DOP Sky Davies</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/djali-dop-luke-whitmore/</loc><lastmod>2018-06-20T07:29:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/djali-dop-luke-whitmore-e1529479785430.png</image:loc><image:title>'Djali' - DOP Luke Whitmore</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/drum-wave-dop-charlie-sarroff/</loc><lastmod>2018-06-20T07:25:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/drum-wave-dop-charlie-sarroff.jpg</image:loc><image:title>'Drum Wave' - DOP Charlie Sarroff</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/nursery-rhymes-dop-aaron-mclisky/</loc><lastmod>2018-06-20T07:26:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/nursery-rhymes-dop-aaron-mclisky.jpg</image:loc><image:title>'Nursery Rhymes' - DOP Aaron McLisky</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/second-best-dop-katie-milwright-acs/</loc><lastmod>2018-06-20T07:30:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/second-best-dop-katie-milwright-acs.jpg</image:loc><image:title>'Second Best' - DOP Katie Milwright ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-coin-dop-charlie-sarroff/</loc><lastmod>2018-06-20T07:30:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/the-coin-dop-charlie-sarroff.jpg</image:loc><image:title>'The Coin' - DOP Charlie Sarroff</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/blue-world-order-movie/</loc><lastmod>2018-06-20T09:17:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/blue-world-order-215_23.jpg</image:loc><image:title>Blue World Order MOVIE</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/bwo-d28-285/</loc><lastmod>2018-06-20T09:24:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/bwo-d28-285-e1529486697969.jpg</image:loc><image:title>BWO-D28-285</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/dsc7634/</loc><lastmod>2018-06-20T09:24:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/dsc7634-e1529486674767.jpg</image:loc><image:title>DSC7634</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2017-02-11-at-6-50-13-pm/</loc><lastmod>2018-06-20T09:17:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/screen-shot-2017-02-11-at-6-50-13-pm.png</image:loc><image:title>Screen Shot 2017-02-11 at 6.50.13 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2017-02-11-at-6-56-49-pm/</loc><lastmod>2018-06-20T09:18:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/screen-shot-2017-02-11-at-6-56-49-pm.png</image:loc><image:title>Screen Shot 2017-02-11 at 6.56.49 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2017-02-10-at-3-32-05-pm/</loc><lastmod>2018-06-20T09:19:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/screen-shot-2017-02-10-at-3-32-05-pm.png</image:loc><image:title>Screen-Shot-2017-02-10-at-3.32.05-pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/stephen-hunter-in-blue-world-order/</loc><lastmod>2018-06-20T09:19:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/stephen-hunter-in-blue-world-order.jpg</image:loc><image:title>Stephen Hunter in Blue World Order</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/1-a-scene-from-brothers-nest-dop-peter-falk-acs/</loc><lastmod>2018-06-20T09:49:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/1-a-scene-from-brothers-nest-dop-peter-falk-acs.jpg</image:loc><image:title>1. A scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2-shane-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs/</loc><lastmod>2018-06-20T09:54:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/2-shane-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs.jpg</image:loc><image:title>2. Shane Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:title><image:caption>Shane Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/3-peter-falk-acs-at-the-brothers-nest-production-office-photo-supplied/</loc><lastmod>2018-06-20T09:55:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/3-peter-falk-acs-at-the-brothers-nest-production-office-photo-supplied.jpg</image:loc><image:title>3. Peter Falk ACS at the 'Brothers Nest' Production Office - PHOTO Supplied</image:title><image:caption>Peter Falk ACS at the 'Brothers Nest' Production Office - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/4-clayton-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs/</loc><lastmod>2018-06-20T09:53:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/4-clayton-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs.jpg</image:loc><image:title>4. Clayton Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:title><image:caption>Clayton Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/5-kim-gyngell-in-a-scene-from-brothers-nest-dop-peter-falk-acs/</loc><lastmod>2018-06-20T09:53:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/5-kim-gyngell-in-a-scene-from-brothers-nest-dop-peter-falk-acs.jpg</image:loc><image:title>5. Kim Gyngell in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:title><image:caption>Kim Gyngell in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/7-clayton-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs/</loc><lastmod>2018-06-20T09:52:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/7-clayton-jacobson-in-a-scene-from-brothers-nest-dop-peter-falk-acs.jpg</image:loc><image:title>7. Clayton Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:title><image:caption>Clayton Jacobson in a scene from 'Brothers' Nest' - DOP Peter Falk ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/ashley_1/</loc><lastmod>2018-06-20T10:11:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/ashley_1.jpg</image:loc><image:title>Ashley_1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/ashley_2/</loc><lastmod>2018-06-20T10:11:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/ashley_2.jpg</image:loc><image:title>Ashley_2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/ashley_4/</loc><lastmod>2018-06-20T10:11:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/ashley_4.jpg</image:loc><image:title>Ashley_4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/ashley_6/</loc><lastmod>2018-06-20T10:11:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/ashley_6.jpg</image:loc><image:title>Ashley_6</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/one_less_god_still-1_sean-in-holi/</loc><lastmod>2018-06-20T10:11:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/one_less_god_still-1_sean-in-holi.jpg</image:loc><image:title>One_Less_God_STILL #1_SEAN IN HOLI</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/one_less_god_still-2_eda-selim-huddle/</loc><lastmod>2018-06-20T10:11:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/one_less_god_still-2_eda-selim-huddle.jpg</image:loc><image:title>One_Less_God_STILL #2_EDA &amp;amp; SELIM HUDDLE</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/one_less_god_still-7_gradda-atiya/</loc><lastmod>2018-06-20T10:12:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/one_less_god_still-7_gradda-atiya.jpg</image:loc><image:title>One_Less_God_STILL #7_GRADDA &amp;amp; ATIYA</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/one_less_god_still-8_dwf_guard-the-door/</loc><lastmod>2018-06-20T10:12:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/one_less_god_still-8_dwf_guard-the-door.jpg</image:loc><image:title>One_Less_God_STILL #8_DWF_GUARD THE DOOR</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-abc-telemovie-riot-dop-martin-mcgrath-acs-photo-mark-rogers/</loc><lastmod>2018-06-20T10:38:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-scene-from-abc-telemovie-riot-dop-martin-mcgrath-acs-photo-mark-rogers.jpg</image:loc><image:title>A scene from ABC telemovie 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:title><image:caption>A scene from ABC telemovie 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-the-abc-telemovie-riot-dop-martin-mcgrath-acs-photo-mark-rogers/</loc><lastmod>2018-06-20T10:33:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-scene-from-the-abc-telemovie-riot-dop-martin-mcgrath-acs-photo-mark-rogers.jpg</image:loc><image:title>A scene from the ABC telemovie 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/behind-the-scenes-on-abc-telemovie-riot-photo-maria-boyadgis/</loc><lastmod>2018-06-20T10:37:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/behind-the-scenes-on-abc-telemovie-riot-photo-maria-boyadgis.jpg</image:loc><image:title>Behind-the-scenes on ABC telemovie 'Riot' -PHOTO Maria Boyadgis</image:title><image:caption>Behind-the-scenes on ABC telemovie 'Riot' -PHOTO Maria Boyadgis</image:caption></image:image></url><url><loc>https://acmag.com.au/xavier-samuel-jim-and-damon-herriman-lance-in-riot-dop-martin-mcgrath-acs-photo-mark-rogers/</loc><lastmod>2018-06-20T10:39:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/xavier-samuel-jim-and-damon-herriman-lance-in-riot-dop-martin-mcgrath-acs-photo-mark-rogers.jpg</image:loc><image:title>Xavier Samuel (Jim) and Damon Herriman (Lance) in 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:title><image:caption>Xavier Samuel (Jim) and Damon Herriman (Lance) in 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/xavier-samuel-jim-in-riot-dop-martin-mcgrath-acs-photo-mark-rogers/</loc><lastmod>2018-06-20T10:38:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/xavier-samuel-jim-in-riot-dop-martin-mcgrath-acs-photo-mark-rogers.jpg</image:loc><image:title>Xavier Samuel (Jim) in 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:title><image:caption>Xavier Samuel (Jim) in 'Riot' - DOP Martin McGrath ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/hmt_204_1-5-1/</loc><lastmod>2018-06-20T11:17:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/hmt_204_1-5-1.jpg</image:loc><image:title>HMT_204_1.5.1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/hmt_204_1-6-1/</loc><lastmod>2018-06-20T11:17:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/hmt_204_1-6-1.jpg</image:loc><image:title>HMT_204_1.6.1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/after/</loc><lastmod>2018-06-20T11:18:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tht_207_gk_0291rt-2.jpg</image:loc><image:title>After</image:title><image:caption>The Handmaid's Tale  --"After" - Episode 207 -- An attack sends shockwaves through both Gilead and Little America. Serena Joy makes a dangerous choice in order to protect her family. Moira searches for someone from her past. (Photo by: George Kraychyk/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/after-2/</loc><lastmod>2018-06-20T11:18:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tht_207_gk_0450rt-2.jpg</image:loc><image:title>After</image:title><image:caption>The Handmaid's Tale  --"After" - Episode 207 -- An attack sends shockwaves through both Gilead and Little America. Serena Joy makes a dangerous choice in order to protect her family. Moira searches for someone from her past. Offred (Elisabeth Moss), shown. (Photo by: George Kraychyk/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/after-3/</loc><lastmod>2018-06-20T11:19:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tht_207_gk_0466rt-2.jpg</image:loc><image:title>After</image:title><image:caption>The Handmaid's Tale  --"After" - Episode 207 -- An attack sends shockwaves through both Gilead and Little America. Serena Joy makes a dangerous choice in order to protect her family. Moira searches for someone from her past. Offred (Elisabeth Moss), shown. (Photo by: George Kraychyk/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/womens-work/</loc><lastmod>2018-06-20T11:20:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tht_208_gk_0648rt.jpg</image:loc><image:title>Women's Work</image:title><image:caption>The Handmaid's Tale -- "Women's Work" - Episode 208 - A sick baby tests Offred and Serena’s new bond. Janine finally faces Naomi. The Commander struggles to recover from a terrifying ordeal. Behind the scenes. (Photo by: George Kraychyk/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/womens-work-2/</loc><lastmod>2018-06-20T11:20:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/tht_208_gk_0681rt.jpg</image:loc><image:title>Women's Work</image:title><image:caption>The Handmaid's Tale -- "Women's Work" - Episode 208 - A sick baby tests Offred and Serena’s new bond. Janine finally faces Naomi. The Commander struggles to recover from a terrifying ordeal. Behind the scenes with personal costumer Rudy Rojas and Offred (Elisabeth Moss), shown. (Photo by: George Kraychyk/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/a_080318todbreath001-jpg/</loc><lastmod>2018-06-20T11:37:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/1524627179920_g671j8o5e-2-2.jpg</image:loc><image:title>A_080318todbreath001.JPG</image:title><image:caption>Simon Baker, Samson Coulter and Ben Spence.</image:caption></image:image></url><url><loc>https://acmag.com.au/a-scene-from-breath-dop-marden-dean-photo-nic-duncan/</loc><lastmod>2018-06-20T11:39:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/a-scene-from-breath-dop-marden-dean-photo-nic-duncan.jpg</image:loc><image:title>A scene from 'Breath' - DOP Marden Dean, PHOTO Nic Duncan</image:title><image:caption>Elizabeth Debicki (Eva) &amp;amp; Director Simon Baker (Sando) - Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/breath/</loc><lastmod>2018-06-20T11:40:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/actors-richard-roxburgh-and-samson-coulter-in-breath-dop-marden-dean-photo-roadshow-films.jpg</image:loc><image:title>Breath</image:title><image:caption>Elizabeth Debicki (Eva) &amp;amp; Director Simon Baker (Sando) - Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/breath-2/</loc><lastmod>2018-06-20T11:43:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/loonie-ben-spence-and-pikelet-samson-coulter-in-breath-dop-marden-dean-photo-roadshow-films.jpg</image:loc><image:title>Breath</image:title><image:caption>Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/breath-3/</loc><lastmod>2018-06-20T11:46:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/pikelet-samson-coulter-and-sando-simon-baker-in-breath-dop-marden-dean-photo-roadshow-films.jpg</image:loc><image:title>Breath</image:title><image:caption>Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/pikelet-portrayed-by-samson-coulter-in-the-film-breath-dop-marden-dean-photo-nic-duncan/</loc><lastmod>2018-06-20T11:49:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/pikelet-portrayed-by-samson-coulter-in-the-film-breath-dop-marden-dean-photo-nic-duncan.jpg</image:loc><image:title>Pikelet, portrayed by Samson Coulter, in the film 'Breath' - DOP Marden Dean, PHOTO Nic Duncan</image:title><image:caption>Elizabeth Debicki (Eva) &amp;amp; Director Simon Baker (Sando) - Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/breath-4/</loc><lastmod>2018-06-20T11:50:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/06/simon-baker-actordirector-with-marden-dean-cinematographer-shooting-the-film-breath-on-location-photo-supplied.jpg</image:loc><image:title>Breath</image:title><image:caption>Elizabeth Debicki (Eva) &amp;amp; Director Simon Baker (Sando) - Breath - Photograph by David Dare Parker</image:caption></image:image></url><url><loc>https://acmag.com.au/acmag-copy/</loc><lastmod>2018-11-13T04:18:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/ACmag-Copy.gif</image:loc><image:title>ACmag - Copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/tokina-cinema-vista-prime-lenses/</loc><lastmod>2018-11-17T00:47:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/Fill-the-gap-on-Page-70-NO-CAPTION.jpg</image:loc><image:title>Fill the gap on Page 70 - NO CAPTION</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/tokina-cinema-vista-prime-lenses/</loc><lastmod>2018-11-17T00:49:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/Tokina-Setup.jpg</image:loc><image:title>Tokina Setup</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/liquid-truth/</loc><lastmod>2018-12-28T03:56:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/Daniel-de-Oliveira-plays-Rubens-in-Liquid-Truth-DOP-Azul-Serra-PHOTO-Supplied.jpg</image:loc><image:title>Daniel de Oliveira plays Rubens in 'Liquid Truth' - DOP Azul Serra, PHOTO Supplied</image:title><image:caption>Daniel de Oliveira plays Rubens in 'Liquid Truth' - DOP Azul Serra, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/film-review-strange-colours/</loc><lastmod>2018-11-18T04:08:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/A-scene-from-Strange-Colours-DOP-Michael-Latham.jpg</image:loc><image:title>A scene from 'Strange Colours' - DOP Michael Latham</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/film-review-under-the-cover-of-cloud/</loc><lastmod>2018-11-18T04:11:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/11/A-scene-from-Under-the-Cover-of-Cloud-DOP-Joshua-Aylett.png</image:loc><image:title>A scene from 'Under the Cover of Cloud' - DOP Joshua Aylett</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/film-review-entebbe/</loc><lastmod>2018-12-11T22:25:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.-A-scene-from-the-film-Entebbe-DOP-Lula-Carvalho-ABC-ACS.jpg</image:loc><image:title>1. A scene from the film 'Entebbe' - DOP Lula Carvalho ABC ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/film-review-entebbe/</loc><lastmod>2018-12-11T22:25:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-scene-from-the-film-Entebbe-DOP-Lula-Carvalho-ABC-ACS.jpg</image:loc><image:title>2. A scene from the film 'Entebbe' - DOP Lula Carvalho ABC ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/film-review-entebbe/</loc><lastmod>2018-12-11T22:25:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Entebbe_H.jpg</image:loc><image:title>ENT_LD_011216_05434.NEF</image:title><image:caption>ENT_LD_011216_05434.NEF</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/liquid-truth/</loc><lastmod>2018-12-11T22:36:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Liquid_02.jpg</image:loc><image:title>Liquid_02</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/liquid-truth/</loc><lastmod>2018-12-11T22:37:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Hard-Paint-Szene-2.jpg</image:loc><image:title>Hard-Paint-Szene-2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/liquid-truth/</loc><lastmod>2018-12-11T22:37:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Hard-Paint-Szene-5.jpg</image:loc><image:title>Hard-Paint-Szene-5</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/reviews-four-television-shows-you-should-be-watching-but-probably-arent/</loc><lastmod>2018-12-11T23:49:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-an-episode-of-Killing-Eve-DOP-Julian-Court.jpg</image:loc><image:title>A scene from an episode of 'Killing Eve' - DOP Julian Court</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/reviews-four-television-shows-you-should-be-watching-but-probably-arent/</loc><lastmod>2018-12-11T23:50:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-The-Good-Fight-DOPs-Fred-Murphy-ASC-and-Tim-Guinness-.png</image:loc><image:title>A scene from 'The Good Fight' - DOPs Fred Murphy ASC and Tim Guinness</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/reviews-four-television-shows-you-should-be-watching-but-probably-arent/</loc><lastmod>2018-12-11T23:50:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-the-second-series-of-Ozark-DOP-Ben-Kutchins.jpg</image:loc><image:title>A scene from the second series of 'Ozark' - DOP Ben Kutchins</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/reviews-four-television-shows-you-should-be-watching-but-probably-arent/</loc><lastmod>2018-12-11T23:50:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-the-third-season-of-The-Leftovers-DOP-Robert-Humphreys-ACS-.png</image:loc><image:title>A scene from the third season of 'The Leftovers' - DOP Robert Humphreys ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/and-the-winner-is/</loc><lastmod>2018-12-12T01:55:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Sean-Ryan-on-the-set-of-And-The-Winner-Is-PHOTO-Supplied.jpeg</image:loc><image:title>Cinematographer Sean Ryan on the set of 'And The Winner Is' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/and-the-winner-is/</loc><lastmod>2018-12-12T02:23:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Capture1.jpg</image:loc><image:title>Capture1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/and-the-winner-is/</loc><lastmod>2018-12-12T02:23:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Capture2.jpg</image:loc><image:title>Capture2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-matt-toll-shoots-two-short-films-in-two-months/</loc><lastmod>2018-12-12T02:50:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.-A-scene-from-Electric-DOP-Matthew-Toll.png</image:loc><image:title>1. A scene from 'Electric' - DOP Matthew Toll</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-matt-toll-shoots-two-short-films-in-two-months/</loc><lastmod>2018-12-12T02:50:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.-A-scene-from-The-Egg-DOP-Matthew-Toll.jpg</image:loc><image:title>1. A scene from 'The Egg' - DOP Matthew Toll</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-matt-toll-shoots-two-short-films-in-two-months/</loc><lastmod>2018-12-12T02:51:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-scene-from-Electric-DOP-Matthew-Toll.png</image:loc><image:title>2. A scene from 'Electric' - DOP Matthew Toll</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-matt-toll-shoots-two-short-films-in-two-months/</loc><lastmod>2018-12-12T02:51:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-scene-from-The-Egg-DOP-Matthew-Toll.jpg.jpg</image:loc><image:title>2. A scene from 'The Egg' - DOP Matthew Toll.jpg</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematography-mentored/</loc><lastmod>2018-12-12T03:38:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Andrew-Condor-ACS-SOC-on-B-Camera-L-with-Cinematographer-Mark-Wareham-ACS-operating-on-Wanted-PHOTO-Simon-Woods.jpg</image:loc><image:title>Andrew Condor ACS SOC on B-Camera (L) with Cinematographer Mark Wareham ACS operating on 'Wanted' - PHOTO Simon Woods</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/back-to-back-in-beirut/</loc><lastmod>2018-12-12T04:21:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1C.-A-shot-from-Nancy-Ajrams-Watar-music-video-DOP-Dale-Alexander-Bremner.png</image:loc><image:title>1C. A shot from Nancy Ajram's 'Watar' music video - DOP Dale Alexander Bremner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/back-to-back-in-beirut/</loc><lastmod>2018-12-12T04:22:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1D.-A-shot-from-Nancy-Ajrams-Watar-music-video-DOP-Dale-Alexander-Bremner.png</image:loc><image:title>1D. A shot from Nancy Ajram's 'Watar' music video - DOP Dale Alexander Bremner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/back-to-back-in-beirut/</loc><lastmod>2018-12-12T04:22:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-shot-from-Nancy-Ajrams-W-MAAK-music-video-DOP-Dale-Alexander-Bremner.png</image:loc><image:title>2. A shot from Nancy Ajram's 'W MAAK' music video - DOP Dale Alexander Bremner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/back-to-back-in-beirut/</loc><lastmod>2018-12-12T04:22:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/3.-A-shot-from-Nancy-Ajrams-W-MAAK-music-video-DOP-Dale-Alexander-Bremner.png</image:loc><image:title>3. A shot from Nancy Ajram's 'W MAAK' music video - DOP Dale Alexander Bremner</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/marvellous-masterclass/</loc><lastmod>2018-12-24T23:52:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/ASC-Clubhouse-PHOTO-Mark-Kenfield.jpeg</image:loc><image:title>ASC Clubhouse - PHOTO Mark Kenfield</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/gear-up/</loc><lastmod>2018-12-25T00:34:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Dave-Le-May-ACS-operating-the-Artemis-Prime-PHOTO-Erin-Macliver.jpg</image:loc><image:title>Dave Le May ACS operating the Artemis Prime - PHOTO Erin Macliver</image:title><image:caption>Dave Le May ACS operating the Artemis Prime - PHOTO Erin Macliver</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/gear-up/</loc><lastmod>2018-12-25T00:33:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Daniel-Holliday-at-the-ACS-Drop-In-at-HD-Renatls-PHOTO-Erin-Macliver.jpg</image:loc><image:title>Cinematographer Daniel Holliday at the ACS 'Drop-In at HD Renatls - PHOTO Erin Macliver</image:title><image:caption>Cinematographer Daniel Holliday at the ACS 'Drop-In at HD Renatls - PHOTO Erin Macliver</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/creature-comforts/</loc><lastmod>2018-12-26T05:21:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-the-film-Animal-World-DOP-Max-Da-Yung-Wang.jpg</image:loc><image:title>A scene from the film 'Animal World' - DOP Max Da-Yung Wang</image:title><image:caption>A scene from the film 'Animal World' - DOP Max Da-Yung Wang</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/spin-cycle/</loc><lastmod>2018-12-26T05:28:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Untitled_1.3.1.jpeg</image:loc><image:title>Untitled_1.3.1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/spin-cycle/</loc><lastmod>2018-12-26T05:29:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Untitled_1.26.1.jpeg</image:loc><image:title>Untitled_1.26.1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/spin-cycle/</loc><lastmod>2018-12-26T05:29:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Untitled_1.32.1.jpeg</image:loc><image:title>Untitled_1.32.1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/spin-cycle/</loc><lastmod>2018-12-26T05:39:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Behind-the-scenes-on-the-Orange-Sky-campaign-PHOTO-Benjamin-Knight.jpg</image:loc><image:title>Behind the scenes on the Orange Sky campaign - PHOTO Benjamin Knight</image:title><image:caption>Behind the scenes on the Orange Sky campaign - PHOTO Benjamin Knight</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/conducting-for-the-cameras/</loc><lastmod>2018-12-26T06:11:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Camera-Operator-Ben-Coe-films-the-Melbourne-Symphony-Orchestra-on-the-Blackmagic-URSA-Broadcast-Camera-PHOTO-Daniel-Aulsebrook.jpg</image:loc><image:title>Camera Operator Ben Coe films the Melbourne Symphony Orchestra on the Blackmagic URSA Broadcast Camera - PHOTO Daniel Aulsebrook</image:title><image:caption>Camera Operator Ben Coe films the Melbourne Symphony Orchestra on the Blackmagic URSA Broadcast Camera - PHOTO Daniel Aulsebrook</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/living-universe/</loc><lastmod>2018-12-26T09:57:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Steve-Squyres-Professor-of-Physical-Sciences-at-NASA-at-Chiles-Atacama-Desert-in-Living-Universe-DOP-Frank-Flick-ACS.jpg</image:loc><image:title>Steve Squyres, Professor of Physical Sciences at NASA, at Chile's Atacama Desert in 'Living Universe' - DOP Frank Flick ACS</image:title><image:caption>Steve Squyres, Professor of Physical Sciences at NASA, at Chile's Atacama Desert in 'Living Universe' - DOP Frank Flick ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/living-universe/</loc><lastmod>2018-12-26T09:58:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-Atacama-Large-Millimeter-Array-ALMA-in-Chile-a-scene-from-Living-Universe-DOP-Frank-Flick-ACS.jpg</image:loc><image:title>The Atacama Large Millimeter Array (ALMA) in Chile, a scene from 'Living Universe' - DOP Frank Flick ACS</image:title><image:caption>The Atacama Large Millimeter Array (ALMA) in Chile, a scene from 'Living Universe' - DOP Frank Flick ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-vertical/</loc><lastmod>2018-12-26T10:06:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/3.-A-scene-from-the-vertival-film-Impact-DIRDOP-Jean-Charles-Granjon-2.jpeg</image:loc><image:title>3. A scene from the vertival film 'Impact' - DIR:DOP Jean-Charles Granjon 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-vertical/</loc><lastmod>2018-12-26T10:06:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/VFF.jpg</image:loc><image:title>VFF</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/the-ultimate-ride/</loc><lastmod>2018-12-26T10:11:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/3.-Edgard-Ferreira-at-the-Lake-Gairdner-salt-flats-filming-The-Ultimate-Ride-PHOTO-.jpg</image:loc><image:title>3. Edgard Ferreira at the Lake Gairdner salt flats filming 'The Ultimate Ride' - PHOTO ?</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/the-ultimate-ride/</loc><lastmod>2018-12-26T10:15:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-Edgard-Ferreira-at-the-Lake-Gairdner-salt-flats-filming-The-Ultimate-Ride-PHOTO-.jpg</image:loc><image:title>2. Edgard Ferreira at the Lake Gairdner salt flats filming 'The Ultimate Ride' - PHOTO ?</image:title><image:caption>Edgard Ferreira at the Lake Gairdner salt flats filming 'The Ultimate Ride' - PHOTO ?</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/the-ultimate-ride/</loc><lastmod>2018-12-26T10:12:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.-Edgard-Ferreira-at-the-Lake-Gairdner-salt-flats-filming-The-Ultimate-Ride-PHOTO-Adam-Dostalek.jpg</image:loc><image:title>1. Edgard Ferreira at the Lake Gairdner salt flats filming 'The Ultimate Ride' - PHOTO Adam Dostalek</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-vertical/</loc><lastmod>2018-12-26T10:23:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-scene-from-the-vertival-film-Impact-DIRDOP-Jean-Charles-Granjon.jpeg</image:loc><image:title>2. A scene from the vertival film 'Impact' - DIR:DOP Jean-Charles Granjon</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:39:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.-A-scene-from-the-film-West-of-Sunshine-DOP-Thom-Neal.jpg</image:loc><image:title>1. A scene from the film 'West of Sunshine' - DOP Thom Neal</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:39:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/2.-A-scene-from-the-film-West-of-Sunshine-DOP-Thom-Neal.jpg</image:loc><image:title>2. A scene from the film 'West of Sunshine' - DOP Thom Neal</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:46:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Alex-Tyler-Perham-and-Jim-Damian-Hill-in-the-film-West-of-Sunshine-DOP-Thom-Neal-PHOTO-Kevin-Bergin.jpg</image:loc><image:title>Alex (Tyler Perham) and Jim (Damian Hill) in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:title><image:caption>Alex (Tyler Perham) and Jim (Damian Hill) in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:44:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Behind-the-scenes-on-West-of-Sunshine-PHOTO-Kevin-Bergin.jpg</image:loc><image:title>Behind-the-scenes on 'West of Sunshine' - PHOTO Kevin Bergin</image:title><image:caption>Behind-the-scenes on 'West of Sunshine' - PHOTO Kevin Bergin</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:46:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Damian-Hill-plays-Jim-in-the-film-West-of-Sunshine-DOP-Thom-Neal-PHOTO-Kevin-Bergin.jpg</image:loc><image:title>Damian Hill plays Jim in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:title><image:caption>Damian Hill plays Jim in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:44:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Jim-Damian-Hill-and-Alex-Tyler-Perham-in-the-film-West-of-Sunshine-DOP-Thom-Neal-PHOTO-Kevin-Bergin.jpg</image:loc><image:title>Jim (Damian Hill) and Alex (Tyler Perham) in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:title><image:caption>Jim (Damian Hill) and Alex (Tyler Perham) in the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/cinematographer-thom-neal-shoots-west-of-sunshine/</loc><lastmod>2018-12-27T00:41:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Jim-Damian-Hill-sitting-with-his-son-in-his-1976-Ford-Fairlane-from-the-film-West-of-Sunshine-DOP-Thom-Neal-PHOTO-Kevin-Bergin.jpg</image:loc><image:title>Jim (Damian Hill) sitting with his son in his 1976 Ford Fairlane, from the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:title><image:caption>Jim (Damian Hill) sitting with his son in his 1976 Ford Fairlane, from the film 'West of Sunshine' - DOP Thom Neal, PHOTO Kevin Bergin</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:06:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/x_extra-if-needed-1.jpg</image:loc><image:title>x_extra if needed 1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:06:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/publicity_pc_r1_4713.0004713.jpeg</image:loc><image:title>publicity_pc_r1_4713.0004713</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:21:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Iona-played-by-Lily-Newmark-in-a-scene-from-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>Iona (played by Lily Newmark) in a scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>Iona (played by Lily Newmark) in a scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:20:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Iona-Lily-Newmark-in-a-scene-from-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>Iona (Lily Newmark) in a scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>Iona (Lily Newmark) in a scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:18:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Iona-Lily-Newmark-in-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>Iona (Lily Newmark) in 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>Iona (Lily Newmark) in 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:19:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Iona-Lily-Newmark-and-Lyn-Joanna-Scanlan-in-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>Iona (Lily Newmark) and Lyn (Joanna Scanlan) in 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>Iona (Lily Newmark) and Lyn (Joanna Scanlan) in 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:19:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-the-film-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>A scene from the film 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>A scene from the film 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:18:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-Pin-Cushion-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>A scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:title><image:caption>A scene from 'Pin Cushion' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:24:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/publicity_pc_r2_4553.0004553.jpg</image:loc><image:title>publicity_pc_r2_4553.0004553</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:25:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/publicity_pc_r3_4738.0004738.jpeg</image:loc><image:title>publicity_pc_r3_4738.0004738</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/nicola-daley-acs-behind-the-lens-on-the-heart-warming-film-pin-cushion/</loc><lastmod>2018-12-27T01:25:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/x_extra-if-needed-2.jpg</image:loc><image:title>x_extra if needed 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/mystery-road/</loc><lastmod>2018-12-27T01:32:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/0009203.jpg</image:loc><image:title>0009203</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/mystery-road/</loc><lastmod>2018-12-27T01:34:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/0028171.jpg</image:loc><image:title>0028171</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/mystery-road/</loc><lastmod>2018-12-27T01:34:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/0031928.jpg</image:loc><image:title>0031928</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/mystery-road/</loc><lastmod>2018-12-27T01:34:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-12.33.50-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 12.33.50 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/mystery-road/</loc><lastmod>2018-12-27T01:35:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-12.35.15-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 12.35.15 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:04:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Julia-Ormond-as-Magda-Szombatheli-in-Ladies-in-Black-DOP-Peter-James-ACS-ASC-PHOTO-Sony-Pictures.jpg</image:loc><image:title>LIB_171106_BK_0217.tif</image:title><image:caption>Julia Ormond as Magda Szombatheli in 'Ladies in Black' - DOP Peter James ACS ASC, PHOTO Sony Pictures</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:09:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Alison-McGirr-as-Patty-Williams-Angourie-Rice-as-Lisa-Miles-and-Rachael-Taylor-as-Fay-Baines-in-Ladies-in-Black-DOP-Peter-James-ACS-ASC-PHOTO-Sony-Pictures.jpg</image:loc><image:title>LIB_171108_BK_0061.tif</image:title><image:caption>Alison McGirr as Patty Williams, Angourie Rice as Lisa Miles and Rachael Taylor as Fay Baines in 'Ladies in Black' - DOP Peter James ACS ASC, PHOTO Sony Pictures</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:05:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Peter-James-ACS-ASC-pointing-with-B-Camera-Operator-and-Second-Unit-DOP-Richard-Bradshaw-along-side-Director-Bruce-Beresford-on-location-filming-Ladies-in-Black-PHOTO-Supplied.jpg</image:loc><image:title>LIB_Day08_Photography_Lisa_Tomasetti_020.CR2</image:title><image:caption>Cinematographer Peter James ACS ASC (pointing), with B-Camera Operator and Second Unit DOP Richard Bradshaw along side Director Bruce Beresford on location filming 'Ladies in Black' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:03:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Director-Bruce-Beresford-talks-to-actors-from-behind-the-Video-Split-on-the-edge-of-the-Blue-Mountains-while-filming-Ladies-in-Black-PHOTO-Peter-James-ACS-ASC.jpg</image:loc><image:title>Director Bruce Beresford talks to actors from behind the Video Split on the edge of the Blue Mountains, while filming 'Ladies in Black' - PHOTO Peter James ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:08:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Filming-Ladies-in-Black-with-a-two-camera-setup-at-the-Sydney-Tramway-Museum-for-1950s-Elizabeth-Street-with-a-little-help-from-the-Visual-Effects-team-PHOTO-Peter-James-ACS-ASC.jpg</image:loc><image:title>Filming 'Ladies in Black' with a two camera setup at the Sydney Tramway Museum for 1950s Elizabeth Street, with a little help from the Visual Effects team - PHOTO Peter James ACS ASC</image:title><image:caption>Filming 'Ladies in Black' with a two camera setup at the Sydney Tramway Museum for 1950s Elizabeth Street, with a little help from the Visual Effects team - PHOTO Peter James ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:03:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/First-Assistant-Director-Charles-Rotherham-waiting-as-Director-Bruce-Beresford-speaks-with-Camera-Operator-Simon-Harding-about-the-shot-PHOTO-Peter-James-ACS-ASC.jpg</image:loc><image:title>First Assistant Director Charles Rotherham waiting as Director Bruce Beresford speaks with Camera Operator Simon Harding about the shot - PHOTO Peter James ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/ladies-in-black-the-thirteenth-collaboration-between-peter-james-acs-asc-and-director-bruce-beresford/</loc><lastmod>2018-12-27T02:07:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-camera-lines-up-on-actors-Angourie-Rice-Lisa-and-Rachel-Taylor-Fay-on-the-Ladies-in-Black-sound-stage-at-Fox-Studios-in-Sydney-PHOTO-Peter-James-ACS-ASC.jpg</image:loc><image:title>The camera lines up on actors Angourie Rice (Lisa) and Rachel Taylor (Fay) on the 'Ladies in Black' sound stage at Fox Studios in Sydney - PHOTO Peter James ACS ASC</image:title><image:caption>The camera lines up on actors Angourie Rice (Lisa) and Rachel Taylor (Fay) on the 'Ladies in Black' sound stage at Fox Studios in Sydney - PHOTO Peter James ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:28:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Michael-Latham-Sound-Recordist-Leo-Dolgan-and-Director-Gabrielle-Brady-filming-Island-of-the-Hungry-Ghosts-during-the-annual-Red-Crab-Migration-on-Christmas-Island-PHOTO-Supplied.jpg</image:loc><image:title>Cinematographer Michael Latham, Sound Recordist Leo Dolgan and Director Gabrielle Brady filming Island of the Hungry Ghosts' during the annual Red Crab Migration on Christmas Island - PHOTO Supplied</image:title><image:caption>Cinematographer Michael Latham, Sound Recordist Leo Dolgan and Director Gabrielle Brady filming Island of the Hungry Ghosts' during the annual Red Crab Migration on Christmas Island - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:20:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Michael-Latham-filming-Island-of-the-Hungry-Ghosts-with-the-Alexa-Mini-on-Christmas-Island-PHOTO-Arthur-Floret.jpg</image:loc><image:title>Cinematographer Michael Latham filming 'Island of the Hungry Ghosts' with the Alexa Mini on Christmas Island - PHOTO Arthur Floret</image:title><image:caption>Cinematographer Michael Latham filming 'Island of the Hungry Ghosts' with the Alexa Mini on Christmas Island - PHOTO Arthur Floret</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:19:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.18.09-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.18.09 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:22:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.18.19-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.18.19 pm</image:title><image:caption>An </image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:24:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.23.03-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.23.03 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:24:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.23.25-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.23.25 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/island-of-the-hungry-ghosts-lensed-by-acclaimed-cinematographer-michael-latham/</loc><lastmod>2018-12-27T02:24:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.23.37-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.23.37 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T02:53:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.47.42-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.47.42 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:01:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.47.48-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.47.48 pm</image:title><image:caption>A scene from the film 'Chasing Comets' - DOP Adam Howden ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T02:53:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.48.10-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.48.10 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T02:54:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-1.48.25-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 1.48.25 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:07:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-2.07.07-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 2.07.07 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:13:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Adam-Howden_ACS_CC_BTS_5_AHGeoffSkilbeck.jpg</image:loc><image:title>Adam Howden_ACS_CC_BTS_5_AH+GeoffSkilbeck</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:13:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Adam-Howden_ACS_CC_BTS_7.jpg</image:loc><image:title>Adam Howden_ACS_CC_BTS_7</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:13:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Adam-Howden_ACS_CC_BTS_8.jpg</image:loc><image:title>Adam Howden_ACS_CC_BTS_8</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/09/01/adam-howden-acs-lenses-new-australian-film-chasing-comets/</loc><lastmod>2018-12-27T03:14:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Adam-Howden_ACS_CC_BTS_9.jpg</image:loc><image:title>Adam Howden_ACS_CC_BTS_9</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wildlife-on-the-big-screen/</loc><lastmod>2018-12-27T04:03:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/A-scene-from-Turtle-Odyssey-DOP-Jon-Shaw.jpg</image:loc><image:title>A scene from 'Turtle Odyssey' - DOP Jon Shaw</image:title><image:caption>A scene from 'Turtle Odyssey' - DOP Jon Shaw</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wildlife-on-the-big-screen/</loc><lastmod>2018-12-27T04:04:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Aerial-view-of-Arnhem-Land-at-dawn-IMAGE-Wild-Pacific-Media.jpg</image:loc><image:title>Aerial view of Arnhem Land at dawn - IMAGE Wild Pacific Media</image:title><image:caption>Aerial view of Arnhem Land at dawn - IMAGE Wild Pacific Media</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wildlife-on-the-big-screen/</loc><lastmod>2018-12-27T04:05:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Director-and-Cinematographer-Nick-Robinson-operates-the-RED-3D-camera-rig-PHOTO-Wild-Pacific-Media.jpg</image:loc><image:title>Director and Cinematographer Nick Robinson operates the RED 3D camera rig - PHOTO Wild Pacific Media</image:title><image:caption>Director and Cinematographer Nick Robinson operates the RED 3D camera rig - PHOTO Wild Pacific Media</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wildlife-on-the-big-screen/</loc><lastmod>2018-12-27T04:03:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Editor-and-Cinamatographer-Caspar-Mazzotti-operates-the-3D-Red-camera-rig-PHOTO-Wild-Pacific-Media.jpg</image:loc><image:title>Editor and Cinamatographer Caspar Mazzotti operates the 3D Red 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pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:44:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.40.41-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.40.41 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:44:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.40.57-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.40.57 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:44:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.41.06-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.41.06 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:45:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.41.15-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.41.15 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:45:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.41.21-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.41.21 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:45:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.41.30-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.41.30 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/australian-cinematographer-bob-nguyen-brings-leon-les-song-lang-to-life-on-silver-screen/</loc><lastmod>2018-12-27T04:46:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Screen-Shot-2018-12-27-at-3.42.13-pm.png</image:loc><image:title>Screen Shot 2018-12-27 at 3.42.13 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/geoffrey-hall-acs-talks-about-shooting-pine-gap-for-netflix-abc/</loc><lastmod>2018-12-27T04:54:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/1.3.PINE-GAP.Photo-Lisa-Tomasetti.13603.jpg</image:loc><image:title>1.3.PINE GAP.Photo Lisa Tomasetti.13603</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/geoffrey-hall-acs-talks-about-shooting-pine-gap-for-netflix-abc/</loc><lastmod>2018-12-27T05:15:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Cinematographer-Geoffrey-Hall-ACS-and-Director-Mat-King-on-location-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Cinematographer Geoffrey Hall ACS and Director Mat King on location - PHOTO Lisa Tomasetti</image:title><image:caption>Cinematographer Geoffrey Hall ACS and Director Mat King on location - PHOTO Lisa Tomasetti</image:caption></image:image></url><url><loc>https://acmag.com.au/2017/06/01/killing-jesus/</loc><lastmod>2018-12-27T04:58:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/image.png</image:loc><image:title>image</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/geoffrey-hall-acs-talks-about-shooting-pine-gap-for-netflix-abc/</loc><lastmod>2018-12-27T05:13:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/DR1731S006S00_5bbc1c4baed05.jpg</image:loc><image:title>DR1731S006S00_5bbc1c4baed05</image:title><image:caption>A scene from the Netflix/ABC series 'Pine Gap' - DOP Geoffrey Hall ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/geoffrey-hall-acs-talks-about-shooting-pine-gap-for-netflix-abc/</loc><lastmod>2018-12-27T05:14:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/DR1731S001S00_5bbc1c49337b3.jpg</image:loc><image:title>DR1731S001S00_5bbc1c49337b3</image:title><image:caption>A scene from the Netflix/ABC series 'Pine Gap' - DOP Geoffrey Hall ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/geoffrey-hall-acs-talks-about-shooting-pine-gap-for-netflix-abc/</loc><lastmod>2018-12-27T05:14:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/G.A-CREW.PINE-GAP.Photo-Lisa-Tomasetti.11925.jpg</image:loc><image:title>G.A-CREW.PINE GAP.Photo Lisa Tomasetti.11925</image:title><image:caption>The cast of Netflix/ABC series 'Pine Gap' -  PHOTO Lisa Tomasetti</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:57:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/BDSC_0194.jpg</image:loc><image:title>BDSC_0194</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:57:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/BDSC_0041.jpg</image:loc><image:title>BDSC_0041</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:57:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/DSC_0108.jpg</image:loc><image:title>DSC_0108</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:58:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/DSC_02673.jpg</image:loc><image:title>DSC_02673</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:58:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/DSC_0272.jpg</image:loc><image:title>DSC_0272</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:58:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/BDSC_00852.jpg</image:loc><image:title>BDSC_00852</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/cinematographer-john-radel-acs-shoots-singapores-entry-for-best-foreign-language-film-at-the-academy-awards/</loc><lastmod>2018-12-27T22:59:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/BDSC_0253.jpg</image:loc><image:title>BDSC_0253</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wade-muller-hksc-shoots-escape-and-evasion-in-queensland/</loc><lastmod>2018-12-27T23:13:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/IMG_3159_Fotor.jpg</image:loc><image:title>IMG_3159_Fotor</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wade-muller-hksc-shoots-escape-and-evasion-in-queensland/</loc><lastmod>2018-12-27T23:18:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/IMG_1696.jpg</image:loc><image:title>IMG_1696</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wade-muller-hksc-shoots-escape-and-evasion-in-queensland/</loc><lastmod>2018-12-27T23:19:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/IMG_1723.jpg</image:loc><image:title>IMG_1723</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wade-muller-hksc-shoots-escape-and-evasion-in-queensland/</loc><lastmod>2018-12-27T23:19:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/IMG_4345.jpg</image:loc><image:title>IMG_4345</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/wade-muller-hksc-shoots-escape-and-evasion-in-queensland/</loc><lastmod>2018-12-27T23:20:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/IMG_4361.jpg</image:loc><image:title>IMG_4361</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:36:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Thomas-Cocquerel-as-Errol-Flynn-on-the-forward-deck-of-the-Sirroco-filming-In-Like-Flynn-on-the-Gold-Coast-PHOTO-Supplied.jpg</image:loc><image:title>Thomas Cocquerel as Errol Flynn on the forward deck of the Sirroco, filming 'In Like Flynn' on the Gold Coast - PHOTO Supplied</image:title><image:caption>Thomas Cocquerel as Errol Flynn on the forward deck of the Sirroco, filming 'In Like Flynn' on the Gold Coast - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:36:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-ensemble-Rex-Duke-Charlie-Rose-and-Flynn-escape-Townsville-PHOTO-Supplied.jpg</image:loc><image:title>The ensemble Rex, Duke, Charlie, Rose and Flynn escape Townsville - PHOTO Supplied</image:title><image:caption>The ensemble Rex, Duke, Charlie, Rose and Flynn escape Townsville - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:36:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-In-Like-Flynn-crew-shooting-aboard-the-Scirocco-and-from-attached-pontoon.-Peter-Holland-ACS-in-white-hat-centre-left-PHOTO-Supplied.jpg</image:loc><image:title>The 'In Like Flynn' crew shooting aboard the Scirocco, and from attached pontoon. Peter Holland ACS in white hat centre left - PHOTO Supplied</image:title><image:caption>The 'In Like Flynn' crew shooting aboard the Scirocco, and from attached pontoon. Peter Holland ACS in white hat centre left - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:39:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Errol-Flynn-Thomas-Cocquerel-aboard-the-Scirocco-PHOTO-Supplied.jpg</image:loc><image:title>Errol Flynn (Thomas Cocquerel) aboard the Scirocco - PHOTO Supplied</image:title><image:caption>Errol Flynn (Thomas Cocquerel) aboard the Scirocco - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:37:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Thomas-Cocquerel-as-Errol-Flynn-just-before-his-salvation-from-Papua-New-Guinea-PHOTO-Supplied.jpg</image:loc><image:title>Thomas Cocquerel as Errol Flynn just before his salvation from Papua New Guinea - PHOTO Supplied</image:title><image:caption>Thomas Cocquerel as Errol Flynn just before his salvation from Papua New Guinea - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:33:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Flynn-and-the-producers-encounter-headhunters-of-Papua-New-Guinea-in-In-Like-Flynn-PHOTO-Supplied.jpg</image:loc><image:title>Flynn and the producers encounter headhunters of Papua New Guinea in 'In Like Flynn' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/shooting-in-like-flynn-an-interview-with-cinematographer-peter-holland-acs/</loc><lastmod>2018-12-27T23:38:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-In-Like-Flynn-crew-arrive-on-an-Island-after-a-pre-dawn-call-to-catch-the-early-light-on-an-important-beach-scene-PHOTO-Cameron-Morley.jpg</image:loc><image:title>The 'In Like Flynn' crew arrive on an Island after a pre-dawn call to catch the early light on an important beach scene - PHOTO Cameron Morley</image:title><image:caption>The 'In Like Flynn' crew arrive on an Island after a pre-dawn call to catch the early light on an important beach scene - PHOTO Cameron Morley</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:46:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Jack-Lin-Manuel-Miranda-Mary-Poppins-Emily-Blunt-and-the-Banks-children-filming-a-musical-number-with-a-crew-of-street-lamplighters-in-Disneys-Mary-Poppins-Returns-PHOTO-Jay-Maidment.jpg</image:loc><image:title>null</image:title><image:caption>Jack (Lin-Manuel Miranda) Mary Poppins (Emily Blunt) and the Banks children with a crew of street lamplighters at 17 Cherry Tree Lane in Disney's original musical MARY POPPINS RETURNS, a sequel to the 1964 MARY POPPINS which takes audiences on an entirely new adventure with the practically perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:47:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Jack-lin-Manuel-Miranda-Annabel-Pixie-Davies-Georgie-Joel-Dawson-John-Nathanael-Saleh-and-Mary-Poppins-Emily-Blunt-in-Disneys-Mary-Poppins-Returns-PHOTO-Jay-Maidment.jpg</image:loc><image:title>null</image:title><image:caption>Jack (lin-Manuel Miranda), Annabel (Pixie Davies), Georgie (Joel Dawson), John (Nathanael Saleh) and Mary Poppins (Emily Blunt) in Disney's original musical MARY POPPINS RETURNS, a sequel to the 1964 MARY POPPINS which takes audiences on an entirely new adventure with the practically perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:47:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Emily-Blunt-filming-Mary-Poppins-Returns-PHOTO-Jay-Maidment.jpg</image:loc><image:title>null</image:title><image:caption>Emily Blunt is Mary Poppins in Dinsey’s original musica MARY. POPPINS RETURNS, a sequel to the 1964 MARY POPPINS which takes audiences on an entirely new adventure with the practically perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:53:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Emily-Blunt-is-Mary-Poppins-in-Disneys-Mary-Poppins-Returns-DOP-Dion-Beebe-ACS-ASC-371732782-1545954800147.jpg</image:loc><image:title>null</image:title><image:caption>Emily Blunt is Mary Poppins in Disney's 'Mary Poppins Returns' - DOP Dion Beebe ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:47:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Lin-Manuel-Miranda-stars-as-Jack-who-jumps-in-to-help-Georgie-Banks-Joel-Dawson-in-Disneys-Mary-Poppins-Returns-DOP-Dion-Beebe-ACS-ASC.jpg</image:loc><image:title>null</image:title><image:caption>Lin-Manuel Miranda stars as Jack who jumps in to help Georgie Banks (Joel Dawson) in Disneyâ€™s original musical MARY POPPINS RETURNS, a sequel to the 1964 MARY POPPINS which takes audiences on an entirely new adventure with the practically-perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:47:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/Emily-Blunt-as-Mary-Poppins-in-Disneys-Mary-Poppins-Returns-DOP-Dion-Beebe-ACS-ASC.jpg</image:loc><image:title>null</image:title><image:caption>Mary Poppins (Emily Blunt) returns to the Banks’ home in Disney’s original musical, MARY POPPINS RETURNS, a sequel to the 1964 MARY POPPINS  which takes audiences on an entirely new adventure with the practically perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/2018/11/30/mary-poppins-returns/</loc><lastmod>2018-12-27T23:49:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2018/12/The-Banks-family-and-Mary-Poppins-Emily-Blunt-in-Disneys-Mary-Poppins-Returns-DOP-Dion-Beebe-ACS-ASC.jpg</image:loc><image:title>null</image:title><image:caption>Emily Blunt is Mary Poppins, Emily Mortimer is Jane Banks, Ben Whishaw is Michael Banks and Joel Dawson is Georgie Banks in Disneyâ€™s MARY POPPINS RETURNS, a sequel to the 1964 MARY POPPINS, which takes audiences on an entirely new adventure with the practically perfect nanny and the Banks family.</image:caption></image:image></url><url><loc>https://acmag.com.au/mtc_01_jpg/</loc><lastmod>2019-01-06T10:35:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/01/MTC_01_JPG.jpg</image:loc><image:title>MTC_01_(JPG)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/mtc_03_jpg/</loc><lastmod>2019-01-06T10:36:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/01/MTC_03_JPG.jpg</image:loc><image:title>MTC_03_(JPG)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2019-02-23-at-6-44-04-pm/</loc><lastmod>2019-02-23T07:44:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/02/Screen-Shot-2019-02-23-at-6.44.04-pm.png</image:loc><image:title>Screen Shot 2019-02-23 at 6.44.04 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2019-02-23-at-6-43-45-pm/</loc><lastmod>2019-02-23T07:45:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/02/Screen-Shot-2019-02-23-at-6.43.45-pm.png</image:loc><image:title>Screen Shot 2019-02-23 at 6.43.45 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/screen-shot-2019-02-23-at-6-43-08-pm/</loc><lastmod>2019-02-23T07:46:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/02/Screen-Shot-2019-02-23-at-6.43.08-pm.png</image:loc><image:title>Screen Shot 2019-02-23 at 6.43.08 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/gradedtwoshot/</loc><lastmod>2019-04-03T05:12:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/GradedTwoShot.jpg</image:loc><image:title>Graded+Two+Shot</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/01_the-ocean_stills_face-to-face/</loc><lastmod>2019-04-03T05:12:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/01_The-Ocean_Stills_Face-to-Face.jpg</image:loc><image:title>01_The Ocean_Stills_Face-to-Face</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/simon-bts-2/</loc><lastmod>2019-04-03T05:12:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Simon-BTS-2.jpg</image:loc><image:title>Simon BTS 2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/03_the-ocean_stills_heart-opening/</loc><lastmod>2019-04-03T05:12:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/03_The-Ocean_Stills_Heart-opening.jpg</image:loc><image:title>03_The Ocean_Stills_Heart-opening</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/enzo-amato/</loc><lastmod>2019-04-03T05:12:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Copy-of-2019-Tropfest-Craft-Awards_Stage_0039.jpg</image:loc><image:title>Enzo Amato</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/on-location-with-werner-herzog-photo-chris-tangey/</loc><lastmod>2019-04-03T05:12:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/On-location-with-Werner-Herzog-PHOTO-Chris-Tangey.jpg</image:loc><image:title>On location with Werner Herzog - PHOTO Chris Tangey</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/photo-supplied/</loc><lastmod>2019-04-03T05:12:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/PHOTO-Supplied.jpg</image:loc><image:title>PHOTO -Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/capture1-2/</loc><lastmod>2019-04-03T05:15:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Capture1.jpg</image:loc><image:title>Capture1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/capture2-2/</loc><lastmod>2019-04-03T05:15:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Capture2.jpg</image:loc><image:title>Capture2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/capture3/</loc><lastmod>2019-04-03T05:15:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Capture3.jpg</image:loc><image:title>Capture3</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/lost-and-found/</loc><lastmod>2019-04-03T06:42:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/LAF_Still_DOP-Gerald-Thompson_02.jpg</image:loc><image:title>LAF_Still_DOP-Gerald-Thompson_02</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/lost-and-found/</loc><lastmod>2019-04-03T06:42:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/LAF_Still_DOP-Gerald-Thompson_07.jpg</image:loc><image:title>LAF_Still_DOP-Gerald-Thompson_07</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/01mk4254-raf/</loc><lastmod>2019-04-25T02:29:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_BTS_Pic01-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>01MK4254.RAF</image:title><image:caption>01MK4254.RAF</image:caption></image:image></url><url><loc>https://acmag.com.au/vice_bts_pic02-photo-matt-kennedy/</loc><lastmod>2019-04-25T02:32:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_BTS_Pic02-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>Vice_BTS_Pic02 - PHOTO Matt Kennedy</image:title><image:caption>(L to R) Director Adam McKay, actor Christian Bale, producer Kevin Messick, and cinematographer Greig Fraser on the set of VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures 2018 © Annapurna Pictures, LLC. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/vice_bts_pic03-photo-matt-kennedy/</loc><lastmod>2019-04-25T02:34:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_BTS_Pic03-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>Vice_BTS_Pic03 - PHOTO Matt Kennedy</image:title><image:caption>(L to R) Director Adam McKay, actor Steve Carell and actor Christian Bale on the set of VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures 2018 © Annapurna Pictures, LLC. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/vice_pic01-photo-matt-kennedy/</loc><lastmod>2019-04-25T02:38:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_Pic01-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>Vice_Pic01 - PHOTO Matt Kennedy</image:title><image:caption>Christian Bale (left) as Dick Cheney and Sam Rockwell (right) as George W. Bush in Adam McKay’s VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures
2018 © Annapurna Pictures, LLC. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/vice_pic05-photo-matt-kennedy/</loc><lastmod>2019-04-25T02:40:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_Pic05-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>Vice_Pic05 - PHOTO Matt Kennedy</image:title><image:caption>Sam Rockwell stars as George W. Bush in Adam McKay’s VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures
2018 © Annapurna Pictures, LLC. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/vice_pic03-photo-matt-kennedy/</loc><lastmod>2019-04-25T02:41:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Vice_Pic03-PHOTO-Matt-Kennedy.jpg</image:loc><image:title>Vice_Pic03 - PHOTO Matt Kennedy</image:title><image:caption>Christian Bale as Dick Cheney in Adam McKay’s VICE, an Annapurna Pictures release. &#13;&#13;Credit : Greig Fraser / Annapurna Pictures&#13;&#13;2018 © Annapurna Pictures, LLC. All Rights Reserved.</image:caption></image:image></url><url><loc>https://acmag.com.au/dsc00305-photo-matt-nettheim/</loc><lastmod>2019-04-25T02:50:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/DSC00305-PHOTO-Matt-Nettheim.jpg</image:loc><image:title>DSC00305 - PHOTO Matt 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:title>A 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PSC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/never-look-away-dop-caleb-deschanel-asc/</loc><lastmod>2019-04-25T06:07:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Never-Look-Away-DOP-Caleb-Deschanel-ASC.jpg</image:loc><image:title>'Never Look Away' - DOP Caleb Deschanel ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/roma-dop-alfonso-cuaron/</loc><lastmod>2019-04-25T06:07:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/Roma-DOP-Alfonso-Cuarón.jpg</image:loc><image:title>'Roma' - DOP Alfonso Cuarón</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/the-favourite-dop-robbie-ryan-bsc-isc/</loc><lastmod>2019-04-25T06:07:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/The-Favourite-DOP-Robbie-Ryan-BSC-ISC.jpg</image:loc><image:title>'The Favourite' - DOP Robbie Ryan BSC ISC</image:title><image:caption>Olivia Colman in the film THE FAVOURITE. Photo by Atsushi Nishijima. © 2018 Twentieth Century Fox Film Corporation All Rights Reserved</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:41:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Cherry-Season-DOP-Emma-Paine.jpg</image:loc><image:title>A scene from 'Cherry Season' - DOP Emma Paine</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:41:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Great-Again-DOP-Gabriel-Francis.jpg</image:loc><image:title>A scene from 'Great Again' - DOP Gabriel Francis</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:41:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Joy-Boy-DOP-Tania-Lambert.jpg</image:loc><image:title>A scene from 'Joy Boy' - DOP Tania Lambert</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:41:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Ladies-Lounge-DOP-Lucy-Campbell.png</image:loc><image:title>A scene from 'Ladies' Lounge' - DOP Lucy Campbell</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:41:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Sammy-the-Salmon-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>A scene from 'Sammy the Salmon' - DOP Hossein Khodabandehloo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/cherry-season/</loc><lastmod>2019-04-25T07:42:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/A-scene-from-Bodies-DOP-Emma-Paine.jpg</image:loc><image:title>A scene from 'Bodies' - DOP Emma Paine</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/03/01/ladies-lounge/</loc><lastmod>2019-04-25T07:46:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/04/image.png</image:loc><image:title>image</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/the-daughter-2/</loc><lastmod>2019-06-10T06:16:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/001.jpg</image:loc><image:title>001</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/women-hes-undressed/</loc><lastmod>2019-06-10T06:21:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/MV5BMTUzNDgwODI5N15BMl5BanBnXkFtZTgwMzc2OTcyNjE@._V1_SX1777_CR001777999_AL_.jpg</image:loc><image:title>MV5BMTUzNDgwODI5N15BMl5BanBnXkFtZTgwMzc2OTcyNjE@._V1_SX1777_CR0,0,1777,999_AL_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/last-cab-to-darwin/</loc><lastmod>2019-06-10T06:37:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/lc1.jpg</image:loc><image:title>lc1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/macbeth/</loc><lastmod>2019-06-10T07:03:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/m2.jpg</image:loc><image:title>m2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/macbeth/</loc><lastmod>2019-06-10T07:03:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/m1.jpg</image:loc><image:title>m1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/only-the-dead/</loc><lastmod>2019-06-10T07:11:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/otd.jpg</image:loc><image:title>Inside Iraq</image:title><image:caption>Inside Iraq
RAMADI, IRAQ-APRIL 27, 2006: U.S. Marines from the 3rd Battalion, 8th Marine Regiment, Kilo company scan streets and surrounding buildings for insurgents during a patrol in Ramadi, 115 kilometers (70 miles) west of Baghdad.</image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/death-in-bloom/</loc><lastmod>2019-06-10T07:26:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Screen-Shot-2019-06-10-at-5.24.27-pm.png</image:loc><image:title>Screen Shot 2019-06-10 at 5.24.27 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/death-in-bloom/</loc><lastmod>2019-06-10T07:27:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Screen-Shot-2019-06-10-at-5.24.41-pm.png</image:loc><image:title>Screen Shot 2019-06-10 at 5.24.41 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2015/09/01/death-in-bloom/</loc><lastmod>2019-06-10T07:27:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/image.png</image:loc><image:title>image</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:48:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/A-scene-from-the-new-Foxtel-series-Lambs-of-God-DOP-Don-McAlpine-ACS-ASC-PHOTO-Mark-Rogers.jpg</image:loc><image:title>A scene from the new Foxtel series 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:title><image:caption>A scene from the new Foxtel series 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:45:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Actress-Ann-Dowd-listening-to-director-Jeffrey-Walker-on-location-filming-Lambs-of-God-PHOTO-Mark-Rogers.jpg</image:loc><image:title>Actress Ann Dowd listening to director Jeffrey Walker, on location filming 'Lambs of God' - PHOTO Mark Rogers</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:49:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Cinematographer-Don-McAlpine-ACS-ASC-and-director-Jeffrey-Walker-checking-a-shot-on-location-filming-Lambs-of-God-PHOTO-Mark-Rogers.jpg</image:loc><image:title>Cinematographer Don McAlpine ACS ASC and director Jeffrey Walker checking a shot, on location filming 'Lambs of God' - PHOTO Mark Rogers</image:title><image:caption>Cinematographer Don McAlpine ACS ASC and director Jeffrey Walker checking a shot, on location filming 'Lambs of God' - PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:45:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Cinematographer-Don-McAlpine-on-the-set-of-Lambs-of-God-PHOTO-Mark-Rogers.jpg</image:loc><image:title>Cinematographer Don McAlpine on the set of 'Lambs of God' - PHOTO Mark Rogers</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:53:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Father-Ignatius-Sam-Reid-and-the-nuns-in-a-candlelit-scene-from-Lambs-of-God-DOP-Don-McAlpine-ACS-ASC-PHOTO-Mark-Rogers.jpg</image:loc><image:title>Father Ignatius (Sam Reid) and the nuns in a candlelit scene from 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:title><image:caption>Father Ignatius (Sam Reid) and the nuns in a candlelit scene from 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:48:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Sister-Iphigenia-Essie-Davis-Sister-Margarita-Ann-Dowd-and-Sister-Carla-Jessica-Barden-in-Lambs-of-God-DOP-Don-McAlpine-ACS-ASC-PHOTO-Mark-Rogers.jpg</image:loc><image:title>Sister Iphigenia (Essie Davis), Sister Margarita (Ann Dowd) and Sister Carla (Jessica Barden) in 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:title><image:caption>Sister Iphigenia (Essie Davis), Sister Margarita (Ann Dowd) and Sister Carla (Jessica Barden) in 'Lambs of God' - DOP Don McAlpine ACS ASC, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lambs-of-god/</loc><lastmod>2019-06-28T02:51:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/06/Foxtel_LambsOfGod_FirstLook_SisterMargarita_AnnDowd_D21-3136_FXTL_MarkRo....jpg</image:loc><image:title>Foxtel_LambsOfGod_FirstLook_SisterMargarita_AnnDowd_D21-3136_FXTL_MarkRo...</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/three-stories-inside-a-rental-van/</loc><lastmod>2019-07-25T04:39:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/07/Capture1.jpg</image:loc><image:title>Capture1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/three-stories-inside-a-rental-van/</loc><lastmod>2019-07-25T04:39:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/07/Capture2.jpg</image:loc><image:title>Capture2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/three-stories-inside-a-rental-van/</loc><lastmod>2019-07-25T04:39:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/07/Capture3.jpg</image:loc><image:title>Capture3</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/three-stories-inside-a-rental-van/</loc><lastmod>2019-07-25T04:39:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/07/Capture4.jpg</image:loc><image:title>Capture4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:13:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0002.jpeg</image:loc><image:title>IMG_0002</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0016.jpg</image:loc><image:title>IMG_0016</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0029.jpeg</image:loc><image:title>IMG_0029</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0020.jpeg</image:loc><image:title>IMG_0020</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0025.jpg</image:loc><image:title>IMG_0025</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_0022.jpg</image:loc><image:title>IMG_0022</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_2446.jpg</image:loc><image:title>IMG_2446</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/foreign-correspondent/</loc><lastmod>2019-08-04T02:14:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/IMG_2472.jpg</image:loc><image:title>IMG_2472</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/greig-fraser-acs-asc-on-right-interviewed-at-the-imago-masterclass-in-austria-photo-mark-broadbent/</loc><lastmod>2019-08-06T04:48:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Greig-Fraser-ACS-ASC-on-right-interviewed-at-the-IMAGO-Masterclass-in-Austria-PHOTO-Mark-Broadbent.jpg</image:loc><image:title>Greig Fraser ACS ASC (on right) interviewed at the IMAGO Masterclass in Austria - PHOTO Mark Broadbent</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/jan-weincke-dff-astrid-heubrandtner-aac-and-ron-johanson-oam-acs-in-vienna-austria-photo-mark-broadbent/</loc><lastmod>2019-08-06T04:48:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Jan-Weincke-DFF-Astrid-Heubrandtner-AAC-and-Ron-Johanson-OAM-ACS-in-Vienna-Austria-PHOTO-Mark-Broadbent.jpg</image:loc><image:title>Jan Weincke DFF, Astrid Heubrandtner AAC and Ron Johanson OAM ACS in Vienna, Austria - PHOTO Mark Broadbent</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/imago-masterclass/</loc><lastmod>2019-08-06T08:05:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Screen-Shot-2019-08-06-at-2.53.33-pm.jpg</image:loc><image:title>Screen Shot 2019-08-06 at 2.53.33 pm</image:title><image:caption>Greig Fraser ACS ASC (on right) interviewed at the IMAGO Masterclass in Austria - PHOTO Mark Broadbent</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/imago-masterclass/</loc><lastmod>2019-08-06T05:17:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/A-scene-from-Unspeakable-DOP-Scott-Kimber.jpg</image:loc><image:title>A scene from 'Unspeakable' - DOP Scott Kimber</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/imago-masterclass/</loc><lastmod>2019-08-06T05:24:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/A-scene-from-the-series-Unspeakable-DOP-Scott-Kimber.jpg</image:loc><image:title>A scene from the series 'Unspeakable' - DOP Scott Kimber</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/imago-masterclass/</loc><lastmod>2019-08-06T08:06:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Screen-Shot-2019-08-06-at-2.53.21-pm.jpg</image:loc><image:title>Screen Shot 2019-08-06 at 2.53.21 pm</image:title><image:caption>Jan Weincke DFF, Astrid Heubrandtner AAC and Ron Johanson OAM ACS in Vienna, Austria - PHOTO Mark Broadbent</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/imago-masterclass/</loc><lastmod>2019-08-06T08:04:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/The-slate-on-season-six-of-The-100-PHOTO-Scott-Kimber.jpg</image:loc><image:title>The slate on season six of 'The 100' - PHOTO Scott Kimber</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/outdooring/</loc><lastmod>2019-08-07T00:30:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Cinematographer-Sam-Chatterjee-explaining-a-shot-to-Steadicam-operator-Will-Lyte-PHOTO-Ino-Yang-Popper.png</image:loc><image:title>Cinematographer Sam Chatterjee explaining a shot to Steadicam operator Will Lyte - PHOTO Ino Yang Popper</image:title><image:caption>Cinematographer Sam Chatterjee explaining a shot to Steadicam operator Will Lyte - PHOTO Ino Yang Popper</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/outdooring/</loc><lastmod>2019-08-07T00:29:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Camera-operator-Brian-Nguyen-first-assistant-camera-Austin-Kite-with-lead-actor-Keith-Machekanyanga-PHOTO-Ino-Yang-Popper.png</image:loc><image:title>Camera operator Brian Nguyen, first assistant camera Austin Kite with lead actor Keith Machekanyanga - PHOTO Ino Yang Popper</image:title><image:caption>Camera operator Brian Nguyen, first assistant camera Austin Kite with lead actor Keith Machekanyanga - PHOTO Ino Yang Popper</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lamborghini/</loc><lastmod>2019-08-07T00:34:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Downtown-Dubai-Spacecam-Maximus-7-remote-Head-with-Alexa-Mini-and-Alura-18-80-PHOTO-Supplied.jpg</image:loc><image:title>Downtown Dubai, Spacecam Maximus 7 remote Head with Alexa Mini and Alura 18-80 - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lamborghini/</loc><lastmod>2019-08-07T00:34:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/A-scene-from-Where-is-my-Lamborghini-filmed-in-Dubai-DOP-Mark-Hobz.jpg</image:loc><image:title>A scene from 'Where is my Lamborghini', filmed in Dubai - DOP Mark Hobz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lamborghini/</loc><lastmod>2019-08-07T00:34:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/A-scene-from-the-pilot-series-Where-is-my-Lamborghini-DOP-Mark-Hobz.jpg</image:loc><image:title>A scene from the pilot series 'Where is my Lamborghini' - DOP Mark Hobz</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/lamborghini/</loc><lastmod>2019-08-07T00:38:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Director-Pete-Veijalainen-cinematographer-Mark-Hobz-they-buried-a-Lamborghini-in-the-desert-for-the-opening-of-Episode-3-PHOTO-Supplied.jpg</image:loc><image:title>edf</image:title><image:caption>Director Pete Veijalainen, cinematographer Mark Hobz, with a buried a Lamborghini in the Dubai desert for 'Where is  my Lamborghini?' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/michael-steel/</loc><lastmod>2019-08-07T03:45:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/1.-A-scene-from-the-short-film-Atlas-DOP-Michael-Steel.jpg</image:loc><image:title>1. A scene from the short film 'Atlas' - DOP Michael Steel</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/michael-steel/</loc><lastmod>2019-08-07T03:48:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/2.-A-scene-from-the-short-film-Atlas-DOP-Michael-Steel.jpg</image:loc><image:title>2. A scene from the short film 'Atlas' - DOP Michael Steel</image:title><image:caption>A scene from the short film 'Atlas' - DOP Michael Steel</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/michael-steel/</loc><lastmod>2019-08-07T03:47:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/3.-A-scene-from-the-short-film-Atlas-DOP-Michael-Steel.jpg</image:loc><image:title>3. A scene from the short film 'Atlas' - DOP Michael Steel</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/glitch-3/</loc><lastmod>2019-08-11T04:35:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Travis-on-stage-with-paperbag.jpg</image:loc><image:title>Travis on stage with paperbag</image:title><image:caption>Travis on stage with paperbag</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/glitch-3/</loc><lastmod>2019-08-11T04:39:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Travis-in-streets-of-Newtown.jpg</image:loc><image:title></image:title><image:caption>Travis in streets of Newtown</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/glitch-3/</loc><lastmod>2019-08-11T04:38:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Travis-and-Sunny-eating-lunch.jpg</image:loc><image:title>Travis and Sunny eating lunch</image:title><image:caption>Travis (RJ Mitte) and Sunny (Philippa Northeast) in a scene from 'Standing up for Sunny' - DOP Mark Bliss AČK</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/glitch-3/</loc><lastmod>2019-08-11T04:35:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Barry-Humphries-in-Standing-Up-for-Sunny-DOP-Mark-Bliss.jpg</image:loc><image:title>Barry Humphries in 'Standing Up for Sunny - DOP Mark Bliss</image:title><image:caption>Barry Humphries in 'Standing Up for Sunny - DOP Mark Bliss</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/glitch-3/</loc><lastmod>2019-08-11T04:29:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/standingupforsunny2.jpeg</image:loc><image:title>standingupforsunny2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T04:58:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/The-crew-of-Glitch-on-location-PHOTO-Ben-King.jpg</image:loc><image:title>The crew of 'Glitch' on location - PHOTO Ben King</image:title><image:caption>The crew of 'Glitch' on location - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T04:50:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/GLITCH_301_180918_BK_0167.jpg</image:loc><image:title>GLITCH_301_180918_BK_0167</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T04:57:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Cinematographer-Aaron-McLisky-gets-wet-on-location-with-Glitch-PHOTO-Ben-King.jpg</image:loc><image:title>Cinematographer Aaron McLisky gets wet, on location with 'Glitch' - PHOTO Ben King</image:title><image:caption>Cinematographer Aaron McLisky gets wet, on location with 'Glitch' - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T04:58:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Behind-the-scenes-during-a-nightime-cemetary-shoot-for-Glitch-PHOTO-Ben-King.jpg</image:loc><image:title>Behind-the-scenes during a nightime cemetary shoot for 'Glitch' - PHOTO Ben King</image:title><image:caption>Behind-the-scenes during a nightime cemetary shoot for 'Glitch' - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T04:56:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Behind-the-scenes-on-Glitch-PHOTO-Ben-King.jpg</image:loc><image:title>Behind-the-scenes on 'Glitch' - PHOTO Ben King</image:title><image:caption>Behind-the-scenes on 'Glitch' - PHOTO Ben King</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T05:10:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/The-Clown-Robin-Royce-Queree-and-Freckles-Sarah-Houboult-in-a-scene-from-Reflections-in-the-Dust-DOP-Ryan-Barry-Cotter.jpeg</image:loc><image:title>The Clown (Robin Royce Queree) and Freckles (Sarah Houboult) in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:title><image:caption>The Clown (Robin Royce Queree) and Freckles (Sarah Houboult) in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T05:11:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Sarah-Houboult-and-Robin-Royce-Queree-as-Freckles-and-the-Clown-in-a-scene-from-Reflections-in-the-Dust-DOP-Ryan-Barry-Cotter.jpeg</image:loc><image:title>Sarah Houboult and Robin Royce Queree as Freckles and the Clown in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:title><image:caption>Sarah Houboult and Robin Royce Queree as Freckles and the Clown in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T05:08:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Director-Luke-Sullivan-speaks-with-actor-Robin-Royce-Queree-between-takes-on-Reflections-in-the-Dust-PHOTO-Angus-Hoy.jpg</image:loc><image:title>Director Luke Sullivan speaks with actor Robin Royce Queree between takes on 'Reflections in the Dust' - PHOTO Angus Hoy</image:title><image:caption>Director Luke Sullivan speaks with actor Robin Royce Queree between takes on 'Reflections in the Dust' - PHOTO Angus Hoy</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T05:10:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Director-Luke-Sullivan-watching-the-monitor-PHOTO-Angus-Hoy.jpg</image:loc><image:title>Director Luke Sullivan watching the monitor - PHOTO Angus Hoy</image:title><image:caption>Director Luke Sullivan watching the monitor - PHOTO Angus Hoy</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T05:11:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Director-Luke-Sullivan-behind-cinematographer-Ryan-Barry-Cotter-and-Producer-Giovanni-De-Santolo-slating-with-actors-Robyn-Queree-as-the-Clown-Sarah-Houbolt-sitting-in-the-mud-PHOTO-Angus-Hoy.jpg</image:loc><image:title>Director Luke Sullivan behind cinematographer Ryan Barry-Cotter and Producer Giovanni De Santolo slating, with actors Robyn Queree as the Clown, Sarah Houbolt sitting in the mud - PHOTO Angus Hoy</image:title><image:caption>Director Luke Sullivan behind cinematographer Ryan Barry-Cotter and Producer Giovanni De Santolo slating, with actors Robyn Queree as the Clown, Sarah Houbolt sitting in the mud - PHOTO Angus Hoy</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T09:24:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Producer-Giovanni-De-Santolo-and-director-Luke-Sullivan-on-location-with-Reflections-in-the-Dust-PHOTO-Angus-Hoy.jpg</image:loc><image:title>Producer Giovanni De Santolo and director Luke Sullivan on location with 'Reflections in the Dust' - PHOTO Angus Hoy</image:title><image:caption>Producer Giovanni De Santolo and director Luke Sullivan on location with 'Reflections in the Dust' - PHOTO Angus Hoy</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/director-and-cinematographer-of-reflections-in-the-dust-talk-about-shooting-the-highly-original-film/</loc><lastmod>2019-08-11T09:23:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Freckles-Sarah-Houboult-and-the-Clown-Robin-Royce-Queree-in-a-scene-from-Reflections-in-the-Dust-DOP-Ryan-Barry-Cotter.jpeg</image:loc><image:title>Freckles (Sarah Houboult) and the Clown (Robin Royce Queree) in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:title><image:caption>Freckles (Sarah Houboult) and the Clown (Robin Royce Queree) in a scene from 'Reflections in the Dust' - DOP Ryan Barry Cotter</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:36:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/8.-A-scene-from-the-film-Blue-Moon-DOP-Ryan-ORourke-1683663822-1565516195578.jpg</image:loc><image:title>8. A scene from the film 'Blue Moon' - DOP Ryan O'Rourke</image:title><image:caption>Actor Jed Brophy in a scene from the film 'Blue Moon' - DOP Ryan O'Rourke</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:34:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/6.-A-scene-from-the-film-Blue-Moon-DOP-Ryan-ORourke-1376586682-1565516095775.jpg</image:loc><image:title>6. A scene from the film 'Blue Moon' - DOP Ryan O'Rourke</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:35:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/ststion-2-2000-2000-1125-1125-crop-fill-910621729-1565516117538.jpg</image:loc><image:title>ststion 2-2000-2000-1125-1125-crop-fill</image:title><image:caption>A scene from the film 'Blue Moon' - DOP Ryan O'Rourke</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:24:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/poster-3-KEY-2000-2000-1125-1125-crop-fill_Fotor.jpg</image:loc><image:title>poster 3 KEY-2000-2000-1125-1125-crop-fill_Fotor</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:25:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Cinematographer-Ryan-ORourke-and-director-Stefen-Harris-on-location-with-Blue-Moon-PHOTO-Supplied.jpg</image:loc><image:title>Cinematographer Ryan O'Rourke and director Stefen Harris on location with 'Blue Moon' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/06/01/blue-moon/</loc><lastmod>2019-08-11T09:25:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/08/Boom-operator-Ben-Dunker-and-cinematographer-Ryan-ORourke-PHOTO-Supplied.jpg</image:loc><image:title>Boom operator Ben Dunker and cinematographer Ryan O'Rourke - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:38:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/L-R-Noah-Schnapp-Caleb-McLaughlin-Millie-Bobby-Brown-Finn-Wolfhard-Sadie-Sink-Charlie-Heaton-and-Natalia-Dyer-in-Season-Three-of-Stranger-Things-IMAGE-Netflix.jpg</image:loc><image:title>(L-R) Noah Schnapp, Caleb McLaughlin, Millie Bobby Brown, Finn Wolfhard, Sadie Sink, Charlie Heaton and Natalia Dyer in Season Three of 'Stranger Things' - IMAGE Netflix</image:title><image:caption>(L-R) Noah Schnapp, Caleb McLaughlin, Millie Bobby Brown, Finn Wolfhard, Sadie Sink, Charlie Heaton and Natalia Dyer in Season Three of 'Stranger Things' - IMAGE Netflix</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:22:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/L-R-Stand-in-Scott-Hunter-directors-and-series-creators-The-Duffer-Brothers-with-cinematographer-Lachlan-Milne-ACS-on-the-Russian-Lab-set-of-third-season-of-Netflixs-Stranger-Things-PHOTO-Tina-Rowden.jpg</image:loc><image:title>(L-R) Stand-in Scott Hunter, directors and series creators The Duffer Brothers with cinematographer Lachlan Milne ACS on the Russian Lab set of third season of Netflix's 'Stranger Things' - PHOTO Tina Rowden</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:42:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Cary-Elwes-plays-Mayor-Larry-Kline-in-a-scene-from-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Cary Elwes plays Mayor Larry Kline in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Cary Elwes plays Mayor Larry Kline in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:22:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Cinematographer-Lachlan-Milne-with-Visual-Effects-Supervisor-Paul-Graff-on-the-set-of-the-third-season-of-Netflixs-Stranger-Things-PHOTO-Tina-Rowden.jpg</image:loc><image:title>Cinematographer Lachlan Milne with Visual Effects Supervisor Paul Graff on the set of the third season of Netflix's 'Stranger Things' - PHOTO Tina Rowden</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:43:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Dustin-Gaten-Matarazzo-Steve-Joe-Keery-and-Robin-Maya-Hawke-in-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Dustin (Gaten Matarazzo), Steve (Joe Keery) and Robin (Maya Hawke) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Dustin (Gaten Matarazzo), Steve (Joe Keery) and Robin (Maya Hawke) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:44:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Eleven-Milly-Bobby-Brown-in-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Eleven (Milly Bobby Brown) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Eleven (Milly Bobby Brown) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:42:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Filming-at-the-Hawkins-Fairground-location-for-the-third-season-of-Netflix-Stranger-Things-PHOTO-Tina-Rowden.jpg</image:loc><image:title>Filming at the Hawkins Fairground location for the third season of Netflix 'Stranger Things' - PHOTO Tina Rowden</image:title><image:caption>Filming at the Hawkins Fairground location for the third season of Netflix 'Stranger Things' - PHOTO Tina Rowden</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:45:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Jim-Hopper-David-Harbour-and-Joyce-Byers-Winnona-Ryder-in-the-third-season-of-Netflix-Stranger-Things-DOP-Lachlan-Milne.jpg</image:loc><image:title>Jim Hopper (David Harbour) and Joyce Byers (Winnona Ryder) in the third season of Netflix 'Stranger Things' - DOP Lachlan Milne</image:title><image:caption>Jim Hopper (David Harbour) and Joyce Byers (Winnona Ryder) in the third season of Netflix 'Stranger Things' - DOP Lachlan Milne</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:40:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Mike-Finn-Wolfhard-and-Will-Noah-Schnapp-in-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Mike (Finn Wolfhard and Will (Noah Schnapp) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Mike (Finn Wolfhard and Will (Noah Schnapp) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:45:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Mike-Finn-Worlfhard-Johnathan-Charlie-Heaton-and-Will-Noah-Schnapp-in-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Mike (Finn Worlfhard), Johnathan (Charlie Heaton) and Will (Noah Schnapp) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Mike (Finn Worlfhard), Johnathan (Charlie Heaton) and Will (Noah Schnapp) in the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:43:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Steve-Joe-Keery-and-Dustin-Gaten-Matarazzo-in-a-scene-from-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Steve (Joe Keery) and Dustin (Gaten Matarazzo) in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Steve (Joe Keery) and Dustin (Gaten Matarazzo) in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:39:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Two-boom-operators-with-actors-Finn-Wolfhard-Caleb-McLaughlin-and-Noah-Schnapp-filming-on-the-third-season-of-Netflix-Stranger-Things-PHOTO-Tina-Rowden.jpg</image:loc><image:title>Two boom operators with actors Finn Wolfhard, Caleb McLaughlin and Noah Schnapp filming on the third season of Netflix 'Stranger Things' - PHOTO Tina Rowden</image:title><image:caption>Two boom operators with actors Finn Wolfhard, Caleb McLaughlin and Noah Schnapp filming on the third season of Netflix 'Stranger Things' - PHOTO Tina Rowden</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-09-26T05:46:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/09/Eleven-Millie-Bobby-Brown-and-Max-Sadie-Sink-in-a-scene-from-the-third-season-of-Netflixs-Stranger-Things-DOP-Lachlan-Milne-ACS.jpg</image:loc><image:title>Eleven (Millie Bobby Brown) and Max (Sadie Sink) in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:title><image:caption>Eleven (Millie Bobby Brown) and Max (Sadie Sink) in a scene from the third season of Netflix's 'Stranger Things' - DOP Lachlan Milne ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Teresa-Barbara-Colen-in-a-scene-from-Bacurau-DOP-Pedro-Sotero.jpg</image:loc><image:title>Teresa (Barbara Colen) in a scene from 'Bacurau' - DOP Pedro Sotero</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:27:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/bacura_set_9.jpeg</image:loc><image:title>bacura_set_9</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:28:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/bacurau_06.jpg</image:loc><image:title>bacurau_06</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:28:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/bacurau_04.jpg</image:loc><image:title>bacurau_04</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:28:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/bacurau_02.jpeg</image:loc><image:title>bacurau_02</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:28:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/bacurau_07.jpg</image:loc><image:title>bacurau_07</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:28:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/SET_Bacurau.jpg</image:loc><image:title>SET_Bacurau</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/d118e63892500dcfe19765df7b4b63bc3.jpeg</image:loc><image:title>d118e63892500dcfe19765df7b4b63bc3</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/3cdbe3b265fda50356d7defa2bd4c8483.jpeg</image:loc><image:title>3cdbe3b265fda50356d7defa2bd4c8483</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/8fee5150c9c25c17f3001246448685433.jpeg</image:loc><image:title>8fee5150c9c25c17f3001246448685433</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/92e977356ec984d3c9d77cbcc395b7603.jpeg</image:loc><image:title>92e977356ec984d3c9d77cbcc395b7603</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/04/bacurau/</loc><lastmod>2019-10-04T04:41:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/d07f6f751fb756e6a002444d5fc131d63.jpeg</image:loc><image:title>d07f6f751fb756e6a002444d5fc131d63</image:title><image:caption>A scene from the film 'Bacurau' - DOP Petro Sotero</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/01/ember-storm/</loc><lastmod>2019-10-05T02:07:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/1.-Dom-West-shooting-Blue-PHOTO-Adam-Kola.jpg</image:loc><image:title>1. Dom West shooting 'Blue' - PHOTO Adam Kola</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/01/ember-storm/</loc><lastmod>2019-10-05T02:08:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/2.-Dom-West-shooting-Blue-PHOTO-Adam-Kola.jpg</image:loc><image:title>2. Dom West shooting 'Blue' - PHOTO Adam Kola</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/01/ember-storm/</loc><lastmod>2019-10-05T02:16:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/1.-A-scene-from-Ember-Storm-DOP-Kevin-Hudson.jpeg</image:loc><image:title>1. A scene from 'Ember Storm' - DOP Kevin Hudson</image:title><image:caption>A scene from 'Ember Storm' - DOP Kevin Hudson</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/01/ember-storm/</loc><lastmod>2019-10-05T02:12:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/2.-A-scene-from-Ember-Storm-DOP-Kevin-Hudson.jpeg</image:loc><image:title>2. A scene from 'Ember Storm' - DOP Kevin Hudson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/01/ember-storm/</loc><lastmod>2019-10-05T02:12:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/3.-A-scene-from-Ember-Storm-DOP-Kevin-Hudson.jpeg</image:loc><image:title>3. A scene from 'Ember Storm' - DOP Kevin Hudson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/choir/</loc><lastmod>2019-10-15T23:10:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/1.-A-scene-from-Guy-Sebastians-Chior-music-video-DOP-Kieran-Fowler-NZCS-ACS.jpg</image:loc><image:title>1. A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:title><image:caption>A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/choir/</loc><lastmod>2019-10-15T23:11:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/2.-Behind-the-scenes-on-Guy-Sebastians-Chior-music-video-DOP-Kieran-Fowler-NZCS-ACS-PHOTO-Lev-Jutsen.jpg</image:loc><image:title>2. Behind-the-scenes on Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS, PHOTO Lev Jutsen</image:title><image:caption> Behind-the-scenes on Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS, PHOTO Lev Jutsen</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/choir/</loc><lastmod>2019-10-15T23:11:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/3.-A-scene-from-Guy-Sebastians-Chior-music-video-DOP-Kieran-Fowler-NZCS-ACS.jpg</image:loc><image:title>3. A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:title><image:caption>A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/choir/</loc><lastmod>2019-10-15T23:10:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/4.-A-scene-from-Guy-Sebastians-Chior-music-video-DOP-Kieran-Fowler-NZCS-ACS.jpg</image:loc><image:title>4. A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:title><image:caption>A scene from Guy Sebastian's 'Chior' music video - DOP Kieran Fowler NZCS ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/09/01/stranger-things-3/</loc><lastmod>2019-10-15T23:25:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/stranger-things-mind-flayer-1562864952.png</image:loc><image:title>stranger-things-mind-flayer-1562864952</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:50:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/A-scene-recreating-when-the-football-coach-tried-to-find-an-escape-route-by-free-diving-into-the-murky-water-DOP-Wade-Muller-HKSC-PHOTO-Fredrik-Divall.jpg</image:loc><image:title>Movie - The Cave (2019) - A Thai boys soccer team is trapped in a cave while rescue workers scramble to save them.</image:title><image:caption>A scene recreating when the football coach tried to find an escape route by free-diving into the murky water - DOP Wade Muller HKSC, PHOTO Fredrik Divall</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:31:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Behind-the-scenes-on-The-Cave-PHOTO-Maitree-Khunasutirat.jpg</image:loc><image:title>Behind the scenes on 'The Cave' - PHOTO Maitree Khunasutirat</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:32:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Cinematographer-Wade-Muller-HKSC-behind-the-slate-on-the-set-of-‘The-Cave’-together-with-the-crew-on-location-in-Thailand-DOP-Wade-Muller-HKSC-PHOTO-Fredrik-Divall.jpg</image:loc><image:title>Movie - The Cave (2019) - A Thai boys soccer team is trapped in a cave while rescue workers scramble to save them.</image:title><image:caption>Cinematographer Wade Muller HKSC behind the slate on the set of ‘The Cave’ together with the crew, on location in Thailand, preparing a scene with the actors playing the rescued football team in the background - DOP Wade Muller HKSC, PHOTO Fredrik DIVALL. Copyright © 2019 Fredrik Divall. All Rights Reserved. (www.FredrikDivall.com)</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:32:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Director-Tom-Waller-left-and-Cinematographer-Wade-Muller-HKSC-checking-a-shot-on-location-in-Thailand-filming-‘The-Cave-PHOTO-Fredrik-Divall.jpg</image:loc><image:title>Movie - The Cave (2019) - A Thai boys soccer team is trapped in a cave while rescue workers scramble to save them.</image:title><image:caption>Director Tom Waller (left) and Cinematographer Wade Muller HKSC (right) checking a shot, on location in Thailand, filming ‘The Cave' - DOP Wade Muller HKSC, PHOTO Fredrik DIVALL. Copyright © 2019 Fredrik Divall. All Rights Reserved. (www.FredrikDivall.com)</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:54:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Filming-a-rescue-scene-in-The-Cave-PHOTO-Maitree-Khunasutirat.jpg</image:loc><image:title>Filming a rescue scene in 'The Cave' - PHOTO Maitree Khunasutirat</image:title><image:caption>Filming a rescue scene in 'The Cave' - PHOTO Maitree Khunasutirat</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:54:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Mikko-Paasi-playing-himself-a-Finnish-professional-diver-making-his-way-through-one-of-the-flooded-passages-PHOTO-Maitree-Khunasutirat.jpg</image:loc><image:title></image:title><image:caption>Mikko Paasi playing himself, a Finnish professional diver making his way through one of the flooded passages in ‘The Cave’ - PHOTO Maitree Khunasutirat</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/16/the-cave/</loc><lastmod>2019-10-16T00:32:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Production-Designer-Pongnarin-Jonghawklang-created-a-cave-system-in-a-swimming-pool-in-Bangkok-with-a-labyrinth-of-underwater-passages-to-recreate-various-underwater-scenes-PHOTO-Fredrik-Divall.jpg</image:loc><image:title>Movie - The Cave (2019) - A Thai boys soccer team is trapped in a cave while rescue workers scramble to save them.</image:title><image:caption>Production Designer Pongnarin Jonghawklang (standing left) created this huge cave system, in a swimming pool in Bangkok, with a labyrinth of underwater passages to recreate various underwater scenes - DOP Wade Muller HKSC, PHOTO Fredrik DIVALL. Copyright © 2019 Fredrik Divall. All Rights Reserved. (www.FredrikDivall.com)</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/the-blood-of-god/</loc><lastmod>2019-10-27T03:07:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/RICHARD-LITTLEHALES-IN-THE-BLOOD-OF-GOD-DOP-BEBI-ZEKIROVSKI.jpeg</image:loc><image:title>RICHARD LITTLEHALES IN 'THE BLOOD OF GOD' - DOP BEBI ZEKIROVSKI</image:title><image:caption>Richard Littlehales in 'The Blood of God' - DOP Bebi Zekirovski</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/the-blood-of-god/</loc><lastmod>2019-10-27T03:06:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/66282013_387673525200185_43319572723400704_N.jpeg</image:loc><image:title>66282013_387673525200185_43319572723400704_N</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:28:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/1.-Shooting-the-documentary-Water-Shield-on-location-PHOTO-John-Harvey.jpg</image:loc><image:title>1. 'Shooting the documentary 'Water Shield' on location - PHOTO John Harvey</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:28:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/2.-Muraany-Andy-Harrison-in-a-scene-from-Elders-DOP-Ryan-Alexander-Lloyd.png</image:loc><image:title>2. Muraany Andy Harrison in a scene from 'Elders' - DOP Ryan Alexander Lloyd</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:29:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/ScreenGrab_water1.jpg</image:loc><image:title>ScreenGrab_water1</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:30:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/ON-SET_Ryan.jpg</image:loc><image:title>ON SET_Ryan</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:30:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Elders_4.jpg</image:loc><image:title>Elders_4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:32:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Elders_4-1.jpg</image:loc><image:title>Elders_4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/warburdar-bununu/</loc><lastmod>2019-10-27T03:36:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/ON-SET_Ryan-1.jpg</image:loc><image:title>ON SET_Ryan</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:15:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Simon-Crocker-and-Conor-Leach-in-a-scene-from-Sequin-in-a-Blue-Room-DOP-Jay-Grant-PHOTO-tbc.jpg</image:loc><image:title>Simon Crocker and Conor Leach in a scene from 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO tbc</image:title><image:caption>Simon Crocker and Conor Leach in a scene from 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO Nick Gascoine</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:14:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Conor-Leach-as-Sequin-in-Sequin-in-a-Blue-Room-DOP-Jay-Grant-PHOTO-tbc.jpg</image:loc><image:title>Conor Leach as Sequin in 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO tbc</image:title><image:caption>Conor Leach as Sequin in 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO Nick Gascoine</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:19:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Cinematographer-Jay-Grant-on-location-filming-Sequin-in-a-Blue-Room-PHOTO-Nicholas-Gascoine.jpg</image:loc><image:title>Cinematographer Jay Grant on location filming 'Sequin in a Blue Room' - PHOTO Nicholas Gascoine</image:title><image:caption>Cinematographer Jay Grant on location filming 'Sequin in a Blue Room' - PHOTO Nicholas Gascoine</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:16:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Behind-the-scenes-on-the-se-tof-Sequin-in-a-Blue-Room-PHOTO-Louise-Dietz-Hendesonb.jpg</image:loc><image:title>Behind-the-scenes on the se tof 'Sequin in a Blue Room' - PHOTO Louise Dietz-Hendeson(b)</image:title><image:caption>Behind-the-scenes on the set of 'Sequin in a Blue Room' - PHOTO Louise Dietz-Hendeson</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:17:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Actor-Damien-de-Montemas-on-the-set-of-Sequin-in-a-Blue-Room-PHOTO-Nicholas-Gascoine.jpg</image:loc><image:title>Actor Damien de Montemas on the set of 'Sequin in a Blue Room - PHOTO Nicholas Gascoine</image:title><image:caption>Actor Damien de Montemas on the set of 'Sequin in a Blue Room - DOP Jay Grant, PHOTO Nicholas Gascoine</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:16:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/A-scene-from-the-film-Sequin-in-a-Blue-Room-DOP-Jay-Grant-PHOTO-tbc.jpg</image:loc><image:title>A scene from the film 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO tbc</image:title><image:caption>A scene from the film 'Sequin in a Blue Room' - DOP Jay Grant, PHOTO Nick Gascoine</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:12:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/Conor-Leach-as-Sequin-in-Sequin-in-a-Blue-Room-DOP-Jay-Grant.png</image:loc><image:title>Conor Leach as Sequin in 'Sequin in a Blue Room' - DOP Jay Grant</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:12:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/CONOR-LEACH-AS-SEQUIN-IN-SEQUIN-IN-A-BLUE-ROOM-DOP-JAY-GRANT.jpeg</image:loc><image:title>CONOR LEACH AS SEQUIN IN 'SEQUIN IN A BLUE ROOM' - DOP JAY GRANT</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/10/27/sequin-in-a-blue-room/</loc><lastmod>2019-10-27T04:19:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/10/SEQUIN-CONOR-LEACH-IN-THE-FILM-SEQUIN-IN-A-BLUE-ROOM-DOP-JAY-GRANT.jpeg</image:loc><image:title>SEQUIN (CONOR LEACH) IN THE FILM 'SEQUIN IN A BLUE ROOM' - DOP JAY GRANT</image:title><image:caption>Sequin (Conor Leach) in the film 'Sequin in a Blue Room' - DOP Jay Grant</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/17/homefront/</loc><lastmod>2019-11-17T09:10:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Homefront_02.jpg</image:loc><image:title>Homefront_02</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/17/homefront/</loc><lastmod>2019-11-17T09:21:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screen-Shot-2019-11-17-at-8.14.52-pm.jpg</image:loc><image:title>Screen Shot 2019-11-17 at 8.14.52 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/27/panavision-adelaide/</loc><lastmod>2019-11-28T01:14:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/IMG_5502.jpg</image:loc><image:title>IMG_5502</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/27/panavision-adelaide/</loc><lastmod>2019-11-28T01:15:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Nic-Godoy-from-Panavision-Australia-presents-the-Large-Format-Workshop-in-Adelaide-PHOTO-JoAnne-Bouzianis-Sellick.jpg</image:loc><image:title>Nic Godoy from Panavision Australia presents the Large Format Workshop in Adelaide - PHOTO JoAnne Bouzianis-Sellick</image:title><image:caption>Nic Godoy from Panavision Australia presents the Large Format Workshop in Adelaide - PHOTO JoAnne Bouzianis-Sellick</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:45:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Cinematographer-Ben-Nott-ACS-on-location-with-Danger-Close-PHOTO-Jasin-Boland.jpg</image:loc><image:title>Cinematographer Ben Nott ACS on location with 'Danger Close' - PHOTO Jasin Boland</image:title><image:caption>Cinematographer Ben Nott ACS on location with 'Danger Close' - PHOTO Jasin Boland</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:44:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screenshot-180.png</image:loc><image:title>Screenshot (180)</image:title><image:caption>A scene from the film 'Danger Close' - DOP Ben Nott ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:39:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screenshot-181.png</image:loc><image:title>Screenshot (181)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:45:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screenshot-182.png</image:loc><image:title>Screenshot (182)</image:title><image:caption>A scene from the film 'Danger Close' - DOP Ben Nott ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:40:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screenshot-183.png</image:loc><image:title>Screenshot (183)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/11/28/danger-close/</loc><lastmod>2019-11-28T01:40:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/11/Screenshot-184.png</image:loc><image:title>Screenshot (184)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/11/01/the-ladies-lounge/</loc><lastmod>2019-12-09T04:23:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Annotation-2019-12-09-152051.jpg</image:loc><image:title>Annotation 2019-12-09 152051</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/11/01/the-ladies-lounge/</loc><lastmod>2019-12-09T04:23:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/LadiesLounge_RGB-Letter-Head-Ver2.jpeg</image:loc><image:title>LadiesLounge_RGB-Letter-Head-Ver2</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2017/11/01/the-ladies-lounge/</loc><lastmod>2019-12-09T04:34:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/download.jpg</image:loc><image:title>download</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:30:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Aurora-Australis-flickers-over-a-Tasmanian-night-sky-in-David-Attenboroughs-Tasmania-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>Aurora Australis flickers over a Tasmanian night sky in 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>Aurora Australis flickers over a Tasmanian night sky in 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:32:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Matt-Hamilton-and-Peter-Nearhos-ACS-behind-the-camera-filming-David-Attenboroughs-Tasmania-on-location-PHOTO-Damon-Heather.jpg</image:loc><image:title>Matt Hamilton and Peter Nearhos ACS (behind the camera) filming 'David Attenborough's Tasmania' on location - PHOTO Damon Heather</image:title><image:caption>Matt Hamilton and Peter Nearhos ACS (behind the camera) filming 'David Attenborough's Tasmania' on location - PHOTO Damon Heather</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:29:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Peter-Nearhos-ACS-behind-the-camera-in-the-Tasmanian-wilderness-PHOTO-Damon-Heather.jpg</image:loc><image:title>Peter Nearhos ACS behind the camera in the Tasmanian wilderness - PHOTO Damon Heather</image:title><image:caption>Peter Nearhos ACS behind the camera in the Tasmanian wilderness - PHOTO Damon Heather</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:29:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Peter-Nearhos-ACS-filming-jack-jumper-ants-at-their-nest-for-David-Attenboroughs-Tasmania-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>Peter Nearhos ACS filming jack jumper ants at their nest for 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>Peter Nearhos ACS filming jack jumper ants at their nest for 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:27:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Peter-Nearhos-ACS-films-a-White-Wallaby-for-David-Attenboroughs-Tasmania-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>Peter Nearhos ACS films a White Wallaby for 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>Peter Nearhos ACS films a White Wallaby for 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:29:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Producer-Matt-Hamilton-operating-a-Ronin-PHOTO-Peter-Nearhos-ACS.jpg</image:loc><image:title>Producer Matt Hamilton operating a Ronin - PHOTO Peter Nearhos ACS</image:title><image:caption>Producer Matt Hamilton operating a Ronin - PHOTO Peter Nearhos ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:30:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Rare-albino-Wallabies-roam-Bruny-Island-from-David-Attenboroughs-Tasmania-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>Rare albino Wallabies roam Bruny Island, from 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>Rare albino Wallabies roam Bruny Island, from 'David Attenborough's Tasmania' - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:28:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Sunset-at-Bruny-Island-Tasmania-from-David-Attenboroughs-Tasmania-L-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>Sunset at Bruny Island, Tasmania, from 'David Attenborough's Tasmania (L) - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>Sunset at Bruny Island, Tasmania, from 'David Attenborough's Tasmania (L) - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/28/tasmania/</loc><lastmod>2019-12-16T03:28:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/The-Tasmanian-Devil-is-a-nocturnal-hunter-so-for-the-day-they-need-a-place-to-rest-PHOTO-Matt-Hamilton-Terra-Mater.jpg</image:loc><image:title>The Tasmanian Devil is a nocturnal hunter, so for the day they need a place to rest - PHOTO Matt Hamilton, Terra Mater</image:title><image:caption>The Tasmanian Devil is a nocturnal hunter, so for the day they need a place to rest - PHOTO Matt Hamilton, Terra Mater</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/30/panasonic-s1h/</loc><lastmod>2019-12-16T03:47:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/new_project_14__3-2297211816-1576468071816.jpg</image:loc><image:title>new_project_14__3</image:title><image:caption>Panasonic Lumix DC-S1H Mirrorless Camera</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/30/panasonic-s1h/</loc><lastmod>2019-12-16T03:51:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/1A-Clinton-Harn-shooting-a-scene-demonstrating-the-Panasonic-LUMIX-PHOTO-Supplied.jpeg</image:loc><image:title>1A - Clinton Harn shooting a scene, demonstrating the Panasonic LUMIX - PHOTO Supplied</image:title><image:caption>Clinton Harn shooting a scene, demonstrating the Panasonic LUMIX - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/30/panasonic-s1h/</loc><lastmod>2019-12-16T03:52:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/1B-The-scene-as-shot-on-the-day-DOP-Clinton-Harn-.jpg</image:loc><image:title>1B - The scene as shot on the day - DOP Clinton Harn</image:title><image:caption>The scene as shot on the day - DOP Clinton Harn</image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/30/panasonic-s1h/</loc><lastmod>2019-12-16T03:49:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/2A-Clinton-Harn-demonstrating-the-Panasonic-LUMIX-at-a-launch-event-in-Sydney-PHOTO-Supplied.jpg</image:loc><image:title>2A - Clinton Harn demonstrating the Panasonic LUMIX at a launch event in Sydney - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2019/12/30/panasonic-s1h/</loc><lastmod>2019-12-16T03:53:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/2B-Clinton-Harn-demonstrating-the-Panasonic-LUMIX-at-a-launch-event-in-Sydney-PHOTO-Supplied.jpeg</image:loc><image:title>2B - Clinton Harn demonstrating the Panasonic LUMIX at a launch event in Sydney - PHOTO Supplied</image:title><image:caption>Clinton Harn demonstrating the Panasonic LUMIX at a launch event in Sydney - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/02/black-robe/</loc><lastmod>2019-12-16T04:34:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Aden-Sandrean-copy.jpg</image:loc><image:title>Aden &amp; Sandrean copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/02/black-robe/</loc><lastmod>2019-12-16T04:38:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Producer-Sue-Millikin-and-cinematographer-Peter-James-ACS-ASC-at-the-premier-screening-of-NFSA-Restores-Black-Robe-at-the-Melbourne-International-Film-Festival-PHOTO-Phoebe-Powell.jpg</image:loc><image:title>Producer Sue Millikin and cinematographer Peter James ACS ASC at the premier screening of NFSA Restores 'Black Robe' at the Melbourne International Film Festival - PHOTO Phoebe Powell</image:title><image:caption>Producer Sue Millikin and cinematographer Peter James ACS ASC at the premier screening of NFSA Restores 'Black Robe' at the Melbourne International Film Festival - PHOTO Phoebe Powell</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/02/black-robe/</loc><lastmod>2019-12-16T04:37:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Screenshot-258.png</image:loc><image:title>Screenshot (258)</image:title><image:caption>A scene from the digitally restored 'Black Robe' - DOP Peter James ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/02/black-robe/</loc><lastmod>2019-12-16T04:39:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Padeling-away-copy.jpg</image:loc><image:title>Padeling away copy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:59:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Alia-Shawkat-in-Animals-DOP-Bryan-Mason-Bernard-Walsh.jpg</image:loc><image:title>Alia Shawkat in 'Animals' - DOP Bryan Mason, Bernard Walsh</image:title><image:caption>Alia Shawkat in 'Animals' - DOP Bryan Mason, Bernard Walsh</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:56:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Alia-Shawkat-plays-Tyler-in-Animals-DOP-Bryan-Mason.jpg</image:loc><image:title>Alia Shawkat plays Tyler in 'Animals' - DOP Bryan Mason</image:title><image:caption>Alia Shawkat plays Tyler in 'Animals' - DOP Bryan Mason</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:57:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Bryan-Mason-and-director-Sophie-Hyde-on-the-set-of-Animals-PHOTO-Tamara-Hardman.jpg</image:loc><image:title>Cinematographer Bryan Mason and director Sophie Hyde on the set of 'Animals' - PHOTO Tamara Hardman</image:title><image:caption>Cinematographer Bryan Mason and director Sophie Hyde on the set of 'Animals' - PHOTO Tamara Hardman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:54:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Bryan-Mason-behind-the-camera-filming-a-scene-with-Holliday-Grainger-in-Animals-PHOTO-Tamara-Hardman.jpg</image:loc><image:title>Cinematographer Bryan Mason behind the camera filming a scene with Holliday Grainger in 'Animals' - PHOTO Tamara Hardman</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:57:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Holliday-Grainger-in-Animals-DOP-Bryan-Mason-PHOTO-Tamara-Hardman.jpg</image:loc><image:title>Holliday Grainger in 'Animals' - DOP Bryan Mason, PHOTO Tamara Hardman</image:title><image:caption>Holliday Grainger in 'Animals' - DOP Bryan Mason, PHOTO Tamara Hardman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:58:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Laura-Holliday-Grainger-and-Jim-Fra-Fre-in-Animals-DOP-Bryan-Mason.jpg</image:loc><image:title>Laura (Holliday Grainger) and Jim (Fra Fre) in 'Animals' - DOP Bryan Mason</image:title><image:caption>Laura (Holliday Grainger) and Jim (Fra Fre) in 'Animals' - DOP Bryan Mason</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/04/animals/</loc><lastmod>2019-12-16T04:56:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Tyler-Alia-Shawkat-and-Laura-Holliday-Grainger-in-Animals-DOP-Bryan-Mason.jpg</image:loc><image:title>Tyler (Alia Shawkat) and Laura (Holliday Grainger) in 'Animals' - DOP Bryan Mason</image:title><image:caption>Tyler (Alia Shawkat) and Laura (Holliday Grainger) in 'Animals' - DOP Bryan Mason</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/06/die-like-a-shark/</loc><lastmod>2019-12-16T05:11:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/2.-A-scene-from-Die-Like-a-Shark-DOP-Stephen-Allanson.png</image:loc><image:title>2. A scene from 'Die Like a Shark' - DOP Stephen Allanson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/06/die-like-a-shark/</loc><lastmod>2019-12-16T05:11:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-Die-Like-A-Shark-DOP-Shane-Allanson.jpg</image:loc><image:title>A scene from 'Die Like A Shark' - DOP Shane Allanson</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/06/die-like-a-shark/</loc><lastmod>2019-12-16T05:13:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/91Q8111.jpg</image:loc><image:title>_91Q8111</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/06/die-like-a-shark/</loc><lastmod>2019-12-16T05:16:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A91Q7390.jpg</image:loc><image:title>A91Q7390</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/06/die-like-a-shark/</loc><lastmod>2019-12-16T05:16:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A91Q7386.jpg</image:loc><image:title>A91Q7386</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/09/hong-kong-protests/</loc><lastmod>2019-12-16T23:33:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/image4.jpeg</image:loc><image:title>image4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/09/hong-kong-protests/</loc><lastmod>2019-12-16T23:35:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Police-storm-protestors-in-Hong-Kong-DOP-Joel-Lawrence-ACS.jpg</image:loc><image:title>Police storm protestors in Hong Kong - DOP Joel Lawrence ACS</image:title><image:caption>Police storm protesters in Hong Kong - DOP Joel Lawrence ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/09/hong-kong-protests/</loc><lastmod>2019-12-16T23:34:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Joel-Lawrence-behind-the-camera-behind-the-mask-in-Hong-Kong-PHOTO-Richie-Fowler.jpg</image:loc><image:title>Joel Lawrence behind the camera (behind the mask) in Hong Kong - PHOTO Richie Fowler</image:title><image:caption>Joel Lawrence behind the camera (behind the mask) in Hong Kong - PHOTO Richie Fowler</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-16T23:59:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Chakra-played-by-Sarm-Heng-in-the-film-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>Chakra (played by Sarm Heng) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>Chakra (played by Sarm Heng) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-16T23:58:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Chakra-Sarm-Heng-in-a-scene-from-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>Chakra (Sarm Heng) in a scene from 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>Chakra (Sarm Heng) in a scene from 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-16T23:59:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Chakra-Sarm-Heng-in-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>Chakra (Sarm Heng) in 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>Chakra (Sarm Heng) in 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-17T00:00:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Chakra-Sarm-Heng-in-the-film-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>Chakra (Sarm Heng) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>Chakra (Sarm Heng) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-16T23:59:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Michael-Latham-is-behind-the-camera-on-Buoyancy-PHOTO-Rafael-Winer.png</image:loc><image:title>Cinematographer Michael Latham is behind the camera on 'Buoyancy' - PHOTO Rafael Winer</image:title><image:caption>Cinematographer Michael Latham is behind the camera on 'Buoyancy' - PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-17T00:00:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Michael-Latham-shooting-Buoyancy-on-location-PHOTO-Rafael-Winer.png</image:loc><image:title>Cinematographer Michael Latham shooting 'Buoyancy' on location - PHOTO Rafael Winer</image:title><image:caption>Cinematographer Michael Latham shooting 'Buoyancy' on location - PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-16T23:59:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Rom-Ran-played-by-Thanawut-Kasro-in-the-film-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>Rom Ran (played by Thanawut Kasro) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>Rom Ran (played by Thanawut Kasro) in the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/25/buoyancy/</loc><lastmod>2019-12-17T00:00:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/The-trawler-at-sunset-in-a-scene-from-the-film-Buoyancy-DOP-Michael-Latham-PHOTO-Rafael-Winer.jpg</image:loc><image:title>The trawler at sunset in a scene from the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:title><image:caption>The trawler at sunset in a scene from the film 'Buoyancy' - DOP Michael Latham, PHOTO Rafael Winer</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/13/the-act/</loc><lastmod>2019-12-17T00:54:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Patricia-Arquette-left-and-Joey-King-on-the-set-of-The-Act-with-Richard-Chapelle-ACS-behind-the-camera-PHTOTO-Raymond-Jones.jpeg</image:loc><image:title>Patricia Arquette (left) and Joey King on the set of 'The Act', with Richard Chapelle ACS behind-the-camera - PHTOTO Raymond Jones</image:title><image:caption>Patricia Arquette (left) and Joey King on the set of 'The Act', with Richard Chapelle ACS behind-the-camera - PHTOTO Raymond Jones</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/16/format-at-large/</loc><lastmod>2019-12-17T01:25:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/ARRI-Australia’s-Kiran-Menon-assisting-the-cinematographers-Masterclass-PHOTO-Supplied.jpg</image:loc><image:title>ARRI Australia’s Kiran Menon assisting the cinematographers Masterclass - PHOTO Supplied</image:title><image:caption>ARRI Australia’s Kiran Menon assisting the cinematographers Masterclass - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/16/format-at-large/</loc><lastmod>2019-12-17T01:22:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/1.-Kees-van-Oostrum-ASC-lines-up-a-testshot-with-the-Alexa-LF-and-Mini-LF-during-a-Masterclass-in-Sydney-PHOTO-Patrick-van-Weeren.jpg</image:loc><image:title>1. Kees van Oostrum ASC lines up a testshot with the Alexa LF and Mini LF during a Masterclass in Sydney - PHOTO Patrick van Weeren</image:title><image:caption>Kees van Oostrum ASC lines up a testshot with the Alexa LF and Mini LF during a Masterclass in Sydney - PHOTO Patrick van Weeren</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/16/format-at-large/</loc><lastmod>2019-12-17T01:24:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Lenses-lined-up-for-comparison-PHOTO-Patrick-van-Weeren.jpeg</image:loc><image:title>Lenses lined up for comparison - PHOTO Patrick van Weeren</image:title><image:caption>Lenses lined up for comparison - PHOTO Patrick van Weeren</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:02:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS-.jpg</image:loc><image:title>A scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>A scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:03:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS.jpg</image:loc><image:title>A scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>A scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:00:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Georgina-Haig-as-Olivia-in-a-scene-from-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS.jpg</image:loc><image:title>Georgina Haig as Olivia in a scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>Georgina Haig as Olivia in a scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T01:37:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Long-Caption-See-End-of-Article.jpg</image:loc><image:title>Long Caption See End of Article</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:02:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Olivia-Georgina-Haig-in-a-scene-from-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS.jpg</image:loc><image:title>Olivia (Georgina Haig) in a scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>Olivia (Georgina Haig) in a scene from 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:03:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Olivia-Georgina-Haig-in-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS.png</image:loc><image:title>Olivia (Georgina Haig) in 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>Olivia (Georgina Haig) in 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/02/01/secret-bridesmaids-business/</loc><lastmod>2019-12-17T02:02:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Saskia-Katie-McGrath-in-Secret-Bridesmaids-Business-DOP-Tristan-Milani-ACS.jpg</image:loc><image:title>Saskia (Katie McGrath) in 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:title><image:caption>Saskia (Katie McGrath) in 'Secret Bridesmaids' Business' - DOP Tristan Milani ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T05:19:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-the-television-series-Lost-DOP-John-Bartley-ASC-CSC.jpg</image:loc><image:title>A scene from the television series 'Lost' - DOP John Bartley ASC CSC</image:title><image:caption>A scene from the television series 'Lost' - DOP John Bartley ASC CSC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T05:20:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-the-television-series-Homeland-DOP-Nelson-Cragg.jpg</image:loc><image:title>A scene from the television series 'Homeland' - DOP Nelson Cragg</image:title><image:caption>A scene from the television series 'Homeland' - DOP Nelson Cragg</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T05:19:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-the-television-series-Breaking-Bad-DO-Michael-Slovis.jpg</image:loc><image:title>A scene from the television series 'Breaking Bad' - DO) Michael Slovis</image:title><image:caption>A scene from the television series 'Breaking Bad' - DO) Michael Slovis</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T05:21:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-Television-Series-The-Handmaids-Tale-DOP-Zoë-White-ACS-1-3916138921-1576646491594.jpg</image:loc><image:title>A scene from Television Series 'The Handmaid's Tale - DOP Zoë White ACS (1)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T05:20:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-the-television-series-Love-My-Way-DOP-Louis-Irving-ACS.jpg</image:loc><image:title>A scene from the television series 'Love My Way' - DOP Louis Irving ACS</image:title><image:caption>A scene from the television series 'Love My Way' - DOP Louis Irving ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/20/top-six-television/</loc><lastmod>2019-12-18T03:35:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/A-scene-from-television-series-Crazy-Ex-Girlfriend-DOP-Todd-Dos-Reis-ASC.png</image:loc><image:title>A scene from television series 'Crazy Ex-Girlfriend' - DOP Todd Dos Reis ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/23/technicolour-adelaide/</loc><lastmod>2019-12-18T22:22:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Miranda-Tapsell-stars-in-Top-End-Wedding-DOP-Murray-Lui-PHOTO-John-Platt.jpg</image:loc><image:title>Miranda Tapsell stars in 'Top End Wedding' - DOP Murray Lui, PHOTO John Platt</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/18/between-two-worlds/</loc><lastmod>2019-12-18T22:51:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Henry-Pierce-ACS-behind-viewfinder-with-first-assistant-camera-Pim-Kulk-in-the-background-on-location-with-Between-Two-Worlds-PHOTO-Brook-Rushton.jpg</image:loc><image:title>Cinematographer Henry Pierce ACS behind viewfinder, with first assistant camera Pim Kulk in the background, on location with 'Between Two Worlds' - PHOTO Brook Rushton</image:title><image:caption>Cinematographer Henry Pierce ACS behind viewfinder, with first assistant camera Pim Kulk in the background, on location with 'Between Two Worlds' - PHOTO Brook Rushton</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/18/between-two-worlds/</loc><lastmod>2019-12-18T22:51:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Cinematographer-Henry-Pierce-ACS-checking-the-frame-on-Between-Two-Worlds-with-A-Camera-operator-Stedicam-Geoff-Owen-and-dolly-grip-Dave-Shaw-PHOTO-Brook-Rushton.jpg</image:loc><image:title>Cinematographer Henry Pierce ACS checking the frame on 'Between Two Worlds', with A-Camera operator Stedicam Geoff Owen and dolly grip Dave Shaw - PHOTO Brook Rushton</image:title><image:caption>Cinematographer Henry Pierce ACS checking the frame on 'Between Two Worlds', with A-Camera operator Stedicam Geoff Owen and dolly grip Dave Shaw - PHOTO Brook Rushton</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/18/between-two-worlds/</loc><lastmod>2019-12-18T22:50:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Dolly-grip-Dave-Shaw-A-camera-operator-and-Steadicam-Geoff-Owen-cinematographer-Henry-Pierce-ACS-and-gaffer-Steffie-Fidirikkos-PHOTO-Brook-Rushton.jpg</image:loc><image:title>Dolly grip Dave Shaw, A-camera operator and Steadicam Geoff Owen, cinematographer Henry Pierce ACS and gaffer  Steffie Fidirikkos - PHOTO Brook Rushton</image:title><image:caption>Dolly grip Dave Shaw, A-camera operator and Steadicam Geoff Owen, cinematographer Henry Pierce ACS and gaffer  Steffie Fidirikkos - PHOTO Brook Rushton</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/18/between-two-worlds/</loc><lastmod>2019-12-18T22:48:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Hermione-Norris-plays-Cate-Walford-in-Between-Two-Worlds-DOP-Henry-Pierce-ACS-PHOTO-Nicholas-Wilson.jpg</image:loc><image:title>Hermione Norris plays Cate Walford in 'Between Two Worlds' - 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A scene from 'Ascendant' - DOP Carl Robertson ACS</image:title><image:caption>A scene from 'Ascendant' - DOP Carl Robertson ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/30/ascendant/</loc><lastmod>2019-12-18T23:06:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/1.-A-scene-from-Ascendant-DOP-Carl-Robertson-ACS.png</image:loc><image:title>1. A scene from 'Ascendant' - DOP Carl Robertson ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/30/ascendant/</loc><lastmod>2019-12-18T23:12:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/STILL8.jpg</image:loc><image:title>STILL8</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/01/30/ascendant/</loc><lastmod>2019-12-18T23:12:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2019/12/Ascendant_Still_02-copy.jpg</image:loc><image:title>Ascendant_Still_02 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ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:45:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMWExOWQ3MDYtNjIzOS00ZmY0LWFlYmYtMDZhNWVhODMzZTAwXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BMWExOWQ3MDYtNjIzOS00ZmY0LWFlYmYtMDZhNWVhODMzZTAwXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:45:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BZjk4ZTllZWEtOWFjNy00ZGQwLWFjNmMtNzhhYWU0MWEyNDQyXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BZjk4ZTllZWEtOWFjNy00ZGQwLWFjNmMtNzhhYWU0MWEyNDQyXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BNzdmM2M4N2ItNGYxNi00MGY2LTg3M2ItNGMzNTkxZDU2Y2JlXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BNzdmM2M4N2ItNGYxNi00MGY2LTg3M2ItNGMzNTkxZDU2Y2JlXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BODllZDgzN2ItNTg5OC00NmVkLWE2ODMtZDVlODhmOTkzMTZmXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BODllZDgzN2ItNTg5OC00NmVkLWE2ODMtZDVlODhmOTkzMTZmXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMDg3NTI0NTUtMzVmZC00ZjU0LWFkMWQtYjEwNWRjNzIyMDgwXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BMDg3NTI0NTUtMzVmZC00ZjU0LWFkMWQtYjEwNWRjNzIyMDgwXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMzI5MTM0ZDgtNGEwMC00ZDU5LTg2NzktZGMwZDczODhhMzJmXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BMzI5MTM0ZDgtNGEwMC00ZDU5LTg2NzktZGMwZDczODhhMzJmXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMTQzNjJmNTAtMDBjZS00ZjM3LTgyZTItMDQyOTZiNTRiNTBhXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BMTQzNjJmNTAtMDBjZS00ZjM3LTgyZTItMDQyOTZiNTRiNTBhXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BZWUzZmJhNzktNWRhZS00M2FkLTgwZTgtNmVlZGNlNWI2YWJiXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BZWUzZmJhNzktNWRhZS00M2FkLTgwZTgtNmVlZGNlNWI2YWJiXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMWFhODgxMTEtYjc2NS00ZmQzLWE0ZjctZmI4YjVkN2Y3ZWM4XkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_.jpg</image:loc><image:title>MV5BMWFhODgxMTEtYjc2NS00ZmQzLWE0ZjctZmI4YjVkN2Y3ZWM4XkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:46:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/MV5BMTg5MTgyMjM4MV5BMl5BanBnXkFtZTgwMDEyODU3MjE@._V1_SY1000_CR0016301000_AL_.jpg</image:loc><image:title>MV5BMTg5MTgyMjM4MV5BMl5BanBnXkFtZTgwMDEyODU3MjE@._V1_SY1000_CR0,0,1630,1000_AL_</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/predestination/</loc><lastmod>2020-03-19T03:47:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/03/Sarah-Snook-in-Predestination-DOP-Ben-Nott-ACS-PHOTO-Ben-King.jpg</image:loc><image:title>Sarah 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Bishop</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/shooting-with-tones-and-i/</loc><lastmod>2020-05-07T04:13:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/On-location-with-Dance-Monkey-Carl-Allison-behind-the-camera-PHOTO-Filip-Konikowski.jpeg</image:loc><image:title>On location with 'Dance Monkey' (Carl Allison behind the camera) - PHOTO Filip Konikowski</image:title><image:caption>On location with 'Dance Monkey' (Carl Allison behind the camera) - PHOTO Filip Konikowski</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/shooting-with-tones-and-i/</loc><lastmod>2020-05-07T04:14:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/A-scene-from-the-video-for-Dance-Monkey-DOP-Carl-Allison.jpeg</image:loc><image:title>A scene from the video for 'Dance Monkey' - DOP Carl Allison</image:title><image:caption>A scene from the video for 'Dance Monkey' - DOP Carl 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Duhamel</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/shooting-with-tones-and-i/</loc><lastmod>2020-05-07T04:23:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Screen-Shot-2019-12-19-at-11.05.54-AM.png</image:loc><image:title>Screen Shot 2019-12-19 at 11.05.54 AM</image:title><image:caption>A shot from 'Never Seen the Rain' music video - DOP Carl Allison</image:caption></image:image></url><url><loc>https://acmag.com.au/the-child-in-a-scene-from-the-mandalorian-dop-grieg-fraser-acs-asc/</loc><lastmod>2020-05-07T04:45:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/The-Child-in-a-scene-from-The-Mandalorian-DOP-Grieg-Fraser-ACS-ASC.jpeg</image:loc><image:title>The Child in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:title><image:caption>The Child in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/shooting-with-tones-and-i/</loc><lastmod>2020-05-07T04:23:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Screen-Shot-2019-12-19-at-11.06.43-AM.png</image:loc><image:title>Screen Shot 2019-12-19 at 11.06.43 AM</image:title><image:caption>A shot from 'Never Seen the Rain' music video - DOP Carl Allison</image:caption></image:image></url><url><loc>https://acmag.com.au/werner-herzog-is-the-client-in-a-scene-from-the-mandalorian-dop-grieg-fraser-acs-asc/</loc><lastmod>2020-05-07T04:45:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Werner-Herzog-is-the-Client-in-a-scene-from-The-Mandalorian-DOP-Grieg-Fraser-ACS-ASC.jpeg</image:loc><image:title>Werner Herzog is the Client, in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:title><image:caption>Werner Herzog is the Client, in a scene from 'The Mandalorian' - DOP Grieg 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ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/pedro-pascal-is-the-madalorian-in-a-scene-from-the-mandalorian-dop-grieg-fraser-acs-asc/</loc><lastmod>2020-05-07T04:44:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Pedro-Pascal-is-the-Madalorian-in-a-scene-from-The-Mandalorian-DOP-Grieg-Fraser-ACS-ASC.jpeg</image:loc><image:title>Pedro Pascal is the Madalorian in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:title><image:caption>Pedro Pascal is the Madalorian in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-001884_r/</loc><lastmod>2020-05-07T04:43:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Director-Dave-Filoni-with-cinematographers-Greig-Fraser-ACS-ASC-and-Baz-Idoine-on-the-set-of-The-Mandalorian-PHOTO-François-Duhamel.jpg</image:loc><image:title>HUC-001884_R</image:title><image:caption>Director Dave Filoni, with cinematographers Greig Fraser ACS ASC and Baz Idoine on the set of 'The Mandalorian' - PHOTO François Duhamel</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-010046/</loc><lastmod>2020-05-07T04:44:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographers-Greig-Fraser-ACS-ASC-behind-the-camera-filming-The-Mandalorian-PHOTO-Melinda-Sue-Gordon.jpg</image:loc><image:title>HUC-010046</image:title><image:caption>Cinematographers Greig Fraser ACS ASC behind the camera, filming 'The Mandalorian' - PHOTO Melinda Sue Gordon</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-003903_r/</loc><lastmod>2020-05-07T04:43:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographers-Greig-Fraser-ACS-ASC-left-on-the-set-of-The-Mandalorian-PHOTO-François-Duhamel.jpg</image:loc><image:title>HUC-003903_R</image:title><image:caption>Cinematographers Greig Fraser ACS ASC (left) on the set of 'The Mandalorian' - PHOTO François Duhamel</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-066922/</loc><lastmod>2020-05-07T04:43:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Behind-the-scenes-on-series-The-Mandalorian-PHOTO-Melinda-Sue-Gordon.jpg</image:loc><image:title>HUC-066922</image:title><image:caption>Behind the scenes on series 'The Mandalorian' - PHOTO Melinda Sue Gordon</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-032597/</loc><lastmod>2020-05-07T04:42:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Behind-the-scenes-on-The-Mandalorian-PHOTO-Melinda-Sue-Gordon.jpg</image:loc><image:title>HUC-032597</image:title><image:caption>Behind the scenes on 'The Mandalorian' - PHOTO Melinda Sue Gordon</image:caption></image:image></url><url><loc>https://acmag.com.au/huc-008868/</loc><lastmod>2020-05-07T04:42:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Behind-the-scenes-on-The-Mandalorian-PHOTO-François-Duhamel.jpg</image:loc><image:title>HUC-008868</image:title><image:caption>Behind the scenes on 'The Mandalorian' - PHOTO François 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Mandalorian' - DOP Grieg Fraser ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-mandalorian/</loc><lastmod>2020-05-07T04:49:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Werner-Herzog-is-the-Client-in-a-scene-from-The-Mandalorian-DOP-Grieg-Fraser-ACS-ASC-1.jpeg</image:loc><image:title>Werner Herzog is the Client, in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:title><image:caption>Werner Herzog is the Client, in a scene from 'The Mandalorian' - DOP Grieg Fraser ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/ed-reiss-masochist/</loc><lastmod>2020-05-10T04:48:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/On-the-set-of-the-Masochist-video-shoot-PHOTO-Lizzie-Skyllas.jpg</image:loc><image:title>On the set of the 'Masochist' video shoot - PHOTO Lizzie Skyllas</image:title><image:caption>On the set of the 'Masochist' video shoot - PHOTO Lizzie Skyllas</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/ed-reiss-masochist/</loc><lastmod>2020-05-10T04:52:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/IMG-109.jpg</image:loc><image:title>IMG-109</image:title><image:caption>On the set of the 'Masochist' music video shoot - PHOTO Lizzie Skyllas</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/ed-reiss-masochist/</loc><lastmod>2020-05-10T04:52:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/IMG-44.jpg</image:loc><image:title>IMG-44</image:title><image:caption>On the set of the 'Masochist' music video shoot - PHOTO Lizzie Skyllas</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/ed-reiss-masochist/</loc><lastmod>2020-05-10T04:51:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/IMG-137.jpg</image:loc><image:title>IMG-137</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:53:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Shooting-a-scene-of-Rupert-Penry-Jones’-character-Dominic-Boulay-landing-his-helicopter-filmed-in-St-Albans-NSW-PHOTO-John-Platt.png</image:loc><image:title>Shooting a scene of Rupert Penry-Jones’ character, Dominic Boulay, landing his helicopter- filmed in St Albans, NSW - PHOTO John Platt</image:title><image:caption>Shooting a scene of Rupert Penry-Jones’ character, Dominic Boulay, landing his helicopter- filmed in St Albans, NSW - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:44:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographer-Earle-Dresner-ACS-on-location-with-The-Commons-PHOTO-John-Platt.png</image:loc><image:title>Cinematographer Earle Dresner ACS on location with 'The Commons' - PHOTO John Platt</image:title><image:caption>Cinematographer Earle Dresner ACS on location with 'The Commons' - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:44:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Actors-David-Lyons-and-Joanne-Froggatt-and-between-takes-on-The-Commons-PHOTO-John-Platt.png</image:loc><image:title>Actors David Lyons and Joanne Froggatt and between takes on 'The Commons' - PHOTO John Platt</image:title><image:caption>Actors David Lyons and Joanne Froggatt and between takes on 'The Commons' - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:39:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographer-Earle-Dresner-ACS-operating-A-cam-on-The-Commons-PHOTO-John-Platt.jpg</image:loc><image:title>Cinematographer Earle Dresner ACS operating A-cam on 'The Commons' - PHOTO John Platt</image:title><image:caption>Cinematographer Earle Dresner ACS operating A-cam on 'The Commons' - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:38:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographer-Earle-Dresner-behind-the-camera-with-cast-and-crew-on-location-with-The-Commons-PHOTO-John-Platt-.jpg</image:loc><image:title>Cinematographer Earle Dresner (behind the camera) with cast and crew on location with 'The Commons' - PHOTO John Platt  </image:title><image:caption>Cinematographer Earle Dresner (behind the camera) with cast and crew on location with 'The Commons' - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:43:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/CT1_-Cooke-Anamorphic.png</image:loc><image:title>CT1_ Cooke Anamorphic</image:title><image:caption>Cooke Anamorphic</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:59:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Earle-Dresner-ACS-on-the-set-of-The-Commons-PHOTO-John-Platt.png</image:loc><image:title>Earle Dresner ACS on the set of 'The Commons' - PHOTO John Platt</image:title><image:caption>Earle Dresner ACS on the set of 'The Commons' - PHOTO John Platt</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:42:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/CT1_-Leica-Sumichron-Spherical.png</image:loc><image:title>CT1_ Leica Sumichron Spherical</image:title><image:caption>Leica Sumichron Spherical</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:42:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/CT1_-Panavision-C-Series-Anamorphic.png</image:loc><image:title>CT1_ Panavision C Series Anamorphic</image:title><image:caption>Panavision C Series Anamorphic</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:42:13Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/CT1_-Primo-Artiste-Spherical.png</image:loc><image:title>CT1_ Primo Artiste Spherical</image:title><image:caption>Primo Artiste Spherical</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/the-commons/</loc><lastmod>2020-05-20T08:58:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/05/Cinematographer-Earle-Dresner-ACS-with-director-Jeffrey-Walker-on-location-with-The-Commons-PHOTO-Tony-Mott-copy.jpg</image:loc><image:title>Cinematographer Earle Dresner ACS with director Jeffrey Walker on location with 'The Commons' - PHOTO Tony Mott copy</image:title><image:caption>Cinematographer Earle Dresner ACS with director Jeffrey Walker on location with 'The Commons' - PHOTO Tony Mott</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:18:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/Stateless-letterboxed-still-Cate-2612653879-1590981481796.jpg</image:loc><image:title>Stateless letterboxed still Cate</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:19:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-27-581745691-1590981538644.jpg</image:loc><image:title>stateless framegrabs-27</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:19:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-10-2548398715-1590981572727.jpg</image:loc><image:title>stateless framegrabs-10</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:20:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-24-3148213665-1590981618389.jpg</image:loc><image:title>stateless framegrabs-24</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:20:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-23-633436162-1590981651540.jpg</image:loc><image:title>stateless framegrabs-23</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T04:01:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-19-3996762847-1590984094584.jpg</image:loc><image:title>stateless framegrabs-19</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:35:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-13-250358721-1590982544755.jpg</image:loc><image:title>stateless framegrabs-13</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:36:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-12-2045451095-1590982573163.jpg</image:loc><image:title>stateless framegrabs-12</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:44:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-16-2122768206-1590983076411.jpg</image:loc><image:title>stateless framegrabs-16</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:45:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-15-3884945140-1590983113941.jpg</image:loc><image:title>stateless framegrabs-15</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:45:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/Stateless-letterboxed-still-Yvonne-3691860085-1590983111323.jpg</image:loc><image:title>Stateless letterboxed still Yvonne</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T03:59:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/stateless-framegrabs-21-3419347246-1590983937223.jpg</image:loc><image:title>stateless framegrabs-21</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/03/01/stateless/</loc><lastmod>2020-06-01T04:09:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/06/Screen-Shot-2020-06-01-at-2.07.03-pm.png</image:loc><image:title>Screen Shot 2020-06-01 at 2.07.03 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:33:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/A-battle-scene-from-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>A battle scene from 'Mulan' - DOP Mandy Walker ACS ASC</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:38:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/A-scene-from-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>A scene from 'Mulan' - DOP Mandy Walker ACS ASC</image:title><image:caption>A scene from 'Mulan' - DOP Mandy Walker ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:37:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Filming-Mulan-on-location-director-Niki-Caro-at-centre-PHOTO-Walt-Disney-Pictures.jpg</image:loc><image:title>Filming 'Mulan' on location, director Niki Caro at centre - PHOTO Walt Disney Pictures</image:title><image:caption>Filming 'Mulan' on location, director Niki Caro at centre - PHOTO Walt Disney Pictures</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:40:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Filming-Mulan-on-location-Jason-Scott-Lee-at-centre-PHOTO-Walt-Disney-Pictures.jpg</image:loc><image:title>Filming 'Mulan' on location, Jason Scott Lee at centre - PHOTO Walt Disney Pictures</image:title><image:caption>Filming 'Mulan' on location, Jason Scott Lee at centre - PHOTO Walt Disney Pictures</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:39:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Jason-Scott-Lee-as-Bori-Khan-in-a-scene-from-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>Jason Scott Lee as Bori Khan in a scene from 'Mulan' - DOP Mandy Walker ACS ASC</image:title><image:caption>Jason Scott Lee as Bori Khan in a scene from 'Mulan' - DOP Mandy Walker ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:36:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Liu-Yifei-is-Hua-Mulan-in-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>Liu Yifei is Hua Mulan in Mulan - DOP Mandy Walker ACS ASC</image:title><image:caption>Liu Yifei is Hua Mulan in Mulan - DOP Mandy Walker ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:41:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Liu-Yifei-is-Mulan-in-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>Liu Yifei is Mulan, in 'Mulan' - DOP Mandy Walker ACS ASC</image:title><image:caption>Liu Yifei is Mulan, in 'Mulan' - DOP Mandy Walker ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/mulan/</loc><lastmod>2020-07-03T00:40:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Liu-Yifei-plays-Hua-Mulan-in-Mulan-DOP-Mandy-Walker-ACS-ASC.jpg</image:loc><image:title>Liu Yifei plays Hua Mulan in 'Mulan' - DOP Mandy Walker ACS ASC</image:title><image:caption>Liu Yifei plays Hua Mulan in 'Mulan' - DOP Mandy Walker ACS ASC</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/teaching-cinematography-online/</loc><lastmod>2020-07-06T04:42:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Abigail-Robinson_-Mafia.jpg</image:loc><image:title>Abigail Robinson_ Mafia</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/teaching-cinematography-online/</loc><lastmod>2020-07-06T04:50:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Abigail-Robinson_Set-floorplan-1.png</image:loc><image:title>Abigail Robinson_Set floorplan 1</image:title><image:caption>A student-created floorpan in Cine Tracer - DOP Abigail Robinson</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/teaching-cinematography-online/</loc><lastmod>2020-07-06T04:50:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Abigail-Robinson_Set-floorplan-3.png</image:loc><image:title>Abigail Robinson_Set floorplan 3</image:title><image:caption>A student-created floorpan in Cine Tracer - DOP Abigail Robinson</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/teaching-cinematography-online/</loc><lastmod>2020-07-06T04:43:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Jason_Morris_3_NeoNoir.png</image:loc><image:title>Jason_Morris_3_NeoNoir</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/teaching-cinematography-online/</loc><lastmod>2020-07-06T04:56:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/An-example-of-the-Cine-Tracer-interface-IMAGE-Cine-Tracer.jpg</image:loc><image:title>An example of the Cine Tracer interface - IMAGE Cine Tracer</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:55:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-7.png</image:loc><image:title>Screenshot (7)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:55:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-6.png</image:loc><image:title>Screenshot (6)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:55:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-5.png</image:loc><image:title>Screenshot (5)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:55:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-4.png</image:loc><image:title>Screenshot (4)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:55:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-3.png</image:loc><image:title>Screenshot (3)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:56:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-2.png</image:loc><image:title>Screenshot (2)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:56:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Screenshot-1.png</image:loc><image:title>Screenshot (1)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/o-homem-cordial/</loc><lastmod>2020-07-08T09:59:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/Paulo-Miklos-in-a-scene-from-O-Homem-Cordial-DOP-Pablo-Baião.jpg</image:loc><image:title>Paulo Miklos in a scene from 'O Homem Cordial' - DOP Pablo Baião</image:title><image:caption>Paulo Miklos in a scene from 'O Homem Cordial' - DOP Pablo Baião</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/bender/</loc><lastmod>2020-07-10T06:40:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/5.-A-scene-from-short-film-Bender-DOP-Alex-Cardy.jpg</image:loc><image:title>5. A scene from short film 'Bender' - DOP Alex Cardy</image:title><image:caption>A scene from short film 'Bender' - DOP Alex Cardy</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/bender/</loc><lastmod>2020-07-10T06:38:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/4.-A-scene-from-short-film-Bender-DOP-Alex-Cardy.jpg</image:loc><image:title>4. A scene from short film 'Bender' - DOP Alex Cardy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/bender/</loc><lastmod>2020-07-10T06:39:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/2.-A-scene-from-short-film-Bender-DOP-Alex-Cardy.jpg</image:loc><image:title>2. A scene from short film 'Bender' - DOP Alex Cardy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/bender/</loc><lastmod>2020-07-10T06:39:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/1.-A-scene-from-short-film-Bender-DOP-Alex-Cardy.jpg</image:loc><image:title>1. A scene from short film 'Bender' - DOP Alex Cardy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/bender/</loc><lastmod>2020-07-10T06:40:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/07/3.-A-scene-from-short-film-Bender-DOP-Alex-Cardy.jpg</image:loc><image:title>3. A scene from short film 'Bender' - DOP Alex Cardy</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:02:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Cinematogrpaher-Josh-Mckie-behing-the-camera-on-K-12-PHOTO-Supplied.jpg</image:loc><image:title>Cinematogrpaher Josh Mckie behing the camera on 'K-12' - PHOTO Supplied</image:title><image:caption>Cinematogrpaher Josh Mckie behing the camera on 'K-12' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:06:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.40.43-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.40.43 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:06:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.40.34-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.40.34 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:06:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.40.17-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.40.17 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:05:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.40.06-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.40.06 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:07:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.39.44-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.39.44 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:07:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.39.33-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.39.33 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:08:47Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.39.13-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.39.13 pm</image:title><image:caption>Behing-the-scenes on 'K-12' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:05:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.38.57-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.38.57 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:05:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.38.42-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.38.42 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:05:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.38.24-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.38.24 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/k12/</loc><lastmod>2020-08-01T04:05:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-01-at-1.38.08-pm.png</image:loc><image:title>Screen Shot 2020-08-01 at 1.38.08 pm</image:title><image:caption>A scene from 'K-12' - DOP Josh Mckie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:10:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/1.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>1. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:23:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/3.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>3. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption>A scene from 'By the River' - DOP Caleb Ware</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:11:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/2.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>2. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:12:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/4.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>4. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:12:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/5.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>5. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/by-the-river/</loc><lastmod>2020-08-01T04:20:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/6.-A-scene-from-By-the-River-DOP-Caleb-Ware.png</image:loc><image:title>6. A scene from 'By the River' - DOP Caleb Ware</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:08:50Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Jen-Christina-Appplegate-and-Charlie-Sam-Mccarthy-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Saeed-Adyani.jpg</image:loc><image:title>Jen (Christina Appplegate) and Charlie (Sam Mccarthy) in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:title><image:caption>Jen (Christina Appplegate) and Charlie (Sam Mccarthy) in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T05:58:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Screen-Shot-2020-08-11-at-3.55.45-pm.png</image:loc><image:title>Screen Shot 2020-08-11 at 3.55.45 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:12:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Brandon-Scott-as-Detective-Nick-Prager-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Saeed-Adyani.jpg</image:loc><image:title>Brandon Scott as Detective Nick Prager in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:title><image:caption>Brandon Scott as Detective Nick Prager in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:09:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Linda-Cardellini-and-Christina-Applegate-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Saeed-Adyani.jpg</image:loc><image:title>Linda Cardellini and Christina Applegate in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:title><image:caption>Linda Cardellini and Christina Applegate in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Saeed Adyani</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:13:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Linda-Cardellini-as-Judy-and-Christina-Applegate-as-Jen-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Netflix.jpg</image:loc><image:title>Linda Cardellini as Judy and Christina Applegate as Jen in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:title><image:caption>Linda Cardellini as Judy and Christina Applegate as Jen in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:12:09Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/NEW-PHOTO-Sam-McCarthy-plays-Charlie-Harding-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Netflix.jpg</image:loc><image:title>NEW PHOTO - Sam McCarthy plays Charlie Harding in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:title><image:caption>Sam McCarthy plays Charlie Harding in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:11:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Linda-Cardellini-and-Christina-Applegate-in-a-scene-from-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Netflix.jpg</image:loc><image:title>Linda Cardellini and Christina Applegate in a scene from season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:title><image:caption>Linda Cardellini and Christina Applegate in a scene from season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:11:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Christina-Applegate-as-Jen-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Netflix.jpg</image:loc><image:title>Christina Applegate as Jen in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:title><image:caption>Christina Applegate as Jen in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Netflix</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/dead-to-me/</loc><lastmod>2020-08-11T06:14:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Sam-McCarthy-as-Charlie-in-season-two-of-Dead-to-Me-DOP-Toby-Oliver-ACS-PHOTO-Supplied.jpg</image:loc><image:title>Sam McCarthy as Charlie in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Supplied</image:title><image:caption>Sam McCarthy as Charlie in season two of 'Dead to Me' - DOP Toby Oliver ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:26:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-scene-from-the-short-film-Awoken-DOP-Michael-Tessari.png</image:loc><image:title>A scene from the short film 'Awoken' - DOP Michael Tessari</image:title><image:caption>A scene from the short film 'Awoken' - DOP Michael Tessari</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:27:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Cinematographer-Michael-Tessari-in-a-elevator-shaft-with-safety-supervisor-Richard-Boue-on-location-for-Awoken-PHOTO-Supplied.jpg</image:loc><image:title>Cinematographer Michael Tessari in a elevator shaft with safety supervisor Richard Boue on location for 'Awoken' - PHOTO Supplied</image:title><image:caption>Cinematographer Michael Tessari in a elevator shaft with safety supervisor Richard Boue on location for 'Awoken' - PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:24:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-scene-from-Awoken-DOP-Michael-Tessari.png</image:loc><image:title>A scene from 'Awoken' - DOP Michael Tessari</image:title><image:caption>A scene from 'Awoken' - DOP Michael Tessari</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:25:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Michael-Tessari-films-actress-Sara-West-for-the-film-Awoken-Leigh-Kenyon-on-sound-PHOTO-Ian-Routledge.jpg</image:loc><image:title>Michael Tessari films actress Sara West for the film 'Awoken', Leigh Kenyon on sound- PHOTO Ian Routledge</image:title><image:caption>Michael Tessari films actress Sara West for the film 'Awoken', Leigh Kenyon on sound- PHOTO Ian Routledge</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:16:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Cinematographer-Michael-Tessari-and-gaffer-Robertto-Karas-chat-about-an-upcoming-shot-PHOTO-Ian-Routledge.jpg</image:loc><image:title>Cinematographer Michael Tessari and gaffer Robertto Karas chat about an upcoming shot - PHOTO Ian Routledge</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/awoken/</loc><lastmod>2020-08-12T01:17:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-scene-from-the-film-Awoken-DOP-Michael-Tessari.jpg</image:loc><image:title>A scene from the film 'Awoken' - DOP Michael Tessari</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T02:03:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/maxresdefault.jpeg</image:loc><image:title>maxresdefault</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:07:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Emily-Mortimer-films-a-scene-in-Relic-with-Steadicam-operator-Harry-Panagiotidis-PHOTO-Jackson-Finter.jpg</image:loc><image:title>Emily Mortimer films a scene in 'Relic', with Steadicam operator Harry Panagiotidis - PHOTO Jackson Finter</image:title><image:caption>Emily Mortimer films a scene in 'Relic', with Steadicam operator Harry Panagiotidis - PHOTO Jackson Finter</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:01:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Cinematographer-Charlie-Sarroff-films-Robyn-Nevin-in-a-scene-for-Relic-PHOTO-Jackson-Finter.jpg</image:loc><image:title>Cinematographer Charlie Sarroff films Robyn Nevin in a scene for 'Relic' - PHOTO Jackson Finter</image:title><image:caption>Cinematographer Charlie Sarroff films Robyn Nevin in a scene for 'Relic' - PHOTO Jackson Finter</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:08:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-scene-from-the-film-Relic-DOP-Charlie-Sarroff.jpg</image:loc><image:title>A scene from the film 'Relic' - DOP Charlie Sarroff</image:title><image:caption>A scene from the film 'Relic' - DOP Charlie Sarroff</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:08:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-scene-from-Relic-DOP-Charlie-Sarroff.jpg</image:loc><image:title>A scene from 'Relic' - DOP Charlie Sarroff</image:title><image:caption>A scene from 'Relic' - DOP Charlie Sarroff</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:06:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Bella-Heathcote-in-a-scene-from-Relic-DOP-Charlie-Sarroff-2369997249-1597374384208.jpg</image:loc><image:title>Bella Heathcote in a scene from 'Relic' - DOP Charlie Sarroff</image:title><image:caption>Sam (Bella Heathcote) in a scene from the film 'Relic' - DOP Charlie Sarroff</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/relic/</loc><lastmod>2020-08-14T03:04:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Robyn-Nevin-in-a-scene-from-Relic-DOP-Charlie-Sarroff-828331423-1597374223448.jpg</image:loc><image:title>Robyn-Nevin-in-a-scene-from-Relic-DOP-Charlie-Sarroff.jpg</image:title><image:caption>Edna (Robyn Nevin) in a scene from the film 'Relic' - DOP Charlie Sarroff</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-17T06:09:17Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_BTS_03.jpg</image:loc><image:title>A001_C028_0901PB</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-17T06:11:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_BTS_11.jpg</image:loc><image:title>CloudyRiver_BTS_11</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/cloudyriver_hero_06_sml/</loc><lastmod>2020-08-17T06:14:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Hero_06_sml.jpg</image:loc><image:title>CloudyRiver_Hero_06_sml</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/cloudyriver_hero_07_sml/</loc><lastmod>2020-08-17T06:16:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Hero_07_sml.jpg</image:loc><image:title>CloudyRiver_Hero_07_sml</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:23:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Hero_06_sml-1.jpg</image:loc><image:title>CloudyRiver_Hero_06_sml</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:23:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Hero_07_sml-1.jpg</image:loc><image:title>CloudyRiver_Hero_07_sml</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:24:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Supporting_08_sml.jpg</image:loc><image:title>CloudyRiver_Supporting_08_sml</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:24:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/CloudyRiver_Supporting_16.jpg</image:loc><image:title>CloudyRiver_Supporting_16</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:24:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Emma-Rebecca-Robertson-in-Cloudy-River-DOP-Jack-ShepherdSpencer-Frost.jpg</image:loc><image:title>Emma (Rebecca Robertson) in 'Cloudy River' - DOP Jack Shepherd:Spencer Frost</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/cloudy-river/</loc><lastmod>2020-08-18T00:25:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/River-Rowan-Davie-Emma-Rebecca-Robertson-and-Holly-Indigo-Sparke-in-Cloudy-River-DOP-Jack-Shepherd.jpg</image:loc><image:title>River (Rowan Davie), Emma (Rebecca Robertson) and Holly (Indigo Sparke) in 'Cloudy River' - DOP Jack Shepherd</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T04:39:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Rob-Lowe-plays-Captain-Owen-Strand-in-the-series-9-1-1-Lone-Star-DOP-Andrew-Strahorn.jpg</image:loc><image:title>Rob Lowe plays Captain Owen Strand in the series '9-1-1 Lone Star' - DOP Andrew Strahorn</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:36:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Liv-Tyler-in-a-scene-from-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>Liv Tyler in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption>Liv Tyler in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T04:39:46Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Julian-Works-Natacha-Karam-and-Brian-Smith-in-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>Julian Works, Natacha Karam and Brian Smith in '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:33:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Rafael-Silva-in-a-scene-from-9-1-1-Lone-Star-DOP-Andrew-Strahorn.jpg</image:loc><image:title>Rafael Silva in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn</image:title><image:caption>Rafael Silva in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:31:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Rob-Lowe-in-a-scene-from-9-1-1-Lone-Star-DOP-Andrew-Strahorn.jpg</image:loc><image:title>Rob Lowe in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn</image:title><image:caption>Rob Lowe in a scene from '9-1-1 Lone Star' - DOP Andrew Strahorn</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:32:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Julian-Works-Rob-Lowe-Natacha-Karam-Brian-Smith-and-Ronen-Rubinstein-in-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>Julian Works, Rob Lowe, Natacha Karam, Brian Smith and Ronen Rubinstein in '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption>Julian Works, Rob Lowe, Natacha Karam, Brian Smith and Ronen Rubinstein in '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:32:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/A-rescue-scene-from-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>A rescue scene from '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption>A rescue scene from '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T04:40:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Rob-Lowe-Jim-Parrack-and-Rafael-Silva-in-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>Rob Lowe, Jim Parrack, and Rafael Silva in '9-1-1 Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/911-lone-star/</loc><lastmod>2020-08-20T05:37:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Rob-Lowe-center-in-a-scene-from-9-1-1-Lone-Star-DOP-Andrew-Strahorn-PHOTO-Jack-Zeman.jpg</image:loc><image:title>Rob Lowe (center) in a scene from 9-1-1 'Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:title><image:caption>Rob Lowe (center) in a scene from 9-1-1 'Lone Star' - DOP Andrew Strahorn, PHOTO Jack Zeman</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/steadicam/</loc><lastmod>2020-08-21T02:06:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Toby-Phillips-on-the-set-of-The-Bounty-in-1984-with-an-ARRI-BL3-on-the-Steadicam-PHOTO-Supplied.jpg</image:loc><image:title>Toby Phillips</image:title><image:caption>The Bounty ARI 35BL with JDC Anamorphic</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/steadicam/</loc><lastmod>2020-08-21T02:08:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Toby-Phillips-Douglas-Milsome-BSC-ASC-and-Steadicam-inventor-Garrett-Brown-on-location-with-Barbara-Streisands-Yentl-PHOTO-Supplied.jpg</image:loc><image:title>Toby Phillips, Douglas Milsome BSC ASC and Steadicam inventor Garrett Brown on location with Barbara Streisand's 'Yentl' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/steadicam/</loc><lastmod>2020-08-21T02:24:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Toby-Phillips-and-grips-on-a-vehicle-wide-shot-in-Coolangatta-Gold-in-1984-PHOTO-Supplied.jpg</image:loc><image:title>Toby Phillips</image:title><image:caption>Shooting the iconic Australian film 'Coolangatta Gold' on the Gold Coast in 1983 - PHOTO Toby Phillips</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/steadicam/</loc><lastmod>2020-08-21T02:12:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Ian-Jones-ACS-and-Harry-Panagiotidis-together-on-standby-while-filming-Coolangatta-Gold-in-1984-PHOTO-Supplied.jpg</image:loc><image:title>Ian Jones ACS and Harry Panagiotidis on set</image:title><image:caption>Ian Jones ACS and Harry Panagiotidis on set</image:caption></image:image></url><url><loc>https://acmag.com.au/collection-of-polaroids-of-toby-phillips-on-sets-all-over-the-world-courtesy-toby-phillips-copy/</loc><lastmod>2020-08-21T02:31:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/Collection-of-Polaroids-of-Toby-Phillips-on-sets-all-over-the-world-COURTESY-Toby-Phillips-copy.jpeg</image:loc><image:title>Collection of Polaroids of Toby Phillips on sets all over the world - COURTESY Toby Phillips copy</image:title><image:caption>Collection of Polaroids of Toby Phillips on sets all over the world - COURTESY Toby Phillips</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/hook-up/</loc><lastmod>2020-08-31T00:58:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/3.-A-scene-from-short-film-Hook-Up-DOP-Emma-Paine.jpeg</image:loc><image:title>3. A scene from short film 'Hook Up' - DOP Emma Paine</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/hook-up/</loc><lastmod>2020-08-31T00:59:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/1.-A-scene-from-short-film-Hook-Up-DOP-Emma-Paine.jpeg</image:loc><image:title>1. A scene from short film 'Hook Up' - DOP Emma Paine</image:title><image:caption>A scene from short film 'Hook Up' - DOP Emma Paine</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/06/01/hook-up/</loc><lastmod>2020-08-31T00:58:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/08/2.-A-scene-from-short-film-Hook-Up-DOP-Emma-Paine.jpeg</image:loc><image:title>2. A scene from short film 'Hook Up' - DOP Emma Paine</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:31:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Josh-Hartnett-and-Bridget-Regan-in-a-scene-from-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>Josh Hartnett and Bridget Regan in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption>Josh Hartnett and Bridget Regan in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:29:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Nick-Nolte-and-Barbara-Hershey-in-a-scene-from-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>Nick Nolte and Barbara Hershey in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption>Nick Nolte and Barbara Hershey in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:30:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Josh-Hartnett-plays-Yates-in-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>Josh Hartnett plays Yates in 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption>Josh Hartnett plays Yates in 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:30:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Barbara-Hershey-and-Bridget-Regan-in-a-scene-from-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>Barbara Hershey and Bridget Regan in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption>Barbara Hershey and Bridget Regan in a scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:12:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/A-scene-from-the-series-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>A scene from the series 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/paradise-lost/</loc><lastmod>2020-09-02T05:28:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/A-scene-from-Paradise-Lost-DOPs-Nicola-Daley-ACS-and-Alan-Caso-ASC-PHOTO-Eliot-Brasseaux.jpg</image:loc><image:title>A scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:title><image:caption>A scene from 'Paradise Lost' - DOPs Nicola Daley ACS and Alan Caso ASC, PHOTO Eliot Brasseaux</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/shepherds-pie/</loc><lastmod>2020-09-03T01:11:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/1.-A-scene-from-short-film-Shepherds-Pie-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>1. A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/shepherds-pie/</loc><lastmod>2020-09-03T01:11:40Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/2.-A-scene-from-short-film-Shepherds-Pie-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>2. A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/shepherds-pie/</loc><lastmod>2020-09-03T01:14:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/3.-A-scene-from-short-film-Shepherds-Pie-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>3. A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:title><image:caption>A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/shepherds-pie/</loc><lastmod>2020-09-03T01:12:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/8.-A-scene-from-short-film-Shepherds-Pie-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>8. A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/07/01/shepherds-pie/</loc><lastmod>2020-09-03T01:12:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/9.-A-scene-from-short-film-Shepherds-Pie-DOP-Hossein-Khodabandehloo.jpg</image:loc><image:title>9. A scene from short film 'Shepherd's Pie' - DOP Hossein Khodabandehloo</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/02/fujinon-premista-lenses/</loc><lastmod>2020-09-03T03:13:05Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Ari-Robbins-SOC-3-Steadicam.jpeg</image:loc><image:title>Ari Robbins, SOC 3 - Steadicam</image:title><image:caption>Ari Robbins, SOC 3 - Steadicam</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/02/fujinon-premista-lenses/</loc><lastmod>2020-09-03T03:12:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Screen-Shot-2020-09-03-at-1.06.57-pm.png</image:loc><image:title>Screen Shot 2020-09-03 at 1.06.57 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/03/lumix-s5/</loc><lastmod>2020-09-03T03:39:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Screen-Shot-2020-09-03-at-1.35.32-pm.png</image:loc><image:title>Screen Shot 2020-09-03 at 1.35.32 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/03/lumix-s5/</loc><lastmod>2020-09-03T03:43:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/fullRes_toddUsingCamera_200808_052.jpg</image:loc><image:title>fullRes_toddUsingCamera_200808_052</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:48:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/felony_068a80.jpg</image:loc><image:title>felony_068a80</image:title><image:caption>Tom Wilkinson in 'Felony' - DOP</image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:45:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/felony_417868.jpg</image:loc><image:title>felony_417868</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:38:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/felony_c6Fks4.jpg</image:loc><image:title>felony_c6Fks4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:46:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/felony_FBMe22.jpg</image:loc><image:title>felony_FBMe22</image:title><image:caption>Jai Courtney in a scene from 'Felony' - DOP Mark Wareham ACS, PHOTO Mark Rogers</image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:50:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Joel-Edgerton-and-Jai-Courtney-in-Felony-2013.jpg</image:loc><image:title>Joel Edgerton and Jai Courtney in Felony (2013)</image:title><image:caption>Joel Edgerton and Jai Courtney in Felony (2013)</image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:49:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Joel-Edgerton-and-Melissa-George-in-Felony-2013.jpg</image:loc><image:title>Joel Edgerton and Melissa George in Felony (2013)</image:title><image:caption>Joel Edgerton and Melissa George in Felony (2013)</image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:39:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Joel-Edgerton-in-Felony-2013.jpg</image:loc><image:title>Joel Edgerton in Felony (2013)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2014/09/01/felony/</loc><lastmod>2020-09-29T05:39:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Joel-Edgerton-Tom-Wilkinson-and-Jai-Courtney-in-Felony-2013.jpg</image:loc><image:title>Joel Edgerton, Tom Wilkinson, and Jai Courtney in Felony (2013)</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T08:44:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Elle-Fanninng-shot-on-set-with-film-and-drum-scanned-PHOTO-John-Brawley..jpg</image:loc><image:title>Elle Fanninng, shot on set with film and drum scanned - PHOTO John Brawley.</image:title><image:caption>Elle Fanninng, shot on set with film and drum scanned - PHOTO John Brawley</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:22:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Nicholas-Hoult-as-Peter-in-a-scene-from-The-Great-DOP-John-Brawley-PHOTO-Supplied.jpg</image:loc><image:title>Nicholas Hoult as Peter in a scene from 'The Great' - DOP John Brawley, PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:23:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Nicholas-Hoult-as-Peter-in-The-Great-DOP-John-Brawley-PHOTO-Supplied.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:24:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Filming-on-location-with-The-Great-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>Filming on location with 'The Great' - IMAGE Hulu_MRC Television</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:25:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Elle-Fanning-is-Catherine-the-Great-in-The-Great-DOP-John-Brawley-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:26:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Elle-Fanning-shooting-a-scene-in-The-Great-PHOTO-Nick-Wall.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great -- "The Great" - Episode 101 - In 1761, Catherine travels to Russia and becomes the Empress by marrying the Emperor of Russia, Peter. With hopes of marrying a great love, Catherine soon realizes Peter is a selfish brat who stands against everything she values. Catherine is feeling hopeless and verging on suicide when her servant, Marial, presents her with an alternative path ñ to overthrow Peter. Catherine (Elle Fanning), shown. (Photo by: Nick Wall/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:27:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Filming-The-Great-on-location-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>Filming 'The Great' on location - IMAGE Hulu_MRC Television</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T08:20:39Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Catherine-Elle-Fanning-and-Peter-Nicholas-Holt-in-series-The-Great-DOP-John-Brawley-PHOTO-Nick-Wall.jpeg</image:loc><image:title>Catherine (Elle Fanning) and Peter (Nicholas Holt) in series 'The Great' - DOP John Brawley, PHOTO Nick Wall</image:title><image:caption>Catherine (Elle Fanning) and Peter (Nicholas Holt) in series 'The Great' - DOP John Brawley, PHOTO Nick Wall</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:30:24Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Catherine-Elle-Fanning-and-Peter-Nicholas-Holt-in-The-Great-DOP-John-Brawley-PHOTO-Nick-Wall.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great -- "The Great" - Episode 101 - In 1761, Catherine travels to Russia and becomes the Empress by marrying the Emperor of Russia, Peter. With hopes of marrying a great love, Catherine soon realizes Peter is a selfish brat who stands against everything she values. Catherine is feeling hopeless and verging on suicide when her servant, Marial, presents her with an alternative path ñ to overthrow Peter. Catherine (Elle Fanning) and Peter (Nicholas Holt), shown. (Photo by: Nick Wall/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:32:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Behind-the-scenes-on-The-Great-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>Behind the scenes on 'The Great' - IMAGE Hulu_MRC Television</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:33:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Actors-Nicholas-Hoult-and-Douglas-Hodge-filming-a-scene-in-The-Great-PHOTO-Nick-Wall.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great -- "The Great" - Episode 101 - In 1761, Catherine travels to Russia and becomes the Empress by marrying the Emperor of Russia, Peter. With hopes of marrying a great love, Catherine soon realizes Peter is a selfish brat who stands against everything she values. Catherine is feeling hopeless and verging on suicide when her servant, Marial, presents her with an alternative path ñ to overthrow Peter. Peter (Nicholas Hoult) and Velementov (Douglas Hodge), shown. (Photo by: Nick Wall/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:35:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Catherine-Elle-Fanning-and-Orlo-Sacha-Dhawan-in-The-Great-DOP-John-Brawley-PHOTO-Ollie-Upton.jpg</image:loc><image:title>Peter The Great Day</image:title><image:caption>The Great -- "Peter The Great Day" - Episode 103 -- Catherine, Orlo and Marial continue their coup planning. They try to recruit an unhappy military general, Velementov, for their cause during palace celebrations honoring Peterís late father, Peter the Great. Peter, noting Catherineís unhappiness at court, gifts Catherine a sterile lover, Leo. Sheís hesitant at first, but Leo manages to charm her. Catherine (Elle Fanning) and Orlo (Sacha Dhawan), shown. (Photo by: Ollie Upton/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T08:23:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Between-takes-on-The-Great-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>Between takes on 'The Great' - IMAGE Hulu_MRC Television</image:title><image:caption>Between takes on 'The Great' - IMAGE Hulu_MRC Television</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:38:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/A-two-camera-setup-behind-the-scenes-on-The-Great-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>A two camera setup, behind the scenes on 'The Great' - IMAGE Hulu_MRC Television</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T08:25:18Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Nicholas-Hoult-is-Peter-III-of-Russia-in-The-Great-DOP-John-Brawley-IMAGE-Hulu_MRC-Television.jpg</image:loc><image:title>Nicholas Hoult is Peter III of Russia in 'The Great' - DOP John Brawley, IMAGE Hulu_MRC Television</image:title><image:caption>Nicholas Hoult is Peter III of Russia in 'The Great' - DOP John Brawley, IMAGE Hulu_MRC Television</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:40:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Peter-Nicholas-Hoult-and-Catherine-Elle-Fanning-in-a-scene-from-series-The-Great-DOP-John-Brawley-PHOTO-Nick-Wall.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great -- "The Great" - Episode 101 - In 1761, Catherine travels to Russia and becomes the Empress by marrying the Emperor of Russia, Peter. With hopes of marrying a great love, Catherine soon realizes Peter is a selfish brat who stands against everything she values. Catherine is feeling hopeless and verging on suicide when her servant, Marial, presents her with an alternative path ñ to overthrow Peter. Peter (Nicholas Hoult) and Catherine (Elle Fanning), shown. (Photo by: Nick Wall/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:41:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Peter-Nicholas-Hoult-Arkady-Bayo-Gbadamosi-Grigor-Gwilym-Lee-and-Georgina-Charity-Wakefield-in-The-Great-DOP-John-Brawley-PHOTO-Ollie-Upton.jpg</image:loc><image:title>Peter The Great Day</image:title><image:caption>The Great -- "Peter The Great Day" - Episode 103 -- Catherine, Orlo and Marial continue their coup planning. They try to recruit an unhappy military general, Velementov, for their cause during palace celebrations honoring Peterís late father, Peter the Great. Peter, noting Catherineís unhappiness at court, gifts Catherine a sterile lover, Leo. Sheís hesitant at first, but Leo manages to charm her. Peter (Nicholas Hoult), Arkady (Bayo Gbadamosi), Grigor (Gwilym Lee) and Georgina (Charity Wakefield), shown. (Photo by: Ollie Upton/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T06:42:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/TGR_001_6051_NW_20181210RT_f.jpg</image:loc><image:title>The Great</image:title><image:caption>The Great -- "The Great" - Episode 101 - In 1761, Catherine travels to Russia and becomes the Empress by marrying the Emperor of Russia, Peter. With hopes of marrying a great love, Catherine soon realizes Peter is a selfish brat who stands against everything she values. Catherine is feeling hopeless and verging on suicide when her servant, Marial, presents her with an alternative path  to overthrow Peter. Orlo (Sacha Dhawan) and Catherine (Elle Fanning), shown. (Photo by: Nick Wall/Hulu)</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/the-great/</loc><lastmod>2020-09-30T08:44:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/09/Nicholas-Hoult-shot-on-set-with-film-and-drum-scanned-PHOTO-John-Brawley.jpg</image:loc><image:title>Nicholas Hoult, shot on set with film and drum scanned - PHOTO John Brawley</image:title><image:caption>Nicholas Hoult, shot on set with film and drum scanned - PHOTO John Brawley</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T01:48:20Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/1A.-A-scene-from-the-series-Boca-a-Boca-DOP-Azul-Serra.jpg</image:loc><image:title>1A. A scene from the series 'Boca a Boca' - DOP Azul Serra</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T01:59:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/2B.-A-scene-from-the-series-Boca-a-Boca-DOP-Azul-Serra.png</image:loc><image:title>2B. A scene from the series 'Boca a Boca' - DOP Azul Serra</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T02:02:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/2A.-A-scene-from-the-series-Boca-a-Boca-DOP-Azul-Serra.jpg</image:loc><image:title>2A. A scene from the series 'Boca a Boca' - DOP Azul Serra</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T02:05:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/1B.-A-scene-from-the-series-Boca-a-Boca-DOP-Azul-Serra.jpg</image:loc><image:title>1B. A scene from the series 'Boca a Boca' - DOP Azul Serra</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T02:22:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Screen-Shot-2020-10-03-at-12.21.28-pm.jpeg</image:loc><image:title>Screen Shot 2020-10-03 at 12.21.28 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T02:23:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Screen-Shot-2020-10-03-at-12.19.51-pm.jpeg</image:loc><image:title>Screen Shot 2020-10-03 at 12.19.51 pm</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/boca-a-boca/</loc><lastmod>2020-10-03T02:43:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/BAB_220719_5610.jpg</image:loc><image:title>BAB_220719_5610</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:03:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Helen-Tilda-Cobham-Hervey-and-Lilian-Danielle-Macdonald-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Helen (Tilda Cobham-Hervey) and Lilian (Danielle Macdonald) in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:16:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Director-Unjoo-Moon-and-cinematographer-Dion-Beebe-ACS-ASC-discussing-a-shot-PHOTO-HughHamilton49.jpg</image:loc><image:title>Director Unjoo Moon and cinematographer Dion Beebe ACS ASC discussing a shot - PHOTO HughHamilton49</image:title><image:caption>Director Unjoo Moon and cinematographer Dion Beebe ACS ASC discussing a shot - PHOTO HughHamilton49</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:10:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Tilda-Cobham-Hervey-as-Helen-Reddy-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Tilda Cobham-Hervey as Helen Reddy in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:13:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Tilda-Cobham-Hervey-Helen-Reddy-Danielle-MacDonald-Lillian-Roxon-and-crew-PHOTO-Hugh-Hamilton.jpg</image:loc><image:title>Tilda Cobham-Hervey (Helen Reddy), Danielle MacDonald (Lillian Roxon) and crew - PHOTO Hugh Hamilton</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:17:23Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/CinematographerDion-Beebe-ACS-ASC-and-gaffer-Steve-Daley-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>CinematographerDion Beebe ACS ASC and gaffer Steve Daley - PHOTO Lisa Tomasetti</image:title><image:caption>CinematographerDion Beebe ACS ASC and gaffer Steve Daley - PHOTO Lisa Tomasetti</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:18:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Helen-Tilda-Cobham-Hervey-and-Jeff-Evan-Peters-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Helen (Tilda Cobham-Hervey) and Jeff (Evan Peters) in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Lisa Tomasetti</image:title><image:caption>Helen (Tilda Cobham-Hervey) and Jeff (Evan Peters) in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Lisa Tomasetti</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:23:10Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Evan-Peters-as-Jeff-Wald-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Evan Peters as Jeff Wald in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:24:54Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Tilda-Cobham-Hervey-plays-Helen-Reddy-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Supplied.jpg</image:loc><image:title>Tilda Cobham-Hervey plays Helen Reddy in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:26:30Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Tilda-Cobham-Hervey-plays-Helen-Reddy-in-the-film-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Supplied.jpg</image:loc><image:title>Tilda Cobham-Hervey plays Helen Reddy in the film 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:19:27Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Helen-Reddy-Tilda-Cobham-Hervey-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Supplied.jpg</image:loc><image:title>Helen Reddy (Tilda Cobham-Hervey) in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:title><image:caption>Helen Reddy (Tilda Cobham-Hervey) in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T22:31:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Cinematographer-Dion-Beebe-ACS-ASC-behind-the-camera-on-I-Am-Woman-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Cinematographer Dion Beebe ACS ASC behind the camera on 'I Am Woman' - PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:23:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Tilda-Cobham-Hervey-as-Helen-Reddy-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Supplied.jpeg</image:loc><image:title>Tilda Cobham-Hervey as Helen Reddy in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:title><image:caption>Tilda Cobham-Hervey as Helen Reddy in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/i-am-woman/</loc><lastmod>2020-10-04T23:17:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Helen-Reddy-Tilda-Cobham-Hervey-signs-autographs-in-I-Am-Woman-DOP-Dion-Beebe-ACS-ASC-PHOTO-Supplied.jpg</image:loc><image:title>Helen Reddy (Tilda Cobham-Hervey) signs autographs in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:title><image:caption>Helen Reddy (Tilda Cobham-Hervey) signs autographs in 'I Am Woman' - DOP Dion Beebe ACS ASC, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:09:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Milla-Eliza-Scanlen-in-a-scene-from-the-film-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Milla (Eliza Scanlen) in a scene from the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:09:44Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Moses-Toby-Wallace-and-Milla-Eliza-Scanlen-in-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Moses (Toby Wallace) and Milla (Eliza Scanlen) in 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:10:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Anna-Essie-Davis-and-Henry-Ben-Mendelsohn-in-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Anna (Essie Davis) and Henry (Ben Mendelsohn) in 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:10:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Cinematographer-Andrew-Commis-ACS-with-director-Shannon-Murphy-and-production-designer-Sherree-Phillips-PHOTO-Supplied.jpg</image:loc><image:title>Cinematographer Andrew Commis ACS with director Shannon Murphy and production designer Sherree Phillips - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:10:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Henry-Ben-Mendelsohn-in-a-scene-from-the-film-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Henry (Ben Mendelsohn) in a scene from the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:10:37Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Milla-Eliza-Scanlen-and-Moses-Toby-Wallace-in-a-scene-from-the-film-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Milla (Eliza Scanlen) and Moses (Toby Wallace) in a scene from the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:10:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Milla-Eliza-Scanlen-in-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Milla (Eliza Scanlen) in 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:11:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Moses-Toby-Wallace-in-the-film-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Moses (Toby Wallace) in the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:11:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Moses-Toby-Wallace-and-Milla-Eliza-Scanlen-in-the-film-Babyteeth-DOP-Andrew-Commis-ACS-PHOTO-Lisa-Tomasetti.jpg</image:loc><image:title>Moses (Toby Wallace) and Milla (Eliza Scanlen) in the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Lisa Tomasetti</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:30:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/r0_139_1599_1042_w1200_h678_fmax.jpg</image:loc><image:title>r0_139_1599_1042_w1200_h678_fmax</image:title><image:caption>Milla (Eliza Scanlen) and Moses (Toby Wallace) in a scene from the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/babyteeth/</loc><lastmod>2020-10-24T02:30:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/6000.jpg</image:loc><image:title>6000</image:title><image:caption>Milla (Eliza Scanlen) and Moses (Toby Wallace) in a scene from the film 'Babyteeth' - DOP Andrew Commis ACS, PHOTO Supplied</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/sean-ryan-shoots-horror-film-the-moogai/</loc><lastmod>2020-10-31T02:04:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/Behind-the-scenes-on-The-Moogai-PHOTO-Tess-Peni.jpeg</image:loc><image:title>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:title><image:caption>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/sean-ryan-shoots-horror-film-the-moogai/</loc><lastmod>2020-10-31T02:04:49Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/A-scene-from-The-Moogai-DOP-Sean-Ryan-PHOTO-Tess-Peni.jpeg</image:loc><image:title>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:title><image:caption>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/sean-ryan-shoots-horror-film-the-moogai/</loc><lastmod>2020-10-31T02:10:58Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/10/A-scene-from-The-Moogai-DOP-Sean-Ryan-PHOTO-Tess-Peni-1.jpeg</image:loc><image:title>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:title><image:caption>'The Moogai' (short film) 2020 stills by Tess Peni, Causeway Films</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/when-size-matters/</loc><lastmod>2020-11-07T04:36:21Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Pawel-Actel-ACS-behind-his-own-camera-social-distancing-with-a-tiger-PHOTO-Sean-Dooley.jpg</image:loc><image:title>Pawel Actel ACS behind his own camera, social distancing with a tiger - PHOTO Sean Dooley</image:title><image:caption>Pawel Actel ACS behind his own camera, social distancing with a tiger - PHOTO Sean Dooley</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/when-size-matters/</loc><lastmod>2020-11-07T04:36:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/2.-A-65-million-megapixel-motion-picture-camera-designed-and-built-by-Pawel-Achtel-ACS-PHOTO-Sean-Dooley.jpg</image:loc><image:title>2. A 65-million megapixel motion picture camera, designed and built by Pawel Achtel ACS - PHOTO Sean Dooley</image:title><image:caption>A 65-million megapixel motion picture camera, designed and built by Pawel Achtel ACS - PHOTO Sean Dooley</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/when-size-matters/</loc><lastmod>2020-11-07T04:37:00Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/1.-A-65-million-megapixel-motion-picture-camera-designed-and-built-by-Pawel-Achtel-ACS-PHOTO-Sean-Dooley.jpg</image:loc><image:title>1. A 65-million megapixel motion picture camera, designed and built by Pawel Achtel ACS - PHOTO Sean Dooley</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/when-size-matters/</loc><lastmod>2020-11-07T04:40:56Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/1.-A-65-million-megapixel-motion-picture-camera-designed-and-built-by-Pawel-Achtel-ACS-PHOTO-Sean-Dooley-1.jpg</image:loc><image:title>1. A 65-million megapixel motion picture camera, designed and built by Pawel Achtel ACS - PHOTO Sean Dooley</image:title><image:caption>A 65-million megapixel motion picture camera, designed and built by Pawel Achtel ACS - PHOTO Sean Dooley</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/children-of-the-corn/</loc><lastmod>2020-11-08T02:29:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Actors-Kate-Moyer-and-Elena-Kampouris-with-director-Kurt-Wimmer-between-takes-on-Children-of-the-Corn-PHOTO-Mark-Rodgers.jpg</image:loc><image:title>Actors Kate Moyer and Elena Kampouris with director Kurt Wimmer, between takes on 'Children of the Corn' - PHOTO Mark Rodgers</image:title><image:caption>Actors Kate Moyer and Elena Kampouris with director Kurt Wimmer, between takes on 'Children of the Corn' - PHOTO Mark Rodgers</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/children-of-the-corn/</loc><lastmod>2020-11-08T02:29:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Key-grip-Jason-Weekes-and-his-31-foot-Giraffe-with-crew-on-loactions-shooting-Children-of-the-Corn-PHOTO-Mark-Rodgers.jpg</image:loc><image:title>Key grip Jason Weekes and his 31-foot Giraffe, with crew on loactions shooting 'Children of the Corn' - PHOTO Mark Rodgers</image:title><image:caption>Key grip Jason Weekes and his 31-foot Giraffe, with crew on loactions shooting 'Children of the Corn' - PHOTO Mark Rodgers</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:34:42Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Actor-Jake-Ryan-films-a-scene-Dana-Little-on-Steadicam-while-key-grip-Paul-Murphy-spots-PHOTO-Chris-Moss.jpg</image:loc><image:title>Actor Jake Ryan films a scene, Dana Little on Steadicam while key grip Paul Murphy spots- PHOTO Chris Moss</image:title><image:caption>Actor Jake Ryan films a scene, Dana Little on Steadicam while key grip Paul Murphy spots- PHOTO Chris Moss</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:34:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Actors-James-Matamua-and-Jack-Parker-in-a-scene-from-the-film-Savage-DOP-James-L-Brown-ACS.jpg</image:loc><image:title>Actors James Matamua and Jack Parker in a scene from the film 'Savage' - DOP James L Brown ACS</image:title><image:caption>Actors James Matamua and Jack Parker in a scene from the film 'Savage' - DOP James L Brown ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:34:35Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Danny-Jake-Ryan-in-Savage-DOP-James-L-Brown-ACS.jpg</image:loc><image:title>Danny (Jake Ryan) in 'Savage' - DOP James L Brown ACS</image:title><image:caption>Danny (Jake Ryan) in 'Savage' - DOP James L Brown ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:34:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Danny-Jake-Ryan-in-a-scene-from-Savage-DOP-James-L-Brown-ACS.jpg</image:loc><image:title>Danny (Jake Ryan) in a scene from 'Savage' - DOP James L Brown ACS</image:title><image:caption>Danny (Jake Ryan) in a scene from 'Savage' - DOP James L Brown ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:35:07Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Lily-Italiyah-Wilson-and-Red-Poroaki-McDonald-in-a-scene-from-the-film-Savage-DOP-James-L-Brown-ACS.jpg</image:loc><image:title>Lily (Italiyah Wilson) and Red (Poroaki McDonald) in a scene from the film 'Savage' - DOP James L Brown ACS</image:title><image:caption>Lily (Italiyah Wilson) and Red (Poroaki McDonald) in a scene from the film 'Savage' - DOP James L Brown ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:35:15Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Poroaki-McDonald-and-Jake-Ryan-film-a-scene-in-Savage-cinematographer-James-L-Brown-ACS-behind-the-camera-PHOTO-Chris-Moss.jpg</image:loc><image:title>Poroaki McDonald and Jake Ryan film a scene in 'Savage', cinematographer James L Brown ACS behind the camera - PHOTO Chris Moss</image:title><image:caption>Poroaki McDonald and Jake Ryan film a scene in 'Savage', cinematographer James L Brown ACS behind the camera - PHOTO Chris Moss</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/savage/</loc><lastmod>2020-11-11T22:39:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Screen-Shot-2020-11-12-at-9.37.04-am.png</image:loc><image:title>Screen Shot 2020-11-12 at 9.37.04 am</image:title><image:caption>Danny (Jake Ryan) in a scene from the film 'Savage' - DOP James L Brown ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/swan-lake-bath-ballet/</loc><lastmod>2020-11-19T03:37:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/Dancer-Benjamin-Freemantle-in-Swan-Lake-Bath-Ballet-DOP-Nicola-Daley-ACS.jpg</image:loc><image:title>Dancer Benjamin Freemantle in 'Swan Lake Bath Ballet' - DOP Nicola Daley ACS</image:title><image:caption>Dancer Benjamin Freemantle in 'Swan Lake Bath Ballet' - DOP Nicola Daley ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/subferatu/</loc><lastmod>2020-11-26T04:43:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/A-scene-from-Subferatu-DOP-Craig-Melville.png</image:loc><image:title>A scene from 'Subferatu' - DOP Craig Melville</image:title><image:caption>A scene from 'Subferatu' - DOP Craig Melville</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/subferatu/</loc><lastmod>2020-11-26T04:50:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/A-scene-from-the-film-Subferatu-DOP-Craig-Melville.png</image:loc><image:title>A scene from the film 'Subferatu' - DOP Craig Melville</image:title><image:caption>A scene from the film 'Subferatu' - DOP Craig Melville</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/professional-distancing/</loc><lastmod>2020-11-29T02:11:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/1.-Social-distancing-on-set-with-gaffer-Glenn-Jones-and-art-director-Adam-Head.-Note-the-extended-social-distancing-handlebar-on-the-dolly-for-dolly-grip-Nick-Karam-PHOTO-Patrick-Van-Weeren.jpg</image:loc><image:title>1. Social distancing on set with gaffer Glenn Jones and art director Adam Head. Note the extended social distancing handlebar on the dolly for dolly-grip Nick Karam - PHOTO Patrick Van Weeren</image:title><image:caption>Social distancing on set with gaffer Glenn Jones and art director Adam Head. Note the extended social distancing handlebar on the dolly for dolly-grip Nick Karam - PHOTO Patrick Van Weeren</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/professional-distancing/</loc><lastmod>2020-11-29T02:11:53Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/11/2.-First-assistant-camera-Adrian-Eyre-moves-in-to-adjust-the-wireless-equipment-mounted-on-the-camera-during-one-of-the-first-commercial-shoots-in-the-pandemic-PHOTO-Patrick-Van-Weeren.jpg</image:loc><image:title>2. First assistant camera Adrian Eyre moves in to adjust the wireless equipment mounted on the camera during one of the first commercial shoots in the pandemic - PHOTO Patrick Van Weeren</image:title><image:caption>First assistant camera Adrian Eyre moves in to adjust the wireless equipment mounted on the camera during one of the first commercial shoots in the pandemic - PHOTO Patrick Van Weeren</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T03:59:52Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/A-rain-soaked-Damien-Beebe-behind-the-camera-on-Aiyai-Wrathful-Soul-PHOTO-Kristopher-Bos.jpg</image:loc><image:title>A rain-soaked Damien Beebe behind the camera on 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:title><image:caption>A rain-soaked Damien Beebe behind the camera on 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T03:59:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/A-scene-from-Aiyai-Wrathful-Soul-DOP-Damien-Beebe.jpg</image:loc><image:title>A scene from 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:title><image:caption>A scene from 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T04:00:01Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/A-scene-from-the-film-Aiyai-Wrathful-Soul-DOP-Damien-Beebe.jpg</image:loc><image:title>A scene from the film 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:title><image:caption>A scene from the film 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T04:00:04Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/Cinematographer-Damien-Beebe-holding-Steadicam-and-crew-between-takes-on-Aiyai-Wrathful-Soul-PHOTO-Kristopher-Bos.jpg</image:loc><image:title>Cinematographer Damien Beebe (holding Steadicam) and crew between takes on 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:title><image:caption>Cinematographer Damien Beebe (holding Steadicam) and crew between takes on 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T04:00:08Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/Cinematographer-Damien-Beebe-behind-the-camera-filming-Aiyai-Wrathful-Soul-PHOTO-Kristopher-Bos.jpg</image:loc><image:title>Cinematographer Damien Beebe behind the camera, filming 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:title><image:caption>Cinematographer Damien Beebe behind the camera, filming 'Aiyai Wrathful Soul' - PHOTO Kristopher Bos</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T04:00:11Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/Kiran-Kabir-Singh-and-Sara-Tahlia-Jade-Holt-in-Aiyai-Wrathful-Soul-DOP-Damien-Beebe.jpg</image:loc><image:title>Kiran (Kabir Singh) and Sara (Tahlia Jade Holt) in 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:title><image:caption>Kiran (Kabir Singh) and Sara (Tahlia Jade Holt) in 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/aiyai/</loc><lastmod>2020-12-01T04:00:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/Willie-Marco-Sinigaglia-and-Albert-Richard-Huggett-in-Aiyai-Wrathful-Soul-DOP-Damien-Beebe.jpg</image:loc><image:title>Willie (Marco Sinigaglia) and Albert (Richard Huggett) in 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:title><image:caption>Willie (Marco Sinigaglia) and Albert (Richard Huggett) in 'Aiyai Wrathful Soul' - DOP Damien Beebe</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/apple-man/</loc><lastmod>2020-12-04T01:12:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/A-scene-from-Apple-Man-DOP-Vladimir-Kratinov.png</image:loc><image:title>A scene from 'Apple-Man' - DOP Vladimir Kratinov</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/apple-man/</loc><lastmod>2020-12-04T01:18:14Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/MV5BYjNmOTczNDQtZDcyNi00MGE3LWE2ZmMtOTFhYzhiYmZkOTlkXkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_.jpg</image:loc><image:title>MV5BYjNmOTczNDQtZDcyNi00MGE3LWE2ZmMtOTFhYzhiYmZkOTlkXkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_</image:title><image:caption>A scene from 'Apple-Man' - DOP Vladimir Kratinov</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/apple-man/</loc><lastmod>2020-12-04T01:18:28Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/MV5BNzMzODI1NWMtODZlYS00NTBkLTllNTItNjA5YThjNzY2ODA4XkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_.jpg</image:loc><image:title>MV5BNzMzODI1NWMtODZlYS00NTBkLTllNTItNjA5YThjNzY2ODA4XkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_</image:title><image:caption>A scene from 'Apple-Man' - DOP Vladimir Kratinov</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/09/01/apple-man/</loc><lastmod>2020-12-04T01:18:33Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/MV5BZDAwNzgzZmItYTAzMi00NzBkLTk3ZTQtOTU2ZTRiMmVjNjJiXkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_.jpg</image:loc><image:title>MV5BZDAwNzgzZmItYTAzMi00NzBkLTk3ZTQtOTU2ZTRiMmVjNjJiXkEyXkFqcGdeQXVyODI5Njc4Nzg@._V1_FMjpg_UX1280_</image:title><image:caption>A scene from 'Apple-Man' - DOP Vladimir Kratinov</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:24:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/SweetRiver_01.jpg</image:loc><image:title>SweetRiver_01</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:02Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/NEW-Behind-the-scenes-on-Sweet-River-PHOTO-Supplied.jpg</image:loc><image:title>NEW Behind-the-scenes on 'Sweet River' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/Behind-the-scenes-on-Sweet-River-PHOTO-Supplied.jpg</image:loc><image:title>Behind the scenes on 'Sweet River' - PHOTO Supplied</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/6.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>6. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/5.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>5. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:25Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/4.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>4. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/3.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>3. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/2.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>2. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:25:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/1.-A-scene-from-the-film-Sweet-River-DOP-Tim-Tregoning-ACS.png</image:loc><image:title>1. A scene from the film 'Sweet River' - DOP Tim Tregoning ACS</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/sweet-river/</loc><lastmod>2020-12-26T00:27:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2020/12/NEW-SPLASH-IMAGE-SweetRiver_01_photos_v2_x4.jpg</image:loc><image:title>NEW SPLASH IMAGE - SweetRiver_01_photos_v2_x4</image:title><image:caption></image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/black-and-white/</loc><lastmod>2021-01-12T02:57:34Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/01/Actor-Ben-Mendelsohn-playing-Rupert-Murdoch-with-director-Craig-Lahiff-on-the-set-of-Black-and-White-PHOTO-Brian-McKenzie.jpeg</image:loc><image:title>Actor Ben Mendelsohn playing Rupert Murdoch, with director Craig Lahiff on the set of 'Black and White' - PHOTO Brian McKenzie</image:title><image:caption>Actor Ben Mendelsohn playing Rupert Murdoch, with director Craig Lahiff on the set of 'Black and White' - PHOTO Brian McKenzie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/black-and-white/</loc><lastmod>2021-01-12T02:57:55Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/01/David-Ngoombujarra-as-Max-Stewart-in-Black-and-White-DOP-Geoffrey-Simpson-ACS-PHOTO-Brian-McKenzie.jpg</image:loc><image:title>David Ngoombujarra as Max Stewart in 'Black and White' - DOP Geoffrey Simpson ACS, PHOTO Brian McKenzie</image:title><image:caption>David Ngoombujarra as Max Stewart in 'Black and White' - DOP Geoffrey Simpson ACS, PHOTO Brian McKenzie</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:03:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Travis-Fimmel-leading-as-Marcus-in-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep4 Stills SD19 - 2019/05/16</image:title><image:caption>Raised By Wolves 104 5/16/19 ph: Coco Van Opens  RBW2_160519_Ep4-6043  Raised By Wolves SD19 Scenes: 401pt2/4, 401pt3/4, 401pt4/4</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:03:57Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Mother-played-by-Amanda-Collin-in-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep 103 &amp;amp;104 Stills SD07 - 2019/04/30</image:title><image:caption>Raised By Wolves 104 4/30/19 ph: Coco Van Opens  RBW2_300419_Ep104-1014  Raised By Wolves SD07 Scenes:  428pt2/2, 430,433, 434pt2/2, 435, 436, weather 303</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:04:06Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Marcus-Travis-Fimmel-in-a-scene-from-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B4- Ep7 Stills SD20 - 2019/07/26</image:title><image:caption>Raised By Wolves 108 7/26/19 ph: Coco Van Opens  RBW4_260719_Ep8-2250  Raised By Wolves SD20 Scenes: 733pu</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:04:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Cinematographer-Ross-Emery-ACS-with-camera-operator-Peter-Becher-and-first-assistant-camera-Wynard-Basson-on-location-with-Raised-by-Wolves-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep3 Stills SD22 - 2019/05/21</image:title><image:caption>Raised By Wolves 103 5/21/19 ph: Coco Van Opens  RBW2_210519_Ep3-6359</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:04:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Cinematographer-Ross-Emery-pointing-with-camera-operator-Grant-Appleton-on-location-with-Raised-by-Wolves-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep3 Stills SD22 - 2019/05/21</image:title><image:caption>Raised By Wolves 103 5/21/19 ph: Coco Van Opens  RBW2_210519_Ep3-6361</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:05:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Amanda-Collin-as-Mother-in-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep 103 Stills SD01  - 2019/04/22</image:title><image:caption>Amanda-Collin-as-Mother-in-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/raised-by-wolves/</loc><lastmod>2021-02-03T04:04:45Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-scene-from-Ridley-Scotts-Raised-by-Wolves-DOP-Ross-Emery-ACS-PHOTO-Coco-Van-Oppens.jpg</image:loc><image:title>Raised By Wolves B2- Ep 104 Stills SD11 - 2019/05/06</image:title><image:caption>Raised By Wolves 104 5/6/19 ph: Coco Van Opens  RBW2_060519_Ep104-4422  Raised By Wolves SD11 Scenes: 420pt2/3, 420pt1/3, 421</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/a-delicate-fire/</loc><lastmod>2021-02-08T03:13:43Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/2.-A-scene-from-A-Delicate-Fire-DOP-Dimitri-Zaunders.jpg</image:loc><image:title>2. A scene from 'A Delicate Fire' - DOP Dimitri Zaunders</image:title><image:caption>A scene from 'A Delicate Fire' - DOP Dimitri Zaunders</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/a-delicate-fire/</loc><lastmod>2021-02-08T03:13:48Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/1.-A-scene-from-A-Delicate-Fire-DOP-Dimitri-Zaunders.jpg</image:loc><image:title>1. A scene from 'A Delicate Fire' - DOP Dimitri Zaunders</image:title><image:caption>A scene from 'A Delicate Fire' - DOP Dimitri Zaunders</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/the-plastic-house/</loc><lastmod>2021-02-11T00:09:38Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/b_-A-scene-from-The-Plastic-House-DOP-Allison-Chhorn.jpg.jpg</image:loc><image:title>b_ A scene from 'The Plastic House' - DOP Allison Chhorn.jpg</image:title><image:caption>A scene from 'The Plastic House' - DOP Allison Chhorn</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/the-plastic-house/</loc><lastmod>2021-02-11T00:09:31Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/a_-A-scene-from-The-Plastic-House-DOP-Allison-Chhorn.jpg</image:loc><image:title>a_ A scene from 'The Plastic House' - DOP Allison Chhorn</image:title><image:caption>A scene from 'The Plastic House' - DOP Allison Chhorn</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:12Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Ryan-Kwanten-in-a-scene-from-2067-DOP-Earle-Dresner-ACS.jpg</image:loc><image:title>Ryan Kwanten in a scene from '2067' - DOP Earle Dresner ACS</image:title><image:caption>Ryan Kwanten in a scene from '2067' - DOP Earle Dresner ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:16Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Matt-Richardson-Earle-Dresner-ACS-Matan-Tatarko-Matt-Testro-and-Finn-Little-on-the-set-of-2067-PHOTO-Matt-Byrne.jpg</image:loc><image:title>Matt Richardson, Earle Dresner ACS, Matan Tatarko, Matt Testro and Finn Little on the set of '2067' - PHOTO Matt Byrne</image:title><image:caption>Matt Richardson, Earle Dresner ACS, Matan Tatarko, Matt Testro and Finn Little on the set of '2067' - PHOTO Matt Byrne</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:19Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Kodi-Smit-McPhee-in-2067-DOP-Earle-Dresner-ACS-PHOTO-Matt-Byrne.jpg</image:loc><image:title>Kodi Smit-McPhee in '2067' - DOP Earle Dresner ACS, PHOTO Matt Byrne</image:title><image:caption>Kodi Smit-McPhee in '2067' - DOP Earle Dresner ACS, PHOTO Matt Byrne</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:22Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Ethan-Kodi-Smit-McPhee-in-2067-DOP-Earle-Dresner-ACS.jpg</image:loc><image:title>Ethan (Kodi Smit-McPhee) in '2067' - DOP Earle Dresner ACS</image:title><image:caption>Ethan (Kodi Smit-McPhee) in '2067' - DOP Earle Dresner ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:26Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Earle-Dresner-ACS-behind-the-camera-on-the-set-of-2067-PHOTO-Matt-Byrne.jpg</image:loc><image:title>Earle Dresner ACS, behind the camera, on the set of '2067' - PHOTO Matt Byrne</image:title><image:caption>Earle Dresner ACS, behind the camera, on the set of '2067' - PHOTO Matt Byrne</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:29Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/Cinematographer-Earle-Dresner-ACS-behind-the-viewfinder-lense-on-location-with-2067-PHOTO-Matt-Byrne.jpg</image:loc><image:title>Cinematographer Earle Dresner ACS, behind the viewfinder lense, on location with '2067' - PHOTO Matt Byrne</image:title><image:caption>Cinematographer Earle Dresner ACS, behind the viewfinder lense, on location with '2067' - PHOTO Matt Byrne</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:32Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/a.-A-scene-from-2067-DOP-Earle-Dresner-ACS.jpg</image:loc><image:title>a. A scene from '2067' - DOP Earle Dresner ACS</image:title><image:caption>a. A scene from '2067' - DOP Earle Dresner ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:36Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-scene-from-Seth-Larneys-2067-DOP-Earle-Dresner-ACS.jpg</image:loc><image:title>A scene from Seth Larney's '2067' - DOP Earle Dresner ACS</image:title><image:caption>A scene from Seth Larney's '2067' - DOP Earle Dresner ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/2067/</loc><lastmod>2021-02-11T00:25:41Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-scene-from-2067-DOP-Earle-Dresner-ACS.jpg</image:loc><image:title>A scene from '2067' - DOP Earle Dresner ACS</image:title><image:caption>A scene from '2067' - DOP Earle Dresner ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/5sos/</loc><lastmod>2021-02-11T00:46:03Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-scene-from-the-5-Seconds-of-Summer-music-video-Old-Me-DOP-Kieran-Fowler-NZCS-ACS.jpg</image:loc><image:title>A scene from the 5 Seconds of Summer music video 'Old Me' - DOP Kieran Fowler NZCS ACS</image:title><image:caption>A scene from the 5 Seconds of Summer music video 'Old Me' - DOP Kieran Fowler NZCS ACS</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/5sos/</loc><lastmod>2021-02-11T00:45:59Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-scene-from-the-5-Seconds-of-Summers-Old-Me-music-video-DOP-Kieran-Fowler-NZCS-ACS.jpg.jpg</image:loc><image:title>A scene from the 5 Seconds of Summer's 'Old Me' music video - DOP Kieran Fowler NZCS ACS.jpg</image:title><image:caption>A scene from the 5 Seconds of Summer's 'Old Me' music video - DOP Kieran Fowler NZCS ACS.jpg</image:caption></image:image></url><url><loc>https://acmag.com.au/2020/12/01/5sos/</loc><lastmod>2021-02-11T00:45:51Z</lastmod><image:image><image:loc>https://acmag.com.au/wp-content/uploads/2021/02/A-shot-from-5-Seconds-of-Summer-Old-Me-music-video-DOP-Kieran-Fowler-NZCS-ACS.jpg.jpg</image:loc><image:title>A shot from 5 Seconds of Summer 'Old Me' music video - DOP Kieran Fowler NZCS ACS.jpg</image:title><image:caption></image:caption></image:image></url></urlset>
